Nefesh Mountain - Beneath The Open Sky (2018)
BAND/ARTIST: Nefesh Mountain
- Title: Beneath The Open Sky
- Year Of Release: 2018
- Label: Self Produced
- Genre: Country, Folk, Bluegrass
- Quality: Flac (tracks)
- Total Time: 51:29
- Total Size: 332 MB
- WebSite: Album Preview
Tracklist:
1. Bound For The Promised Land (Feat. Sam Bush & Jerry Douglas) (4:06)
2. I Want To Hear Somebody Pray (Feat. Sam Bush & Jerry Douglas) (4:13)
3. A Mighty Roar (Feat. Sam Bush & Tony Trischka) (4:02)
4. The Narrow Bridge (Feat. Sam Bush, Jerry Douglas & David Grier) (5:20)
5. Halleluyah (Feat. Sam Bush, Jerry Douglas & David Grier) (4:25)
6. Eretz's Reel (Feat. Sam Bush, Jerry Douglas & David Grier) (5:19)
7. On And On (L'dor Vador) [Feat. Sam Bush & Jerry Douglas] (6:20)
8. Wild Mountain Thyme (Feat. Sam Bush, Jerry Douglas & Tony Trischka) (5:04)
9. Kitchen Gal (Feat. Sam Bush & Tony Trischka) (3:51)
10. Oseh Shalom (Feat. Sam Bush, Jerry Douglas & Tony Trischka) (6:04)
11. Russian Lullaby (2:40)
1. Bound For The Promised Land (Feat. Sam Bush & Jerry Douglas) (4:06)
2. I Want To Hear Somebody Pray (Feat. Sam Bush & Jerry Douglas) (4:13)
3. A Mighty Roar (Feat. Sam Bush & Tony Trischka) (4:02)
4. The Narrow Bridge (Feat. Sam Bush, Jerry Douglas & David Grier) (5:20)
5. Halleluyah (Feat. Sam Bush, Jerry Douglas & David Grier) (4:25)
6. Eretz's Reel (Feat. Sam Bush, Jerry Douglas & David Grier) (5:19)
7. On And On (L'dor Vador) [Feat. Sam Bush & Jerry Douglas] (6:20)
8. Wild Mountain Thyme (Feat. Sam Bush, Jerry Douglas & Tony Trischka) (5:04)
9. Kitchen Gal (Feat. Sam Bush & Tony Trischka) (3:51)
10. Oseh Shalom (Feat. Sam Bush, Jerry Douglas & Tony Trischka) (6:04)
11. Russian Lullaby (2:40)
are few and far between these days. Nefesh Mountain’s sophomore full-length effort is the best of medicines, one fortified with essential vitamins and minerals, lightly stirred with a fresh take on bluegrass infused with Jewish traditional parameters reimagined into its very own deity. The messages are remarkably steadfast, at times one in the same and almost interchangeable.
The locomotive push ahead is a “mighty roar,” due in part to the dream backing band of Sam Bush’s mandolin, Jerry Douglas’ dobro, Tony Trischka’s banjo, and David Grier’s guitar picking. The coal-fired engine is Doni Zasloff’s essential singing, coupled with husband and bandmate Eric Lindberg’s own powerful vocal prowess and virtuosic approach to not only banjo, but also guitar, and touring bandmates Alan Grugner’s fiddle and Tim Kiath’s bass. How’s that for around the horn?! If this is progressive, consider me progressed. The sound is crisp, clear, magical, an instant favorite, the type of record that cleanses the dirt underneath, in between, and unforeseen.
The music is perfection, uplifting and withholding at the same time. Impeccably picked rumbles at times set to Hebrew vocals as Zasloff and Lindberg’s genius thought of exposing the intrinsic alignment in not only the overall roots of traditional Jewish ditties but the message behind the songs and those of Appalachian front porch picking decent. That part is beyond cool, but, even outside of religion and heritage, it’s the music –outstanding bluegrass from New York natives tracked in Nashville with a veritable all-star backing band.
This is one of the finest, wholly bluegrass records one will hear in not only 2018 but as a touchstone moving forward. For those uninitiated, it’s basically the bluegrass version of the 1992 Dream Team Olympic basketball roster. You might remember Lithuania had the Grateful Dead-donated tie-dyes, but we had Bird, Magic, Jordan, Clyde, Barkley, and Laettner on the bench … what a simpler time! For an escape from 2018, my ears, mind, soul will be glued Beneath The Open Sky.
The locomotive push ahead is a “mighty roar,” due in part to the dream backing band of Sam Bush’s mandolin, Jerry Douglas’ dobro, Tony Trischka’s banjo, and David Grier’s guitar picking. The coal-fired engine is Doni Zasloff’s essential singing, coupled with husband and bandmate Eric Lindberg’s own powerful vocal prowess and virtuosic approach to not only banjo, but also guitar, and touring bandmates Alan Grugner’s fiddle and Tim Kiath’s bass. How’s that for around the horn?! If this is progressive, consider me progressed. The sound is crisp, clear, magical, an instant favorite, the type of record that cleanses the dirt underneath, in between, and unforeseen.
The music is perfection, uplifting and withholding at the same time. Impeccably picked rumbles at times set to Hebrew vocals as Zasloff and Lindberg’s genius thought of exposing the intrinsic alignment in not only the overall roots of traditional Jewish ditties but the message behind the songs and those of Appalachian front porch picking decent. That part is beyond cool, but, even outside of religion and heritage, it’s the music –outstanding bluegrass from New York natives tracked in Nashville with a veritable all-star backing band.
This is one of the finest, wholly bluegrass records one will hear in not only 2018 but as a touchstone moving forward. For those uninitiated, it’s basically the bluegrass version of the 1992 Dream Team Olympic basketball roster. You might remember Lithuania had the Grateful Dead-donated tie-dyes, but we had Bird, Magic, Jordan, Clyde, Barkley, and Laettner on the bench … what a simpler time! For an escape from 2018, my ears, mind, soul will be glued Beneath The Open Sky.
Year 2018 | Country | Folk | FLAC / APE
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