Jakob Spahn - Britten: Cello Suites (2021) [Hi-Res]
BAND/ARTIST: Jakob Spahn
- Title: Britten: Cello Suites
- Year Of Release: 2021
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:09:47
- Total Size: 297 mb / 1.18 gb
- WebSite: Album Preview
Tracklist
01. Cello Suite No. 1, Op. 72: I. Canto primo. Sostenuto e largamente
02. Cello Suite No. 1, Op. 72: II. Fuga. Andante moderato
03. Cello Suite No. 1, Op. 72: III. Lamento. Lento rubato
04. Cello Suite No. 1, Op. 72: IV. Canto secondo. Sostenuto
05. Cello Suite No. 1, Op. 72: V. Serenata. Allegretto pizzicato
06. Cello Suite No. 1, Op. 72: VI. Marcia. Alla marcia moderato
07. Cello Suite No. 1, Op. 72: VII. Canto terzo. Sostenuto
08. Cello Suite No. 1, Op. 72: VIII. Bordone. Moderato quasi recitativo
09. Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quarto. Presto
10. Cello Suite No. 2, Op. 80: I. Declamato. Largo
11. Cello Suite No. 2, Op. 80: II. Fuga. Andante
12. Cello Suite No. 2, Op. 80: III. Scherzo. Allegro molto
13. Cello Suite No. 2, Op. 80: IV. Andante lento
14. Cello Suite No. 2, Op. 80: V. Ciaconna. Allegro
15. Cello Suite No. 3, Op. 87: I. Introduzione. Lento
16. Cello Suite No. 3, Op. 87: II. Marcia. Allegro
17. Cello Suite No. 3, Op. 87: III. Canto. Con moto
18. Cello Suite No. 3, Op. 87: IV. Barcarolla. Lento
19. Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto
20. Cello Suite No. 3, Op. 87: VI. Fuga. Andante espressivo
21. Cello Suite No. 3, Op. 87: VII. Recitativo. Fantastico
22. Cello Suite No. 3, Op. 87: VIII. Moto perpetuo. Presto
23. Cello Suite No. 3, Op. 87: IX. Passacaglia. Lento solenne
24. Tema "Sacher"
"Gift Voucher: six Suites for Slava" - This note, scribbled on a paper napkin was a promise supposedly made in 1964 by Benjamin Britten to the cellist Mstislav "Slava" Rostropovich. It would appear that he wanted to compose for his friend a contemporary counterpart to Bach's Solo Suites, which for any cellist are a sort of Old Testament in the cello repertoire. Britten took Baroque dance movements as a model and formed them into modern character pieces. Both from the point of view of form and tone, they exude a kinship and affinity with Johann Sebastian Bach. The fact that he actually only composed three suites was due to Britten's poor health and his death not long afterwards. Jakob Spahn was born in Berlin. He attained his soloist's diploma with distinction. He is a prizewinner of numerous nation al and intern ati on al competitions. 2011 Jakob Spahn was appointed solo cellist with the Bavarian State Opera in Munich. He has recorded Penderecki's First Cello Concerto and all of the works for solo cello for CD under the direction of the composer. In 2018 the Hanssler Classic label released a recording of Friedrich Gu Ida's Cello Concerto and Tchaikovsky's Rococo Variations. Jakob Spahn teaches as a professor at the NUrnberg College of Music and regularly gives master classes.
01. Cello Suite No. 1, Op. 72: I. Canto primo. Sostenuto e largamente
02. Cello Suite No. 1, Op. 72: II. Fuga. Andante moderato
03. Cello Suite No. 1, Op. 72: III. Lamento. Lento rubato
04. Cello Suite No. 1, Op. 72: IV. Canto secondo. Sostenuto
05. Cello Suite No. 1, Op. 72: V. Serenata. Allegretto pizzicato
06. Cello Suite No. 1, Op. 72: VI. Marcia. Alla marcia moderato
07. Cello Suite No. 1, Op. 72: VII. Canto terzo. Sostenuto
08. Cello Suite No. 1, Op. 72: VIII. Bordone. Moderato quasi recitativo
09. Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quarto. Presto
10. Cello Suite No. 2, Op. 80: I. Declamato. Largo
11. Cello Suite No. 2, Op. 80: II. Fuga. Andante
12. Cello Suite No. 2, Op. 80: III. Scherzo. Allegro molto
13. Cello Suite No. 2, Op. 80: IV. Andante lento
14. Cello Suite No. 2, Op. 80: V. Ciaconna. Allegro
15. Cello Suite No. 3, Op. 87: I. Introduzione. Lento
16. Cello Suite No. 3, Op. 87: II. Marcia. Allegro
17. Cello Suite No. 3, Op. 87: III. Canto. Con moto
18. Cello Suite No. 3, Op. 87: IV. Barcarolla. Lento
19. Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto
20. Cello Suite No. 3, Op. 87: VI. Fuga. Andante espressivo
21. Cello Suite No. 3, Op. 87: VII. Recitativo. Fantastico
22. Cello Suite No. 3, Op. 87: VIII. Moto perpetuo. Presto
23. Cello Suite No. 3, Op. 87: IX. Passacaglia. Lento solenne
24. Tema "Sacher"
"Gift Voucher: six Suites for Slava" - This note, scribbled on a paper napkin was a promise supposedly made in 1964 by Benjamin Britten to the cellist Mstislav "Slava" Rostropovich. It would appear that he wanted to compose for his friend a contemporary counterpart to Bach's Solo Suites, which for any cellist are a sort of Old Testament in the cello repertoire. Britten took Baroque dance movements as a model and formed them into modern character pieces. Both from the point of view of form and tone, they exude a kinship and affinity with Johann Sebastian Bach. The fact that he actually only composed three suites was due to Britten's poor health and his death not long afterwards. Jakob Spahn was born in Berlin. He attained his soloist's diploma with distinction. He is a prizewinner of numerous nation al and intern ati on al competitions. 2011 Jakob Spahn was appointed solo cellist with the Bavarian State Opera in Munich. He has recorded Penderecki's First Cello Concerto and all of the works for solo cello for CD under the direction of the composer. In 2018 the Hanssler Classic label released a recording of Friedrich Gu Ida's Cello Concerto and Tchaikovsky's Rococo Variations. Jakob Spahn teaches as a professor at the NUrnberg College of Music and regularly gives master classes.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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