Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunkchor Köln, Stefan Parkman - Nordic Choral Music (2021) [Hi-Res]
![Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunkchor Köln, Stefan Parkman - Nordic Choral Music (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-01/1610646390_jugendkonzertchor-der-chorakademie-dortmund-nordic-choral-music-2021.jpg)
BAND/ARTIST: Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunkchor Köln, Stefan Parkman
- Title: Nordic Choral Music
- Year Of Release: 2021
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork) / / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:12:44
- Total Size: 292 / 705 mb
- WebSite: Album Preview
Tracklist
01. I himmelen, i himmelen
02. Ubi caritas
03. Sommarpsalm
04. Stillae
05. Till Österland (Arr. H. Parkman for Soprano & Choir)
06. Maria IV (Here Is Thy Heaven)
07. Sanctus (Version for Mixed Choir)
08. Immortal Bach, Op. 153 (After Bach's BWV 478)
09. Biegga luohte
10. Gaudet mater
11. 3 Romantic Chorus Songs: No. 1, Min yndlingsdal
12. Flos ut rosa floruit (Version for Mixed Choir)
13. Shall I Compare Thee to a Summer’s Day
14. Canticum calamitatis maritimae
15. Die erste Elegie
![Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunkchor Köln, Stefan Parkman - Nordic Choral Music (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-07/1625407278_71jifnjbapl__sl1200_.jpg)
Sagas, myths, vast realms. Snow-capped mountains, dark forests and an overarching stillness and peace. The cultures of Scandinavia have always exerted a huge fascination over people. Scandinavian music is often purported to possess a mystical and “typically Nordic” sound, and even if such a causal association cannot be applied in too much of a sweeping generalization, there are nevertheless frequently recurring characteristics: in particular, in the post-war generation there developed in Scandinavian choral music a strong orientation towards folk music and folk songs; choral singing became a significant medium of expression in middle-class music circles.
The important relationship between human beings and Nature – as a result of the strong influence in Scandinavia of the changing seasons on people’s everyday lives – along with fundamental questions about life and death were ever-present topics in those countries’ choral music. Using modern-day musical resources, many works emerged in vernacular style and the boundaries between the art song and the folk song became blurred. Contemporary trends developed swiftly, the human voice was deployed in far more diverse ways than ever before: speaking, screaming, clucking, whistling and so on all took on equal weight within Scandinavian choral music together with improvisation and the use of empty syllables. Novel sounds and unusual scores were soon setting the tone and new standards on the Scandinavian choral scene began leading to a continual professionalisation that was to make waves across all of Europe.
01. I himmelen, i himmelen
02. Ubi caritas
03. Sommarpsalm
04. Stillae
05. Till Österland (Arr. H. Parkman for Soprano & Choir)
06. Maria IV (Here Is Thy Heaven)
07. Sanctus (Version for Mixed Choir)
08. Immortal Bach, Op. 153 (After Bach's BWV 478)
09. Biegga luohte
10. Gaudet mater
11. 3 Romantic Chorus Songs: No. 1, Min yndlingsdal
12. Flos ut rosa floruit (Version for Mixed Choir)
13. Shall I Compare Thee to a Summer’s Day
14. Canticum calamitatis maritimae
15. Die erste Elegie
Sagas, myths, vast realms. Snow-capped mountains, dark forests and an overarching stillness and peace. The cultures of Scandinavia have always exerted a huge fascination over people. Scandinavian music is often purported to possess a mystical and “typically Nordic” sound, and even if such a causal association cannot be applied in too much of a sweeping generalization, there are nevertheless frequently recurring characteristics: in particular, in the post-war generation there developed in Scandinavian choral music a strong orientation towards folk music and folk songs; choral singing became a significant medium of expression in middle-class music circles.
The important relationship between human beings and Nature – as a result of the strong influence in Scandinavia of the changing seasons on people’s everyday lives – along with fundamental questions about life and death were ever-present topics in those countries’ choral music. Using modern-day musical resources, many works emerged in vernacular style and the boundaries between the art song and the folk song became blurred. Contemporary trends developed swiftly, the human voice was deployed in far more diverse ways than ever before: speaking, screaming, clucking, whistling and so on all took on equal weight within Scandinavian choral music together with improvisation and the use of empty syllables. Novel sounds and unusual scores were soon setting the tone and new standards on the Scandinavian choral scene began leading to a continual professionalisation that was to make waves across all of Europe.
Year 2021 | Classical | FLAC / APE | CD-Rip | HD & Vinyl
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