Hagen Quartett - Bartók: String Quartets (2000)
BAND/ARTIST: Hagen Quartett
- Title: Bartók: String Quartets
- Year Of Release: 2000
- Label: Deutsche Grammophon
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 02:33:24
- Total Size: 721 Mb
- WebSite: Album Preview
Tracklist:
CD 1
String Quartet No.1, Sz. 40 (Op.7) (Béla Bartók)
1. 1. Lento 09:25
2. 2. Poco a poco accelerando all' Allegretto - Introduzione. Allegro - attacca: 10:31
3. 3. Allegro vivace - Adagio - Tempo I 09:44
String Quartet No.2, Sz. 67 (Op.17) (Béla Bartók)
4. 1. Moderato 09:41
5. 2. Allegro molto capriccioso 07:42
6. 3. Lento 08:45
String Quartet No.4, Sz. 91 (Béla Bartók)
7. 1. Allegro 06:17
8. 2. Prestissimo, con sordino 02:48
9. 3. Non troppo lento 05:45
10. 4. Allegretto pizzicato 02:44
11. 5. Allegro molto 05:34
CD 2
String Quartet No.3, Sz. 85 (Béla Bartók)
1. 1. Prima parte (Moderato) 04:48
2. 2. Seconda parte. Allegro - attacca: Ricapitulazione della prima parte. Moderato 08:32
3. 3. Coda. Allegro molto 01:52
4. 1. Allegro 07:12
5. 2. Adagio molto 05:55
6. 3. Scherzo. Alla bulgarese 04:46
7. 4. Andante 04:59
8. 5. Finale. Allegro vivace 06:47
String Quartet No.6, Sz. 114 (Béla Bartók)
9. 1. Mesto - Vivace 07:48
10. 2. Mesto - Marcia 08:02
11. 3. Mesto - Burletta (Moderato) 07:09
12. 4. Mesto 06:38
Performers:
Hagen Quartet
CD 1
String Quartet No.1, Sz. 40 (Op.7) (Béla Bartók)
1. 1. Lento 09:25
2. 2. Poco a poco accelerando all' Allegretto - Introduzione. Allegro - attacca: 10:31
3. 3. Allegro vivace - Adagio - Tempo I 09:44
String Quartet No.2, Sz. 67 (Op.17) (Béla Bartók)
4. 1. Moderato 09:41
5. 2. Allegro molto capriccioso 07:42
6. 3. Lento 08:45
String Quartet No.4, Sz. 91 (Béla Bartók)
7. 1. Allegro 06:17
8. 2. Prestissimo, con sordino 02:48
9. 3. Non troppo lento 05:45
10. 4. Allegretto pizzicato 02:44
11. 5. Allegro molto 05:34
CD 2
String Quartet No.3, Sz. 85 (Béla Bartók)
1. 1. Prima parte (Moderato) 04:48
2. 2. Seconda parte. Allegro - attacca: Ricapitulazione della prima parte. Moderato 08:32
3. 3. Coda. Allegro molto 01:52
4. 1. Allegro 07:12
5. 2. Adagio molto 05:55
6. 3. Scherzo. Alla bulgarese 04:46
7. 4. Andante 04:59
8. 5. Finale. Allegro vivace 06:47
String Quartet No.6, Sz. 114 (Béla Bartók)
9. 1. Mesto - Vivace 07:48
10. 2. Mesto - Marcia 08:02
11. 3. Mesto - Burletta (Moderato) 07:09
12. 4. Mesto 06:38
Performers:
Hagen Quartet
Several ensembles have established international reputations by playing Béla Bartók's six string quartets with authority and strong character, notably the Juilliard, the Takács, and the Emerson, and countless others aspire to achieve equal renown with these celebrated works. Because this cycle is essentially the bible of modern writing for string quartet, it has become a test for string players, not least because of the many technical challenges it presents, but more importantly for the expressive demands Bartók makes on individual players and the ensemble as a whole. There's little doubt that the Hagen Quartet has the skills to deliver this music with accuracy and the physical stamina to play with the steadiness such difficult music requires. However, this is in many places a surprisingly subdued interpretation of the quartets, perhaps more oriented toward the melancholy strain that runs through Bartók's music, rather than toward the vigorous or caustic sides of his genius. To be sure, the Hagen Quartet ignites in crucial places, and when it has to be direct and forceful, it gets the job done. But the feelings this set communicates are not quite bracing and energetic like the Juilliard's three recordings, fiery or passionate like the Takács' set, or incisive and driven like the Emerson's, but pensive and brooding, and the general tonal cast of these performances is of a grayer shade or lower energy in spots than one might expect. This, naturally, is fairly suitable in the string quartets, Nos. 1, 2, and 6, which are among Bartók's more depressed expressions, but it isn't especially desirable in Nos. 3, 4, and 5, where a brighter, harder edge is necessary. Listeners will certainly derive much pleasure from particular movements in these performances, and may even enjoy some of the quartets separately from the set, but it will be difficult for them to rank the whole album among the greatest Bartók recordings.
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