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Miles Davis - The Cellar Door Sessions 1970 (2006)

Miles Davis - The Cellar Door Sessions 1970 (2006)

BAND/ARTIST: Miles Davis

  • Title: The Cellar Door Sessions 1970
  • Year Of Release: 2006
  • Label: Columbia, Legacy [C6K 93614]
  • Genre: Jazz, Jazz Fusion
  • Quality: FLAC (tracks + .cue,log)
  • Total Time: 5:52:04
  • Total Size: 2,1 GB(+3%)
  • WebSite:
Tracklist

Disc 1:

01. Directions (8:55)
02. Yesternow (17:05)
03. What I Say (13:12)
04. Improvisation #1 (4:29)
05. Inamorata (13:59)

Disc 2:

01. What I Say (13:33)
02. Honky Tonk (19:59)
03. It's About That Time (14:41)
04. Improvisation #2 (6:39)
05. Inamorata (14:33)
06. Sanctuary (0:30)

Disc 3:

01. Directions (13:11)
02. Honky Tonk (18:31)
03. What I Say (15:09)

Disc 4:

01. Directions (11:53)
02. Honky Tonk (17:00)
03. What I Say (14:12)
04. Sanctuary (2:03)
05. Improvisation #3 (5:04)
06. Inamorata (15:14)

Disc 5:

01. Directions (15:09)
02. Honky Tonk (20:49)
03. What I Say (21:31)

Disc 6:

01. Directions (19:04)
02. Improvisation #4 (5:03)
03. Inamorata (18:27)
04. Sanctuary (2:12)
05. It's About That Time (7:49)
Miles Davis - The Cellar Door Sessions 1970 (2006)

personnel :

Miles Davis: electric trumpet with wah-wah
Gary Bartz: soprano sax and alto sax, flute
Keith Jarrett: Fender Rhodes electric piano, Fender Contempo organ
Michael Henderson: electric bass
Jack DeJohnette: drums
Airto Moreira: percussion, cuica (CDs 2, 3, 4, 5, 6)

Guest:

John McLaughlin: electric guitar (CDs 5, 6 only)

These mythical, Washington, DC December dates, released for the first in this impressive six-CD compilation, are an extension of Miles Davis's fusion LP, Live-Evil. Daviss piercing, electronically altered trumpet tones fire up of his young Turks; keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson , percussionist Airto Moreira, saxophonist Gary Bartz, and guitarist John McLaughlin. Davis's acoustic fans hated the adventurous and extended, jazz-rock excursions of selections like "Directions," "What I Say," and "It's About That Time," but there was no denying the complex interplay and improvisations, especially with Jarrett's rare Fender Rhodes electric piano and organ solos. Bartz's snaky, alto and soprano sax lines are equally astounding in this context, as is McLaughlin's "Hendrixsation" of the jazz guitar tradition. Davis bragged that he could "put together the greatest rock n' roll band you ever heard." He came pretty close to doing just that. --Eugene Holley, Jr.



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  • Jazzneo
  •  wrote in 19:47
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