Emerson String Quartet - American Contemporaries (1993)
BAND/ARTIST: Emerson String Quartet
- Title: American Contemporaries
- Year Of Release: 1993
- Label: Deutsche Grammophon
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:07:44
- Total Size: 332 Mb
- WebSite: Album Preview
Tracklist:
String Quartet no.2 (1987) (Harbison, John H.)
1. 1. Fantasia: Poco largo 05:07
2. 2. Concerto: Allegro, leggiero 02:45
3. 3. Aria and Recitative: Andante cantabile 08:54
4. 4. Sonata: Allegro moderato 04:36
5. 5. Chorale Fantasia: Vivo 03:47
String Quartet no.4 (1990) (Wernick, Richard)
6. 1. Introduction And Allegro 07:11
7. 2. Scherzo I (Homage To A.D.) - Arioso I - Scherzo II - Arioso II - Scherzo I - Epilogue 13:15
String Quartet no.3 (1986) (Schuller, Günther)
8. 1. Maestoso, With Great Intensity 06:49
9. 2. Canzona: Adagio 09:13
10. 3. Allegro vivace - Andante - Adagio - Andante - Tempo I - Presto 06:07
Performers:
Emerson String Quartet
String Quartet no.2 (1987) (Harbison, John H.)
1. 1. Fantasia: Poco largo 05:07
2. 2. Concerto: Allegro, leggiero 02:45
3. 3. Aria and Recitative: Andante cantabile 08:54
4. 4. Sonata: Allegro moderato 04:36
5. 5. Chorale Fantasia: Vivo 03:47
String Quartet no.4 (1990) (Wernick, Richard)
6. 1. Introduction And Allegro 07:11
7. 2. Scherzo I (Homage To A.D.) - Arioso I - Scherzo II - Arioso II - Scherzo I - Epilogue 13:15
String Quartet no.3 (1986) (Schuller, Günther)
8. 1. Maestoso, With Great Intensity 06:49
9. 2. Canzona: Adagio 09:13
10. 3. Allegro vivace - Andante - Adagio - Andante - Tempo I - Presto 06:07
Performers:
Emerson String Quartet
Toward the end of the twentieth century, many composers began a serious reassessment of traditional forms and methods and recognized the powerful influence of the past, notwithstanding decades of avant-garde experimentation and indoctrination. To varying extents, these three pieces by John Harbison, Richard Wernick, and Gunther Schuller represent a rapprochement with the history of the string quartet, both in the adoption of recognizable Classical movement structures and in the adaptation of tonal elements in a modernist context. Mildly dissonant counterpoint, a use of modes rather than atonality, and suggestions of Baroque string sonorities make Harbison's String Quartet No. 2 the most approachable of the three works, though perhaps the least stimulating. Wernick's String Quartet No. 4 and Schuller's String Quartet No. 3 are more challenging and conflicted because they retain many of the sharp gestures and rhythmic dislocations derived from expressionism and serialism, yet intermittently reveal tonal features and lyrical impulses over the course of their movements. The Emerson String Quartet delivers these quartets with ample energy and solid ensemble playing, though their expression is somewhat limited by their subservience to the written notes, and their execution tends to be severe. Deutsche Grammophon provides its usual excellent sound.
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