Jose Carreras - Ariel Ramirez: Misa Criolla (2008)
BAND/ARTIST: Jose Carreras
- Title: Ariel Ramirez: Misa Criolla
- Year Of Release: 2008
- Label: Lim
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:43:20
- Total Size: 212 mb
- WebSite: Album Preview
Tracklist
01. Misa Criolla, for tenor, piano, chorus & orchestra Kyrie
02. Misa Criolla, for tenor, piano, chorus & orchestra Gloria
03. Misa Criolla, for tenor, piano, chorus & orchestra Credo
04. Misa Criolla, for tenor, piano, chorus & orchestra Sanctus
05. Misa Criolla, for tenor, piano, chorus & orchestra Agnus Dei
06. Navedad en Verano, cantata, for tenor, piano & chorus Arranged by Damian Sanchez
07. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Anunciacion (chamame)
08. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Peregrinacion (huella pampeana)
09. Navedad Nuestra, cantata, for tenor, chorus & orchestra El Nacimiento (vidala catamarquena)
10. Navedad Nuestra, cantata, for tenor, chorus & orchestra Los Pastores (chaya riojana)
11. Navedad Nuestra, cantata, for tenor, chorus & orchestra Los Reyes Magos (takirari)
12. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Huida (vidala tucumana)
When Ariel Ramirez recorded his Creole Mass in October 1964 in Buenos Aires one could sense it was a work of universal appeal, but no one could have foreseen its enormous success. The original recording, released in 40 countries, sold more than three million copies and the score was published in the United States by Lawson-Gould Music Publishers Inc., in Canada by the Ministry of Culture and in Argentina by Pigal-Lagos. The first public performance, conducted by the composer, was in the Rheinhalle, Dusseldorf, on March 12, 1967. The Mass, sung to a Castillian text approved in 1963 by the Liturgical Commission for Latin America, is a striking combination of the composer's own melodies and traditional Argentinian and Hispano-American regional forms and rhythms. The forces involved are a soloist (or vocal duo), a choir of at least 40 mixed voices, organ (or piano), and an instrumental ensemble featuring the charango (a five-stringed guitar), quena (a rustic flute), siku (Bolivian panpipes), and a wide variety of regional percussion instruments.
01. Misa Criolla, for tenor, piano, chorus & orchestra Kyrie
02. Misa Criolla, for tenor, piano, chorus & orchestra Gloria
03. Misa Criolla, for tenor, piano, chorus & orchestra Credo
04. Misa Criolla, for tenor, piano, chorus & orchestra Sanctus
05. Misa Criolla, for tenor, piano, chorus & orchestra Agnus Dei
06. Navedad en Verano, cantata, for tenor, piano & chorus Arranged by Damian Sanchez
07. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Anunciacion (chamame)
08. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Peregrinacion (huella pampeana)
09. Navedad Nuestra, cantata, for tenor, chorus & orchestra El Nacimiento (vidala catamarquena)
10. Navedad Nuestra, cantata, for tenor, chorus & orchestra Los Pastores (chaya riojana)
11. Navedad Nuestra, cantata, for tenor, chorus & orchestra Los Reyes Magos (takirari)
12. Navedad Nuestra, cantata, for tenor, chorus & orchestra La Huida (vidala tucumana)
When Ariel Ramirez recorded his Creole Mass in October 1964 in Buenos Aires one could sense it was a work of universal appeal, but no one could have foreseen its enormous success. The original recording, released in 40 countries, sold more than three million copies and the score was published in the United States by Lawson-Gould Music Publishers Inc., in Canada by the Ministry of Culture and in Argentina by Pigal-Lagos. The first public performance, conducted by the composer, was in the Rheinhalle, Dusseldorf, on March 12, 1967. The Mass, sung to a Castillian text approved in 1963 by the Liturgical Commission for Latin America, is a striking combination of the composer's own melodies and traditional Argentinian and Hispano-American regional forms and rhythms. The forces involved are a soloist (or vocal duo), a choir of at least 40 mixed voices, organ (or piano), and an instrumental ensemble featuring the charango (a five-stringed guitar), quena (a rustic flute), siku (Bolivian panpipes), and a wide variety of regional percussion instruments.
Classical | FLAC / APE | CD-Rip
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