Luca Fanfoni - Bach: The Sonatas and Partitas for Solo Violin, BWV 1001-1006 (2014)
BAND/ARTIST: Luca Fanfoni
- Title: Bach: The Sonatas and Partitas for Solo Violin, BWV 1001-1006
- Year Of Release: 2014
- Label: Dynamic
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 2:15:30
- Total Size: 737 MB
- WebSite: Album Preview
Tracklist:
Sonata for solo violin No. 1 in G minor, BWV1001
01. I. Adagio
02. II. Fuga. Allegro
03. III. Siciliana
04. IV. Presto
Partita for solo violin No. 1 in B minor, BWV1002
05. I. Allemanda
06. II. Double
07. III. Corrente
08. IV. Double
09. V. Sarabanda
10. VI. Double
11. VII. Tempo di Bourea
12. VIII. Double
Sonata for solo violin No. 2 in A minor, BWV1003
13. I. Grave
14. II. Fuga
15. III. Andante
16. IV. Allegro
Partita for solo violin No. 2 in D minor, BWV1004
17. I. Allemanda
18. II. Corrente
19. III. Sarabanda
20. IV. Giga
21. V. Ciaccona
Sonata for solo violin No. 3 in C major, BWV1005
22. I. Adagio
23. II. Fuga
24. III. Largo
25. IV. Allegro Assai
Partita for solo violin No. 3 in E major, BWV1006
26. I. Preludio
27. II. Loure
28. III. Gavotte en Rondeau
29. IV. Menuett I-II
30. VI. Bourrée
31. VII. Gigue
Sonata for solo violin No. 1 in G minor, BWV1001
01. I. Adagio
02. II. Fuga. Allegro
03. III. Siciliana
04. IV. Presto
Partita for solo violin No. 1 in B minor, BWV1002
05. I. Allemanda
06. II. Double
07. III. Corrente
08. IV. Double
09. V. Sarabanda
10. VI. Double
11. VII. Tempo di Bourea
12. VIII. Double
Sonata for solo violin No. 2 in A minor, BWV1003
13. I. Grave
14. II. Fuga
15. III. Andante
16. IV. Allegro
Partita for solo violin No. 2 in D minor, BWV1004
17. I. Allemanda
18. II. Corrente
19. III. Sarabanda
20. IV. Giga
21. V. Ciaccona
Sonata for solo violin No. 3 in C major, BWV1005
22. I. Adagio
23. II. Fuga
24. III. Largo
25. IV. Allegro Assai
Partita for solo violin No. 3 in E major, BWV1006
26. I. Preludio
27. II. Loure
28. III. Gavotte en Rondeau
29. IV. Menuett I-II
30. VI. Bourrée
31. VII. Gigue
This disc is a compendium of Bach’s violin artistry, where 18th-century stylistic connotations are set aside in favour of a musical invention that appears free from any marked temporal designation.
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