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Antonio Banderas, Orquesta Filarmónica de Málaga, Marco Frisina - Marco Frisina: Passio Christi (2021) [Hi-Res]

Antonio Banderas, Orquesta Filarmónica de Málaga, Marco Frisina - Marco Frisina: Passio Christi (2021) [Hi-Res]
  • Title: Marco Frisina: Passio Christi
  • Year Of Release: 2021
  • Label: IBS Classical
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:56:42
  • Total Size: 582 mb / 1.09 gb
  • WebSite:
Tracklist

CD1
01. Passio Christi: No. 1, Prologo. L'ultima cena
02. Passio Christi: No. 2, Getsemani
03. Passio Christi: No. 3, Il Sinedrio
04. Passio Christi: No. 4, Rinnegamenti di Pietro
05. Passio Christi: No. 5, Pianto di Pietro
06. Passio Christi: No. 6, Rimorso di Giuda
07. Passio Christi: No. 7, Pilato
08. Passio Christi: No. 8, Flagellazione
09. Passio Christi: No. 9, O visage
10. Passio Christi: No. 10, La condanna

CD2
01. Passio Christi: No. 11, Sulla via del Calvario
02. Passio Christi: No. 12, He Never Spoke
03. Passio Christi: No. 13, La crocifissione
04. Passio Christi: No. 14, Il buon ladrone
05. Passio Christi: No. 15, Giuda e Pietro
06. Passio Christi: No. 16, Gesù e sua Madre
07. Passio Christi: No. 17, Morte di Gesù
08. Passio Christi: No. 18, La lancia
09. Passio Christi: No. 19, Longino e deposizione
10. Passio Christi: No. 20, Pianto di Maria
11. Passio Christi: No. 21, Sepoltura
12. Passio Christi: No. 22, Finale

Antonio Banderas, Orquesta Filarmónica de Málaga, Marco Frisina - Marco Frisina: Passio Christi (2021) [Hi-Res]


The Opera-Oratorio “Passio Christi” narrates the events of the Lord’s Passion from the Last Supper to the dawn of Resurrection. The story is told through the feelings and emotions of some of the characters who took part in it in various ways: Peter, Judas, the Virgin Mary, Mary Magdalene, the Cyrenean, the soldier Longinus and the Angels. Each character sings the verses of the saints and poets of the world in a different language (Italian, English, French, Russian, Spanish, Latin and ancient Greek) to represent the whole world before the mystery of human suffering. The dramatic structure of the Opera follows the ancient structure of the Sacred Representations: in fact, its original form is designed for dramatization and scenic action. The events of the Gospel are interspersed with the arias of the various characters, which constitute a sort of cinematographic “still image”.


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  • Nanashi Gonbei
  •  wrote in 02:11
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Hi-Res Broken link.