Wiener Philharmoniker - Wiener Philharmoniker - Beethoven (2021)
BAND/ARTIST: Wiener Philharmoniker, Yehudi Menuhin, Sir Simon Rattle, Wilhelm Furtwängler, Franz Bierbach, Gottlob Frick, Martha Mödl, Alwin Hendricks, Otto Edelmann
- Title: Wiener Philharmoniker - Beethoven
- Year Of Release: 2021
- Label: Warner Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 7:43:44
- Total Size: 1.6 GB
- WebSite: Album Preview
Tracklist:
01. Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
02. Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
03. Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
04. Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
05. Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio
06. Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto
07. Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
08. Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
09. Beethoven: Coriolan Overture, Op. 62
10. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
11. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
12. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
13. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Allegro molto - Poco andante - Presto
14. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
15. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
16. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
17. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
18. Beethoven: Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
19. Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto
20. Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
21. Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
22. Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
23. Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro -
24. Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
25. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro
26. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
27. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
28. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
29. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
30. Beethoven: Fidelio, Op. 72: Overture
31. Beethoven: Fidelio, Op. 72, Act I: "Abscheulicher!" - Aria. "Komm, Hoffnung" (Leonore)
32. Beethoven: Fidelio, Op. 72, Act I: "O, welche Lust!" (Chor, Gefangener)
33. Beethoven: Fidelio, Op. 72, Act I: "Nun sprecht, wie ging's?" - Duett. "Noch heute!"(Leonore, Rocco)
34. Beethoven: Fidelio, Op. 72, Act I: "Ach! Varter, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor)
35. Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
36. Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
37. Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
38. Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
39. Beethoven: Leonore Overture No. 3, Op. 72b
40. Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
41. Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
42. Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
43. Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
44. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
45. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto
46. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
47. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai
48. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Töne!" (Ode to Joy)
01. Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
02. Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
03. Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
04. Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
05. Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio
06. Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto
07. Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
08. Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
09. Beethoven: Coriolan Overture, Op. 62
10. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
11. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
12. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
13. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Allegro molto - Poco andante - Presto
14. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
15. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
16. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
17. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
18. Beethoven: Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
19. Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto
20. Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
21. Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
22. Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
23. Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro -
24. Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
25. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro
26. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
27. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
28. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
29. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
30. Beethoven: Fidelio, Op. 72: Overture
31. Beethoven: Fidelio, Op. 72, Act I: "Abscheulicher!" - Aria. "Komm, Hoffnung" (Leonore)
32. Beethoven: Fidelio, Op. 72, Act I: "O, welche Lust!" (Chor, Gefangener)
33. Beethoven: Fidelio, Op. 72, Act I: "Nun sprecht, wie ging's?" - Duett. "Noch heute!"(Leonore, Rocco)
34. Beethoven: Fidelio, Op. 72, Act I: "Ach! Varter, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor)
35. Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
36. Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
37. Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
38. Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
39. Beethoven: Leonore Overture No. 3, Op. 72b
40. Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
41. Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
42. Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
43. Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
44. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
45. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto
46. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
47. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai
48. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Töne!" (Ode to Joy)
Since its inception in 1842, the Wiener Philharmoniker (or Vienna Philharmonic Orchestra in English) has represented the best in the Central European orchestral tradition. Before the Wiener Philharmoniker was founded, there was no permanent, professional orchestra to be found outside the opera halls in the city of Mozart, Haydn, and Beethoven. The Wiener Philharmoniker is one of the most traditional orchestras in the world today, with much-beloved traditions, like the annual New Year's concerts of waltzes by the Strauss family.
In 1833, Franz Lachner, conductor at the Hofoper, had formed a musicians' association from the ranks of the opera orchestras to play symphonic music, but this was a temporary endeavor. Nine years later, a group of music critics and other interested parties persuaded Otto Nicolai, principal conductor of the Kärntertortheater, to conduct the first Wiener Philharmoniker concert at the Grosser Redoutensaal (Great Ballroom) on March 28, 1842. The group was founded as the first completely self-governing orchestra, and it has remained so ever since. Although concerts were irregular until 1860, the orchestra quickly built up a reputation. From 1860 to 1875, Otto Dessoff was the permanent conductor, bringing the music of Brahms, Wagner, and Liszt into the concert halls. Hans Richter succeeded Dessoff and conducted the orchestra until 1898, introducing Bruckner and Dvorák to Viennese audiences. Both of these conductors played major roles in establishing the Wiener Philharmoniker as one of the finest orchestras in the world. During this time, the Wiener Philharmoniker had numerous premieres of now-classic works such as Brahms' Second Symphony and Bruckner's Eighth; sometimes, as in the case of Bruckner's Third, the premiere was conducted by the composer himself. The great Gustav Mahler conducted from 1898 to 1901, but his tenure was marked by dissension within the orchestra.
The longest-term conductor of the post-Mahler era was Felix Weingartner, from 1908 to 1927. He was beloved by the orchestra for his measured, classical style and, in particular, for his Beethoven interpretations. From 1933 to 1938, the revered conductors Bruno Walter and Wilhelm Furtwängler shared the subscription concerts; after Hitler's annexation of Austria in 1938, the Nazi Party dissolved the orchestra, but the decision was reversed after Furtwängler intervened. The Wiener Philharmoniker led an uneasy life during the war but afterward reclaimed its place in the world's orchestral pantheon. The list of conductors who have led Wiener Philharmoniker subscription concerts reads like an honor roll of maestros; Richard Strauss, Arturo Toscanini, Herbert von Karajan, and Leonard Bernstein have each taken turns at the podium.
The Wiener Philharmoniker has held an annual New Year's Day Concert of Strauss family works, particularly those of Johann II, since 1941 when Clemens Krauss began the tradition; the first of these concerts was actually held on New Year's Eve in 1939, after which the concert has occurred on New Year's Day. Riccardo Muti led the orchestra in its 80th New Year's concert in 2021, marking his sixth appearance in the series. While some of its traditions are revered, others have come under fire in recent years. Though the Wiener Philharmoniker premiered a lot of music in its early days, it now prefers to play mostly music written before 1900, which created a controversy at the Salzburg Festival during the 1990s. The orchestra also refused until 1997 to accept a female musician as a full member, threatening to disband rather than cave in to political pressure. The first woman member of the Wiener Philharmoniker was harpist Anna Lelkes, who was granted full membership after 26 years of service. Simone Young was the first woman to conduct the Wiener Philharmoniker in 2005, and in 2008, Albena Danailova became the orchestra's first female concertmaster. Historically, the Wiener Philharmoniker has opposed hiring musicians who are not Central European in order to preserve what is perceived as a unique quality of sound. While the orchestra's policies may be controversial, it cannot be disputed that the Wiener Philharmoniker is one of the world's finest orchestras, performing with exceptional finesse and clarity, with a beautifully blended woodwind and brass sound that meshes perfectly with its subtle, lush strings.
The Wiener Philharmoniker is celebrated on 24-carat gold bullion coins issued by the Austrian Mint. In 2006, the design of the coinage was featured by Austrian Airlines on its airplanes to promote both the orchestra and the sale of the coins, which are among the most popular with investors. ~ Andrew Lindemann Malone
In 1833, Franz Lachner, conductor at the Hofoper, had formed a musicians' association from the ranks of the opera orchestras to play symphonic music, but this was a temporary endeavor. Nine years later, a group of music critics and other interested parties persuaded Otto Nicolai, principal conductor of the Kärntertortheater, to conduct the first Wiener Philharmoniker concert at the Grosser Redoutensaal (Great Ballroom) on March 28, 1842. The group was founded as the first completely self-governing orchestra, and it has remained so ever since. Although concerts were irregular until 1860, the orchestra quickly built up a reputation. From 1860 to 1875, Otto Dessoff was the permanent conductor, bringing the music of Brahms, Wagner, and Liszt into the concert halls. Hans Richter succeeded Dessoff and conducted the orchestra until 1898, introducing Bruckner and Dvorák to Viennese audiences. Both of these conductors played major roles in establishing the Wiener Philharmoniker as one of the finest orchestras in the world. During this time, the Wiener Philharmoniker had numerous premieres of now-classic works such as Brahms' Second Symphony and Bruckner's Eighth; sometimes, as in the case of Bruckner's Third, the premiere was conducted by the composer himself. The great Gustav Mahler conducted from 1898 to 1901, but his tenure was marked by dissension within the orchestra.
The longest-term conductor of the post-Mahler era was Felix Weingartner, from 1908 to 1927. He was beloved by the orchestra for his measured, classical style and, in particular, for his Beethoven interpretations. From 1933 to 1938, the revered conductors Bruno Walter and Wilhelm Furtwängler shared the subscription concerts; after Hitler's annexation of Austria in 1938, the Nazi Party dissolved the orchestra, but the decision was reversed after Furtwängler intervened. The Wiener Philharmoniker led an uneasy life during the war but afterward reclaimed its place in the world's orchestral pantheon. The list of conductors who have led Wiener Philharmoniker subscription concerts reads like an honor roll of maestros; Richard Strauss, Arturo Toscanini, Herbert von Karajan, and Leonard Bernstein have each taken turns at the podium.
The Wiener Philharmoniker has held an annual New Year's Day Concert of Strauss family works, particularly those of Johann II, since 1941 when Clemens Krauss began the tradition; the first of these concerts was actually held on New Year's Eve in 1939, after which the concert has occurred on New Year's Day. Riccardo Muti led the orchestra in its 80th New Year's concert in 2021, marking his sixth appearance in the series. While some of its traditions are revered, others have come under fire in recent years. Though the Wiener Philharmoniker premiered a lot of music in its early days, it now prefers to play mostly music written before 1900, which created a controversy at the Salzburg Festival during the 1990s. The orchestra also refused until 1997 to accept a female musician as a full member, threatening to disband rather than cave in to political pressure. The first woman member of the Wiener Philharmoniker was harpist Anna Lelkes, who was granted full membership after 26 years of service. Simone Young was the first woman to conduct the Wiener Philharmoniker in 2005, and in 2008, Albena Danailova became the orchestra's first female concertmaster. Historically, the Wiener Philharmoniker has opposed hiring musicians who are not Central European in order to preserve what is perceived as a unique quality of sound. While the orchestra's policies may be controversial, it cannot be disputed that the Wiener Philharmoniker is one of the world's finest orchestras, performing with exceptional finesse and clarity, with a beautifully blended woodwind and brass sound that meshes perfectly with its subtle, lush strings.
The Wiener Philharmoniker is celebrated on 24-carat gold bullion coins issued by the Austrian Mint. In 2006, the design of the coinage was featured by Austrian Airlines on its airplanes to promote both the orchestra and the sale of the coins, which are among the most popular with investors. ~ Andrew Lindemann Malone
Year 2021 | Classical | FLAC / APE
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