Belcanto Chorus, Martino Faggiani, Roma Sinfonietta, Gabriele Bonolis - Verdi: Un giorno di regno (2014)
BAND/ARTIST: Belcanto Chorus, Martino Faggiani, Roma Sinfonietta, Gabriele Bonolis
- Title: Verdi: Un giorno di regno
- Year Of Release: 2014
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:48:21
- Total Size: 419 MB
- WebSite: Album Preview
Tracklist:
DISC 1
01. Sinfonia
02. Act I: Mai non rise
03. Act I: Tesoriere garbatissimo
04. Act I: Per si fausto matrimonio
05. Act I: Sua Maesta, signori
06. Act I: Compagnoni di Parigi
07. Act I: Verra pur troppo il giorno
08. Act I: Al doppio matrimonio
09. Act I: Sire, tremante io vengo
10. Act I: Ah, non m'hanno ingannata!
11. Act I: Si festevole mattina
12. Act I: Non san quant'io nel petto
13. Act I: Ebben, Giulietta mia
14. Act I: Cara Giulia, alfin ti vedo
15. Act I: In te, cugina, io spero
16. Act I: Bella speranza invero!
17. Act I: Quanto diceste
18. Act I: Diletto genero
19. Act I: Tesorier, io creder voglio
20. Act I: In qual punto
21. Act I: Ola, spiegatemi tosto, o barone
DISC 2
01. Act II: Ma le nozze non si fanno
02. Act II: Buoni amici
03. Act II: Pietoso al lungo pianto
04. Act II: Fini la sorte rea?
05. Act II: Deh lasciata a un'alma amante
06. Act II: Bene, scudiero
07. Act II: Un mio castello!
08. Act II: Ch'io non possa il ver comprendere?
09. Act II: Nipote, in quest'istante
10. Act II: Perche dunque non vien?
11. Act II: Ma voi tacete, o Sire?
12. Act II: Oh me felice appieno
13. Act II: Si, caro Conte!
14. Act II: A tal colpo
15. Act II: Sire, venne in quest'istante
16. Act II: Eh, Facciamo
DISC 1
01. Sinfonia
02. Act I: Mai non rise
03. Act I: Tesoriere garbatissimo
04. Act I: Per si fausto matrimonio
05. Act I: Sua Maesta, signori
06. Act I: Compagnoni di Parigi
07. Act I: Verra pur troppo il giorno
08. Act I: Al doppio matrimonio
09. Act I: Sire, tremante io vengo
10. Act I: Ah, non m'hanno ingannata!
11. Act I: Si festevole mattina
12. Act I: Non san quant'io nel petto
13. Act I: Ebben, Giulietta mia
14. Act I: Cara Giulia, alfin ti vedo
15. Act I: In te, cugina, io spero
16. Act I: Bella speranza invero!
17. Act I: Quanto diceste
18. Act I: Diletto genero
19. Act I: Tesorier, io creder voglio
20. Act I: In qual punto
21. Act I: Ola, spiegatemi tosto, o barone
DISC 2
01. Act II: Ma le nozze non si fanno
02. Act II: Buoni amici
03. Act II: Pietoso al lungo pianto
04. Act II: Fini la sorte rea?
05. Act II: Deh lasciata a un'alma amante
06. Act II: Bene, scudiero
07. Act II: Un mio castello!
08. Act II: Ch'io non possa il ver comprendere?
09. Act II: Nipote, in quest'istante
10. Act II: Perche dunque non vien?
11. Act II: Ma voi tacete, o Sire?
12. Act II: Oh me felice appieno
13. Act II: Si, caro Conte!
14. Act II: A tal colpo
15. Act II: Sire, venne in quest'istante
16. Act II: Eh, Facciamo
Verdi’s early production includes an opera, Un giorno di regno, that had a particularly unlucky fate. After the success of his first opera, 'Oberto, conte di San Bonifacio', Verdi was given the task, by the impresario Bartolomeo Merelli, of composing a comic opera for the Teatro alla Scala;, but this work coincided with the death of his wife, which took place shortly after the death of his two sons.
The levity of the subject-matter of this opera was inevitably incompatible with Verdi’s grief. His opera was a complete fiasco at the premiere of 5 September 1840 in Milan, and was withdrawn that very evening. The newspapers were particularly cruel to the composer, so much so that almost twenty years later Verdi, in a letter to his publisher Tito Ricordi, wrote that they had mistreated “the work of a poor young man who was ill, rushed, and devastated by a horrible calamity”. In the same letter, Verdi added that, even supposing that Un giorno di regno was a bad opera, many others “that were no better than it have been tolerated and maybe even applauded”.
Five years after its first night, after Verdi had met with a real triumph with Nabucco, Un giorno di regno was quite successful in Venice at the Teatro San Benedetto. In fact, to present-day listeners, this opera is far from being as disastrous as it has been considered for many years.
The levity of the subject-matter of this opera was inevitably incompatible with Verdi’s grief. His opera was a complete fiasco at the premiere of 5 September 1840 in Milan, and was withdrawn that very evening. The newspapers were particularly cruel to the composer, so much so that almost twenty years later Verdi, in a letter to his publisher Tito Ricordi, wrote that they had mistreated “the work of a poor young man who was ill, rushed, and devastated by a horrible calamity”. In the same letter, Verdi added that, even supposing that Un giorno di regno was a bad opera, many others “that were no better than it have been tolerated and maybe even applauded”.
Five years after its first night, after Verdi had met with a real triumph with Nabucco, Un giorno di regno was quite successful in Venice at the Teatro San Benedetto. In fact, to present-day listeners, this opera is far from being as disastrous as it has been considered for many years.
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