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Juliana Steinbach - Liszt, Debussy & Mussorgsky: Pictures (2017) [Hi-Res]

Juliana Steinbach - Liszt, Debussy & Mussorgsky: Pictures (2017) [Hi-Res]

BAND/ARTIST: Juliana Steinbach

  • Title: Liszt, Debussy & Mussorgsky: Pictures
  • Year Of Release: 2017
  • Label: Pavane Records
  • Genre: Classical Piano
  • Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:14:27
  • Total Size: 307 / 632 mb
  • WebSite:
Tracklist

01. Années de pèlerinage, 3ème année, S. 163/4: Les jeux d'eau à la Villa d'Este
02. Images, Livre I, L. 110: I. Reflets dans l'eau
03. Images, Livre I, L. 110: II. Hommage à Rameau
04. Images, Livre I, L. 110: III. Mouvement
05. Images, Livre II, L. 111: I. Cloches à travers les feuilles
06. Images, Livre II, L. 111: II. Et la lune descend sur le temple qui fut
07. Images, Livre II, L. 111: III. Poissons d'or
08. L'isle joyeuse, L. 106
09. Pictures at an Exhibition: Promenade I
10. Pictures at an Exhibition: I. Gnomus
11. Pictures at an Exhibition: II. Il Vecchio Castello
12. Pictures at an Exhibition: III. Tuileries
13. Pictures at an Exhibition: IV. Bydło
14. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
15. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
16. Pictures at an Exhibition: Promenade II
17. Pictures at an Exhibition: VII. Limoges. The Market Place
18. Pictures at an Exhibition: VIII. Catacombae. Cum mortuis in lingua mortua
19. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yagá)
20. Pictures at an Exhibition: X. The Great Gate of Kiev

Juliana Steinbach - Liszt, Debussy & Mussorgsky: Pictures (2017) [Hi-Res]


The landscapes, images and scenes presented in this program give rise to a whole series of visions, impressions and evocations. The performer becomes a poet, a painter, a sculptor of sounds, a sensitive and alert dreamer in Liszt and Debussy, then a story-teller and an actor who projects a thousand different faces in Mussorgsky. While the three composers’ initial intention (in Jeux d’eau à la Villa d’Este, Images and Pictures) appears to have been a descriptive one, the aesthetic aim clearly goes far beyond the mere imitation or recreation in sound of a landscape or a scene. For the composer, it is a question of sublimating the impression received, while the interpreter embodies it in every sense; the performer paints a picture, immerses himself in it and imperceptibly becomes that picture.


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