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Zuzana Ferjencikova - Liszt: Complete Organ Works, Vol. 1 (2020)

Zuzana Ferjencikova - Liszt: Complete Organ Works, Vol. 1 (2020)

BAND/ARTIST: Zuzana Ferjencikova

  • Title: Liszt: Complete Organ Works, Vol. 1
  • Year Of Release: 2020
  • Label: MDG Scene
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:16:16
  • Total Size: 277 Mb
  • WebSite:
Tracklist:

1. Prelude and Fugue on Bach for Organ(First Version, 1855) 11:49
2. Ave Maria I für Orgel 08:40
3. Kantate „Ich hatte viel Bekümmernis“ für Orgel, BWV 21: Einleitung und Fuge 05:15
4. Kantate „Aus tiefer Not schrei ich zu dir“ für Orgel, BWV 38 (Arr. für Orgel) 08:18
5. Sonate No. 4 für Orgel, BWV 1017: III. Adagio 05:03
6. Fest-Ouvertüre über den Choral für Orgel: Ein feste Burg ist unser Gott (Arr. für Orgel) 10:12
7. Motette für Orgel: Regina coeli lætare 05:04
8. Einleitung, Fuge und Magnificata für Orgel (Aus der Symphonie zu Dantes "Divina Commedia") 17:11
9. Regina coeli lætare (Choir Organ by Sebald Manderscheidt) for Organ 04:44

Performers:
Zuzana Ferjenčíková (organ)

Franz Liszt certainly would have been very pleased with Zuzana Ferjen 269;íkovás selection of the Aloys Mooser organ in the Fribourg Cathedral for the first release of her complete recording of his organ works. Liszt himself travelled to Fribourg with George Sand in 1836 in order to have this instrument presented to him. Inspired by this marvellous organ, he then repeatedly wrote compositions and transcriptions for performance on the organ, constantly expanding the sound panorama to keep up with the advances in organ design. A surprise comes right at the beginning when Ferjen 269;íková presents the famous Prelude and Fugue on B-A-C-H in the very rarely performed original version premiered by the Liszt pupil Alexander Winterberger at the Merseburg Cathedral in 1856. Ferjen 269;íkovás program selections demonstrate just how broad Liszts interest was in the music of his contemporaries and earlier generations. Here we find transcriptions ranging from Bach to Otto Nicolai, recorded in the very finest SACD technology and can be admired in its full tonal splendour in the best 3-D sound.




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