Carolin Widmann, Jörg Widmann - Pierre Boulez: Anthèmes & Dialogue de l'ombre double (2021) [Hi-Res]
![Carolin Widmann, Jörg Widmann - Pierre Boulez: Anthèmes & Dialogue de l'ombre double (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-07/1626367409_carolin-widmann-pierre-boulez-anthemes-dialogue-de-lombre-double-2021.jpg)
BAND/ARTIST: Carolin Widmann, Jörg Widmann
- Title: Pierre Boulez: Anthèmes & Dialogue de l'ombre double
- Year Of Release: 2021
- Label: NEOS Music
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 00:48:28
- Total Size: 212 / 402 mb
- WebSite: Album Preview
Tracklist
01. Anthèmes I
02. Dialogue de l'ombre double: Sigle Initial
03. Dialogue de l'ombre double: Strophe I
04. Dialogue de l'ombre double: Transition I à II
05. Dialogue de l'ombre double: Strophe II
06. Dialogue de l'ombre double: Transition II à III
07. Dialogue de l'ombre double: Strophe III
08. Dialogue de l'ombre double: Transition III à IV
09. Dialogue de l'ombre double: Strophe IV
10. Dialogue de l'ombre double: Transition IV à V
11. Dialogue de l'ombre double: Strophe V
12. Dialogue de l'ombre double: Transition V à VI
13. Dialogue de l'ombre double: Strophe VI
14. Dialogue de l'ombre double: Sigle Final
15. Anthèmes II: Libre
16. Anthèmes II: I. Très lent, avec beaucoup de flexibilité
17. Anthèmes II: II. Rapide, dynamique, très rythmique, rigide
18. Anthèmes II: III. Lent
19. Anthèmes II: IV. Agité, instable
20. Anthèmes II: V. Très lent - Subitement nerveux et extrêmement irrégulier
21. Anthèmes II: VIa. Allant, assez serré dans le tempo
22. Anthèmes II: VIb. Calme, régulier - Agité - Brusque
23. Anthèmes II: VIc. Calme, sans traîner, d'un mouvement très régulier
![Carolin Widmann, Jörg Widmann - Pierre Boulez: Anthèmes & Dialogue de l'ombre double (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-07/1626367471_71kixpx7v7s__ac_sl1450_.jpg)
The program on this CD focuses on two essential aspects of Pierre Boulez's uvre: his love of theater and his consistent search for ways of spatializing sounds through electronics.
In "Dialogue de l'ombre double" from 1985 it is still a pre-produced tape recorded by the interpreter himself which, together with the live sounds, symbolizes the clarinetist's "double shadow". In "Anthèmes 2", written around ten years later, the acoustic labyrinth in which the soloist finds herself is generated entirely by means of live electronics. The basic idea for this was already laid out in "Anthèmes 1" for solo violin, created in 1991 as a mandatory work for the Yehudi Menuhin competition.
Pierre Boulez has worked with the SWR Experimental Studio since it was founded in the early 1970s. In this recording the instrumental parts were excellently cast with Carolin and Jorg Widmann.
01. Anthèmes I
02. Dialogue de l'ombre double: Sigle Initial
03. Dialogue de l'ombre double: Strophe I
04. Dialogue de l'ombre double: Transition I à II
05. Dialogue de l'ombre double: Strophe II
06. Dialogue de l'ombre double: Transition II à III
07. Dialogue de l'ombre double: Strophe III
08. Dialogue de l'ombre double: Transition III à IV
09. Dialogue de l'ombre double: Strophe IV
10. Dialogue de l'ombre double: Transition IV à V
11. Dialogue de l'ombre double: Strophe V
12. Dialogue de l'ombre double: Transition V à VI
13. Dialogue de l'ombre double: Strophe VI
14. Dialogue de l'ombre double: Sigle Final
15. Anthèmes II: Libre
16. Anthèmes II: I. Très lent, avec beaucoup de flexibilité
17. Anthèmes II: II. Rapide, dynamique, très rythmique, rigide
18. Anthèmes II: III. Lent
19. Anthèmes II: IV. Agité, instable
20. Anthèmes II: V. Très lent - Subitement nerveux et extrêmement irrégulier
21. Anthèmes II: VIa. Allant, assez serré dans le tempo
22. Anthèmes II: VIb. Calme, régulier - Agité - Brusque
23. Anthèmes II: VIc. Calme, sans traîner, d'un mouvement très régulier
The program on this CD focuses on two essential aspects of Pierre Boulez's uvre: his love of theater and his consistent search for ways of spatializing sounds through electronics.
In "Dialogue de l'ombre double" from 1985 it is still a pre-produced tape recorded by the interpreter himself which, together with the live sounds, symbolizes the clarinetist's "double shadow". In "Anthèmes 2", written around ten years later, the acoustic labyrinth in which the soloist finds herself is generated entirely by means of live electronics. The basic idea for this was already laid out in "Anthèmes 1" for solo violin, created in 1991 as a mandatory work for the Yehudi Menuhin competition.
Pierre Boulez has worked with the SWR Experimental Studio since it was founded in the early 1970s. In this recording the instrumental parts were excellently cast with Carolin and Jorg Widmann.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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