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Joanna Kurkowicz - At the Dragon's Gate (2021) Hi-Res

Joanna Kurkowicz - At the Dragon's Gate (2021) Hi-Res

BAND/ARTIST: Joanna Kurkowicz

  • Title: At the Dragon's Gate
  • Year Of Release: 2021
  • Label: Innova
  • Genre: Classical
  • Quality: FLAC 16/24 Bit (44,1 KHz / tracks+booklet)
  • Total Time: 84:54 min
  • Total Size: 357 / 771 MB
  • WebSite:
Tracklist:

CD1:

01. Episodes & Soliloquies: I. Episode with Mirrors
02. Episodes & Soliloquies: Soliloquy (1)
03. Episodes & Soliloquies: II. Distant Calls and Sequences
04. Episodes & Soliloquies: Soliloquy (2)
05. Episodes & Soliloquies: III. Episode with Variations
06. Episodes & Soliloquies: Soliloquy (3)
07. Episodes & Soliloquies: IV. Ritual Dance and Revelation
08. Episodes & Soliloquies: Soliloquy (4)
09. Episodes & Soliloquies: V. Episode with Chorale

CD2:

01. Premonitions
02. Darkening Images
03. Pogled u budućnost/Pogled u prošlost: No. 1, Prologue
04. Pogled u budućnost/Pogled u prošlost: No. 2, Mirrors Revisited
05. Pogled u budućnost/Pogled u prošlost: No. 3, Beyond the Gate
06. Pogled u budućnost/Pogled u prošlost: No. 4, Quiet and Still
07. Pogled u budućnost/Pogled u prošlost: No. 5, Fast and Loud
08. Pogled u budućnost/Pogled u prošlost: No. 6, Narrow Lines and Dramatic Sequences
09. Pogled u budućnost/Pogled u prošlost: No. 7, Epilogue
10. At the Dragon's Gate: I. Origin
11. At the Dragon's Gate: II. Dialogue
12. At the Dragon's Gate: III. Transformation


In 1993, after completing At the Dragon’s Gate for piano trio, David Kechley initiated a plan to write solo works for performers Doris Stevenson, Joanna Kurkowicz, and Nathaniel Parke. Now the plan has finally come to fruition with all of those works accompanying each other on one album.

At the Dragon’s Gate brings together works seemingly disparate and shows the nuanced threads that connect them. Threads of relationships, time, form, and sonority. Some works are mirrored to each other, while some reference material from one another. All of this forms a compendium of music that has been given tremendous thought over decades of writing.

David Kechley began composing as a teenafter years spent listening to his composer and music professor father Gerald at the piano. At 19, The Seattle Symphony premiered his Second Composition for Large Orchestra and since then more than 1,000 performances of his work in a variety of genres have been performed by orchestras, Chamber groups and college musical ensembles throughout the United States and abroad. His music draws from 20th Century classics and from vernacular, popular, and ethnic music. Time in Kyoto, Japan, profoundly affected his compositions. His pieces are marked by a distinctive style, but his musical narratives are known for sharp contrasts involving lyricism, virtuosity, and dramatic gesture. Kechley’s work has been recognized and applauded by such organizations as the John Simon Guggenheim Foundation, the National Endowment for the Arts, the North Carolina Arts Council, and the Massachusetts Cultural Council. Born in Seattle, Kechley was educated at the University of Washington, Cleveland Institute of Music, and Case Western Reserve University. He also followed his father into music education, teaching at the University of North Carolina in Wilmington, and teaching and chairing the Music Department at Williams College in Williamstown, Massachusetts where he remains professor emeritus


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