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Elena Fischer-Dieskau - Schumann: Kreisleriana - Brahms: Two Rhapsodies, Seven Fantasies (2021) [Hi-Res]

Elena Fischer-Dieskau - Schumann: Kreisleriana - Brahms: Two Rhapsodies, Seven Fantasies (2021) [Hi-Res]
  • Title: Schumann: Kreisleriana - Brahms: Two Rhapsodies, Seven Fantasies
  • Year Of Release: 2021
  • Label: Delphian Records
  • Genre: Classical Piano
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:14:18
  • Total Size: 255 mb / 1.13 gb
  • WebSite:
Tracklist

01. Seven Fantasies, Op. 116: I. Capriccio, Presto energico
02. Seven Fantasies, Op. 116: II. Intermezzo, Andante
03. Seven Fantasies, Op. 116: III. Capriccio, Allegro passionato
04. Seven Fantasies, Op. 116: IV. Intermezzo, Adagio
05. Seven Fantasies, Op. 116: V. Intermezzo, Andante con grazia ed intimissimo sentimento
06. Seven Fantasies, Op. 116: VI. Intermezzo, Andantino teneramente
07. Seven Fantasies, Op. 116: VII. Capriccio, Allegro agitato
08. Kreisleriana, Op. 16: I. Äußerst bewegt
09. Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
10. Kreisleriana, Op. 16: III. Sehr aufgeregt
11. Kreisleriana, Op. 16: IV. Sehr langsam
12. Kreisleriana, Op. 16: V. Sehr lebhaft
13. Kreisleriana, Op. 16: VI. Sehr langsam
14. Kreisleriana, Op. 16: VII. Sehr rasch
15. Kreisleriana, Op. 16: VIII. Schnell und spielend
16. Two Rhapsodies, Op. 79: No. 1 in B Minor, Agitato
17. Two Rhapsodies, Op. 79: No. 2 in G Minor, Molto passionato,ma non troppo allegro

Elena Fischer-Dieskau - Schumann: Kreisleriana - Brahms: Two Rhapsodies, Seven Fantasies (2021) [Hi-Res]


Clara Wieck, who in 1840 was to become Clara Schumann, was a significant figure in the lives both of her husband Robert and of Johannes Brahms, to whom the Schumanns became mentors. The double inspirations of Clara and of the writer E.T.A. Hoffmann’s fictional Kapellmeister Johannes Kreisler are the connecting threads on this debut recording by pianist Elena Fischer-Dieskau, in which Robert’s capricious, moody Kreisleriana is joined by two sets of piano pieces by Brahms.

These three works – all of which Clara read in manuscript directly after their composition – reflect youth, maturity and old age. Fischer-Dieskau, member of a musical family which from her grandfather onwards has been deeply associated with the music of the Romantics, captures their wide spectrum of expression, from impulsiveness to autumnal mastery.


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