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Mariana Flores, Julie Roset & Cappella Mediterranea - Sigismondo d’India: Lamenti & sospiri (2021) [Hi-Res]

Mariana Flores, Julie Roset & Cappella Mediterranea - Sigismondo d’India: Lamenti & sospiri (2021) [Hi-Res]
  • Title: Sigismondo d’India: Lamenti & sospiri
  • Year Of Release: 2021
  • Label: Ricercar
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:31:54
  • Total Size: 353 MB / 1.54 GB
  • WebSite:
Tracklist:

CD1
1. Ardo, lassa, o non ardo? (4:25)
2. Piangono al pianger moi (5:17)
3. Mercè! grido piangendo (3:40)
4. Chi nudrisce tua speme (3:49)
5. Io viddi in terra angelici costumi (3:56)
6. Voi che ascoltate in rime sparse (3:39)
7. Dialogo della rosa (3:47)
8. Or che ‘l ciel e la terra (2:05)
9. Canzona cromatica (2:17)
10. Lamentatione d’Olympia (12:13)

CD2
1. Torna il sereno Zefiro (5:11)
2. Odi quel rosignolo (9:23)
3. Mentre che ‘l cor (4:22)
4. Pallidetta qual viola (2:01)
5. La tra ‘l sangue e le morti (3:31)
6. Sprezzami bionda e fuggimi (3:40)
7. Infelice Didone (12:10)
8. Su su prendi la cetra o Pastore (3:55)
9. Un di soletto (2:44)

With Leonardo García Alarcón’s Cappella Mediterranea, Mariana Flores and the young soprano Julie Roset present a fascinating portrait of one of the greatest personalities in the history of music: Sigismondo d’India.

Leonardo García Alarcón writes: ‘Sigismondo d’India has a “twin”, a “mirror” in music: Claudio Monteverdi. Both men developed, in parallel, a style that radically changed the history of music. A style inherited from composers such as Luca Marenzio and Carlo Gesualdo, but which d’India and Monteverdi were to transform through the creation of new techniques, theorised by the latter in 1638 under the name seconda pratica, which consisted in breaking the rules of counterpoint in order to express heightened emotion. This is why I like to call Sigismondo d’India’s style “mannerist” – not in the sense of “mannered” as it is sometimes misinterpreted – so as to underline the crucial role played by composers like d’India and Monteverdi in effecting the transition between Renaissance and Baroque. Like the disegno artists of that period, who exaggerated the gesture and form of the Renaissance figure, like Michelangelo Buonarroti in his Sistine Chapel, Sigismondo d’India brings us back to a language, the fruit of the sophisticated reworking of a heritage.’


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  • platico
  •  wrote in 00:52
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    • 0
gracias...
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  • olga1001
  •  wrote in 16:15
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    • 2
Booklet for lossless is on idagio.com

https://booklets.idagio.com/5400439004290.pdf

What fascinating soloists with different personalities but like sisters :))
And BC, intertwined plucked and bowed instruments !
Here García Alarcón shows us intimate aspects, different from usual !?
Thank you also for 24-96 ^.^
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  • gibheid
  •  wrote in 05:28
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    • 0
Thanks sddd.