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Zvi Emanuel-Marial - Revelation: Alto Arias (2021)

Zvi Emanuel-Marial - Revelation: Alto Arias (2021)

BAND/ARTIST: Zvi Emanuel-Marial

  • Title: Revelation: Alto Arias
  • Year Of Release: 2021
  • Label: haenssler CLASSIC
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 54:50 min
  • Total Size: 249 MB
  • WebSite:
Zvi Emanuel-Marial - Revelation: Alto Arias (2021)

Tracklist:

01. St. Matthew Passion, BWV 244: No. 39, Erbarme dich, mein Gott
02. St. John Passion, BWV 245: No. 7, Von den Stricken meiner Sünden
03. Weihnachtsoratorium, BWV 248 (Excerpts): No. 4, Bereite dich, Zion, mit zärtlichen Trieben
04. Weihnachtsoratorium, BWV 248 (Excerpts): No. 31, Schließe, mein Herze, dies selige Wunder
05. Mass in B Minor, BWV 232 (Excerpts): Ij. Qui sedes ad dexteram Patris
06. Mass in B Minor, BWV 232 (Excerpts): IVd. Agnus Dei
07. Geist und Seele wird verwirret, BWV 35, Pt. 1: I. Sinfonia in D Minor
08. Geist und Seele wird verwirret, BWV 35, Pt. 1: II. Geist und Seele wird verwirret
09. Geist und Seele wird verwirret, BWV 35, Pt. 1: III. Ich wundre mich
10. Geist und Seele wird verwirret, BWV 35, Pt. 1: IV. Gott hat alles wohlgemacht!
11. Geist und Seele wird verwirret, BWV 35, Pt. 2: V. Sinfonia in D Minor
12. Geist und Seele wird verwirret, BWV 35, Pt. 2: VI. Ach, starker Gott, laß mich
13. Geist und Seele wird verwirret, BWV 35, Pt. 2: VII. Ich wünsche nur bei Gott zu leben


When Johann Sebastian Bach assumed the position of Thomaskantor in Leipzig in 1723, he did so having previously affirmed to the City authorities by contractual guarantee that the music he was to compose for divine service in the pious mercantile city would not sound operatic. Another of the unalterable customs in Leipzig was that the high voice parts in church music should not be sung by women, a widely applied consequence drawn from the counsel of the Apostle Paul. [“Let your women keep silence in the churches: for it is not permitted unto them to speak” (1 Corinthians 14:34, KJV). - Translator’s note] This album is the proof that Bach set his sacred works to music whose emotional and dramatic force stood comparison with the best operatic music of his day.


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  •  wrote in 05:06
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