Maurizio Zaccaria, Leonardo Grittani - Schubert: Music for Flute & Piano (2018) [Hi-Res]
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BAND/ARTIST: Maurizio Zaccaria, Leonardo Grittani
- Title: Schubert: Music for Flute & Piano
- Year Of Release: 2018
- Label: Aevea Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz
- Total Time: 01:08:23
- Total Size: 301 mb / 1.05 gb
- WebSite: Album Preview
Tracklist
01. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): I. Allegro moderato
02. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): II. Adagio
03. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): III. Allegretto
04. Winterreise, Op. 89, D. 911 (Excerpts Arr. T. Boehm for Flute & Piano): No. 1, Gute Nacht
05. Winterreise, Op. 89, D. 911 (Excerpts Arr. T. Boehm for Flute & Piano): No. 5, Der Lindenbaum
06. Standchen, D. 889 "Horch, horch! die Lerch" (Arr. T. Boehm for Flute & Piano)
07. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Introduction. Andante
08. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Theme. Andantino
09. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 1
10. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 2
11. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 3
12. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 4
13. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 5
14. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 6
15. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 7, Allegro
16. Schwanengesang, D. 957 (Arr. T. Boehm for Flute & Piano): No. 12, Am Meer. Sehr langsam
17. Schwanengesang, D. 957 (Arr. T. Boehm for Flute & Piano): No. 10, Das Fischermädchen. Etwas geschwind
18. Die Taubenpost, D. 965a (Arr. T. Boehm for Flute & Piano)
“ What i produce is due to my understanding of music and to my sorrow”.
This is what Franz Schubert wrote in his diary, showing two of his utmost foundations of his art: his refined quest for the secrets of musical harmony and his cognition of sorrow. These two traits have accompanied him throughout his 32 years of life. But it was Ludwing van Beethoven who lived in the same period, to revive him a “divine flame”.
These perspectives are probably some valuable keys to understand and listen to this record on the whole, in which both the “divine” and the “sorrow” play a major role, as emblems of the secret behind Schubert’s grace.
01. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): I. Allegro moderato
02. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): II. Adagio
03. Sonata in A Minor, D. 821 "Arpeggione" (Arr. P.L. Graf for Flute & Piano): III. Allegretto
04. Winterreise, Op. 89, D. 911 (Excerpts Arr. T. Boehm for Flute & Piano): No. 1, Gute Nacht
05. Winterreise, Op. 89, D. 911 (Excerpts Arr. T. Boehm for Flute & Piano): No. 5, Der Lindenbaum
06. Standchen, D. 889 "Horch, horch! die Lerch" (Arr. T. Boehm for Flute & Piano)
07. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Introduction. Andante
08. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Theme. Andantino
09. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 1
10. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 2
11. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 3
12. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 4
13. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 5
14. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 6
15. Introduction & Variations on Trockne Blumen from "Die Schöne Müllerin", Op. 160, D. 802: Var. 7, Allegro
16. Schwanengesang, D. 957 (Arr. T. Boehm for Flute & Piano): No. 12, Am Meer. Sehr langsam
17. Schwanengesang, D. 957 (Arr. T. Boehm for Flute & Piano): No. 10, Das Fischermädchen. Etwas geschwind
18. Die Taubenpost, D. 965a (Arr. T. Boehm for Flute & Piano)
“ What i produce is due to my understanding of music and to my sorrow”.
This is what Franz Schubert wrote in his diary, showing two of his utmost foundations of his art: his refined quest for the secrets of musical harmony and his cognition of sorrow. These two traits have accompanied him throughout his 32 years of life. But it was Ludwing van Beethoven who lived in the same period, to revive him a “divine flame”.
These perspectives are probably some valuable keys to understand and listen to this record on the whole, in which both the “divine” and the “sorrow” play a major role, as emblems of the secret behind Schubert’s grace.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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