Krzysztof Kaczka, Jarosław Nadrzycki, L'Appassionata, Lorenzo Gugole - J.S. Bach: Concertos for Violin & Flute (2021) [Hi-Res]
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BAND/ARTIST: Krzysztof Kaczka, Jarosław Nadrzycki, L'Appassionata, Lorenzo Gugole
- Title: J.S. Bach: Concertos for Violin & Flute
- Year Of Release: 2021
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
- Total Time: 00:51:05
- Total Size: 274 / 552 mb
- WebSite: Album Preview
Tracklist
01. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): I. Allegro
02. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): II. Adagio
03. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): III. Allegro
04. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): I. Allegro
05. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): II. Largo
06. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): III. Presto
07. Violin Concerto in A Minor, BWV 1041: I. Allegro
08. Violin Concerto in A Minor, BWV 1041: II. Andante
09. Violin Concerto in A Minor, BWV 1041: III. Allegro assai
10. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): I. Vivace
11. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): II. Largo ma non tanto
12. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): III. Allegro
How would have Bach composed if he had had access to modern instrumentarium: a violin with Tourte’s bow that produces a higher volume of sound, a trumpet with an entire chromatic scale or a contemporary grand piano? Would he be inspired by the art of virtuosos of today, such as the Leipzig ensemble of Collegium Musicum, as he was known to have composed for distinguished artists? Would he forgive pop or computer game composers for using his music? How would he judge changes in the key of pieces, which played a vital role in the intellectual and emotional rendition of music according to Baroque rules? Or else, would he adjust to the vibe of our epoch and make use of samples instead of real performers?
In any case, he would definitely appreciate the interpretations by Jaroslaw Nadrzycki, Krzysztof Kaczka and L’Appasionata, a Verona-based chamber orchestra. The energy that these young musicians display while playing Bach’s pieces would certainly match the composer’s spirit. If we observe Bach’s portraits for which he would pose in a dignified wig as we listen to his grand music, we might think that Bach was a placid and serious man. Yet not once did his contemporaries have to cope with his fits of anger or turbulent character; on the contrary, he must have also been high-spirited and humorous, which we may deduce from his numerous pieces.
01. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): I. Allegro
02. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): II. Adagio
03. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): III. Allegro
04. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): I. Allegro
05. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): II. Largo
06. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): III. Presto
07. Violin Concerto in A Minor, BWV 1041: I. Allegro
08. Violin Concerto in A Minor, BWV 1041: II. Andante
09. Violin Concerto in A Minor, BWV 1041: III. Allegro assai
10. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): I. Vivace
11. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): II. Largo ma non tanto
12. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): III. Allegro
How would have Bach composed if he had had access to modern instrumentarium: a violin with Tourte’s bow that produces a higher volume of sound, a trumpet with an entire chromatic scale or a contemporary grand piano? Would he be inspired by the art of virtuosos of today, such as the Leipzig ensemble of Collegium Musicum, as he was known to have composed for distinguished artists? Would he forgive pop or computer game composers for using his music? How would he judge changes in the key of pieces, which played a vital role in the intellectual and emotional rendition of music according to Baroque rules? Or else, would he adjust to the vibe of our epoch and make use of samples instead of real performers?
In any case, he would definitely appreciate the interpretations by Jaroslaw Nadrzycki, Krzysztof Kaczka and L’Appasionata, a Verona-based chamber orchestra. The energy that these young musicians display while playing Bach’s pieces would certainly match the composer’s spirit. If we observe Bach’s portraits for which he would pose in a dignified wig as we listen to his grand music, we might think that Bach was a placid and serious man. Yet not once did his contemporaries have to cope with his fits of anger or turbulent character; on the contrary, he must have also been high-spirited and humorous, which we may deduce from his numerous pieces.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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