Joachim Kuhn - Piano Works I: Allegro Vivace (2005)
BAND/ARTIST: Joachim Kuhn
- Title: Piano Works I: Allegro Vivace
- Year Of Release: 2005
- Label: ACT[ACT 9750-2]
- Genre: Jazz
- Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
- Total Time: 62:18
- Total Size: 229 MB(+3%) | 147 MB(+3%)
- WebSite: Album Preview
Tracklist
1 - Pleinchant du premier Kyrie, en taille (Couperin)
2 - Chaconne (J.S. Bach)
3 - Konzert in A - Allegro (Mozart)
4 - Konzert in A - Adagio (Mozart)
5 - Konzert in A - Rondo (Mozart)
6 - Lonnie's Lament (Coltrane)
7 - She And He Is Who Fenn Love (Coleman)
8 - Allotropes, Elements Different Forms Or Same (Coleman)
9 - The Night (Kuhn)
10 - Invisible Portrait (Kuhn)
11 - Mar y Sal (Kuhn)
personnel :
Joachim Kuhn - piano
Just judged by its repertoire, this is certainly an impressive solo piano date. Joachim Kuhn performs works by Francois Couperin (a mass from 1690), Bach, Mozart, John Coltrane, and Ornette Coleman in addition to three of his own originals. Although the mixture of classical and jazz pieces might seem illogical, Kuhn's subtle improvising on the classical compositions and his ability to create melodies in his improvising on the jazz tunes give this date an evolution that somehow works. Kuhn has always had impressive technique and a healthy musical curiosity. Both serve him well, along with his imagination, on this intriguing and successful outing. - Scott Yanow
1 - Pleinchant du premier Kyrie, en taille (Couperin)
2 - Chaconne (J.S. Bach)
3 - Konzert in A - Allegro (Mozart)
4 - Konzert in A - Adagio (Mozart)
5 - Konzert in A - Rondo (Mozart)
6 - Lonnie's Lament (Coltrane)
7 - She And He Is Who Fenn Love (Coleman)
8 - Allotropes, Elements Different Forms Or Same (Coleman)
9 - The Night (Kuhn)
10 - Invisible Portrait (Kuhn)
11 - Mar y Sal (Kuhn)
personnel :
Joachim Kuhn - piano
Just judged by its repertoire, this is certainly an impressive solo piano date. Joachim Kuhn performs works by Francois Couperin (a mass from 1690), Bach, Mozart, John Coltrane, and Ornette Coleman in addition to three of his own originals. Although the mixture of classical and jazz pieces might seem illogical, Kuhn's subtle improvising on the classical compositions and his ability to create melodies in his improvising on the jazz tunes give this date an evolution that somehow works. Kuhn has always had impressive technique and a healthy musical curiosity. Both serve him well, along with his imagination, on this intriguing and successful outing. - Scott Yanow
Jazz | Music | FLAC / APE | Mp3 | CD-Rip
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