Claron McFadden, Bart Van Oort - Bohemian Songs (2008)
BAND/ARTIST: Claron McFadden, Bart Van Oort
- Title: Bohemian Songs
- Year Of Release: 2008
- Label: Brilliant Classics
- Genre: Classical, Vocal
- Quality: FLAC (tracks)
- Total Time: 01:17:47
- Total Size: 361 Mb
- WebSite: Album Preview
Tracklist:
1. Songs, Op. 31: No. 1, Sognando mi parea 01:06
2. Songs, Op. 31: No. 4, Un serto di fiori 01:38
3. Songs, Op. 31: No. 3, Sento amor 02:09
4. Songs, Op. 31: No. 6, Chi un dolce amor 01:41
5. Songs, Op. 31: No. 8, Misero to non sei 03:00
6. Songs, Op. 31: No. 11, Spira pur 01:34
7. Songs, Op. 31: No. 12, Per pieta, bell'idol mio 03:42
8. Or che un istante 04:27
9. A che congiuri 04:20
10. Dolce speme, del ciel dono 04:22
11. Leggiarde ninfe 02:27
12. La Verita 04:42
13. Herbstlied 03:38
14. An die Entfernte 05:42
15. Die Natur 06:16
16. Nähe des Geliebten 06:47
17. Das Veilchen im Mai 01:14
18. Die Abschiedsträne 04:20
19. Liebe 04:34
20. An Sie 03:01
21. Das Täubchen 04:16
22. Die Liebeserklärung 02:51
Performers:
Claron McFadden (soprano)
Bart van Oort (fortepiano)
1. Songs, Op. 31: No. 1, Sognando mi parea 01:06
2. Songs, Op. 31: No. 4, Un serto di fiori 01:38
3. Songs, Op. 31: No. 3, Sento amor 02:09
4. Songs, Op. 31: No. 6, Chi un dolce amor 01:41
5. Songs, Op. 31: No. 8, Misero to non sei 03:00
6. Songs, Op. 31: No. 11, Spira pur 01:34
7. Songs, Op. 31: No. 12, Per pieta, bell'idol mio 03:42
8. Or che un istante 04:27
9. A che congiuri 04:20
10. Dolce speme, del ciel dono 04:22
11. Leggiarde ninfe 02:27
12. La Verita 04:42
13. Herbstlied 03:38
14. An die Entfernte 05:42
15. Die Natur 06:16
16. Nähe des Geliebten 06:47
17. Das Veilchen im Mai 01:14
18. Die Abschiedsträne 04:20
19. Liebe 04:34
20. An Sie 03:01
21. Das Täubchen 04:16
22. Die Liebeserklärung 02:51
Performers:
Claron McFadden (soprano)
Bart van Oort (fortepiano)
Bohemia at the end of the 18th century and the early 19th was teeming with highly skilled composers and musicians, centred around the city of Prague. Charles Burney described it as ‘the conservatory of Europe’. He also found that rural areas were rich in musical activities, especially in schools.
The majority of the composers wrote for their particular instrument, and the names of Dussek and Kozeluch in particular have survived to this day. They along with Vorisek are the best known composers on this fascinating programme of songs from this golden age of Czech music.
At this time, songs by Bohemian composers were nearly always set in German or Italian. Czech was considered a peasant language, and German was of course the language of the ruling Hapsburg dynasty. Many of the songs produced by composers such as Dussek, Vorisek (and their contemporary Tomasek) show that their influence was not lost upon Schubert.
The majority of the composers wrote for their particular instrument, and the names of Dussek and Kozeluch in particular have survived to this day. They along with Vorisek are the best known composers on this fascinating programme of songs from this golden age of Czech music.
At this time, songs by Bohemian composers were nearly always set in German or Italian. Czech was considered a peasant language, and German was of course the language of the ruling Hapsburg dynasty. Many of the songs produced by composers such as Dussek, Vorisek (and their contemporary Tomasek) show that their influence was not lost upon Schubert.
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