Laura Jeppesen, Catherine Liddell - Marais at Midnight (2021)
BAND/ARTIST: Laura Jeppesen, Catherine Liddell
- Title: Marais at Midnight
- Year Of Release: 2021
- Label: Centaur Records, Inc.
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:04:24
- Total Size: 335 mb
- WebSite: Album Preview
Tracklist
01. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): XVI. Prélude en harpègement
02. Pièces de viole, Book 3, Suite No. 1 in A Minor: XI. Prelude
03. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): I. Prelude le Soligni
04. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): II. Allemande la facile
05. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): III. Sarabande
06. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): XV. Rondeau moitié pincé
07. Pièces de viole, Book 4, Suite d'un goût etranger: No. 27, La rêveuse
08. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): I. Prélude
09. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): III. Allemande - IV. Double
10. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): V. Sarabande
11. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): VII. Courante VIII. Double
12. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): X. Gavotte en rondeau
13. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): XIII. Saillie du café
14. Pièces de viole, Book 5, Suite No. 6 in G Major: IX. Rondeau le Trailleur
15. Pièces de viole, Book 4, Suite No. 6 in E Minor (Excerpts): X. La matelotte
16. Pièces de viole, Book 2, Suite No. 6 in E Minor: VI. Sarabande a l'español
17. Pièces de viole, Book 4, Suite No. 6 in E Minor (Excerpts): XI. La Biscayenne
18. Pièces de viole, Book 4, Suite No. 5 in A Major: VII. Le basque
19. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): I. Prelude
20. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): IV. Allemande - V. Double
21. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): V. Sarabande
22. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): XVI. Plainte
23. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): XVII. Rondeau
24. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): No. 22, Les voix humaines
25. Pièces de viole, Book 4, Suite No. 2 in D Major: VII. Rondeau le gracieux
26. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): VI. La folette
27. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): XVII. Chaconne
French composer Marin Marais (1656-1728) was one of the greatest French composers of the Baroque. He was probably the greatest of all Baroque composers in terms of his compositions for viola da gamba. Laura Jeppesen and Catherine Liddell are among the finest American artists at their respective instruments. Laura Jeppesen received a master’s degree from Yale University and subsequently studied the viola da gamba at the Hamburg Hochschule and the Brussels Conservatory. She has been a Woodrow Wilson Designate, a Fulbright Scholar, and a fellow of the Bunting Institute at Harvard. A prominent member of Boston’s early music community, she has long associations with The Boston Museum Trio, Boston Baroque, The Handel and Haydn Society, the Boston Early Music Festival and Aston Magna. Catherine Liddell is much in demand for her sensitivity and skill as a continuo player on theorbo and lute and has appeared with many of the leading period instrument ensembles in the U.S., including the Handel & Haydn Society, Boston Baroque, the Seattle Baroque Orchestra, Apollo's Fire, and the New York Collegium.
01. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): XVI. Prélude en harpègement
02. Pièces de viole, Book 3, Suite No. 1 in A Minor: XI. Prelude
03. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): I. Prelude le Soligni
04. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): II. Allemande la facile
05. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): III. Sarabande
06. Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): XV. Rondeau moitié pincé
07. Pièces de viole, Book 4, Suite d'un goût etranger: No. 27, La rêveuse
08. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): I. Prélude
09. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): III. Allemande - IV. Double
10. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): V. Sarabande
11. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): VII. Courante VIII. Double
12. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): X. Gavotte en rondeau
13. Pièces de viole, Book 3, Suite No. 8 in C Major (Excerpts): XIII. Saillie du café
14. Pièces de viole, Book 5, Suite No. 6 in G Major: IX. Rondeau le Trailleur
15. Pièces de viole, Book 4, Suite No. 6 in E Minor (Excerpts): X. La matelotte
16. Pièces de viole, Book 2, Suite No. 6 in E Minor: VI. Sarabande a l'español
17. Pièces de viole, Book 4, Suite No. 6 in E Minor (Excerpts): XI. La Biscayenne
18. Pièces de viole, Book 4, Suite No. 5 in A Major: VII. Le basque
19. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): I. Prelude
20. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): IV. Allemande - V. Double
21. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): V. Sarabande
22. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): XVI. Plainte
23. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): XVII. Rondeau
24. Pièces de viole, Book 2, Suite No. 3 in D Major (Excerpts): No. 22, Les voix humaines
25. Pièces de viole, Book 4, Suite No. 2 in D Major: VII. Rondeau le gracieux
26. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): VI. La folette
27. Pièces de viole, Book 3, Suite No. 4 in D Minor (Excerpts): XVII. Chaconne
French composer Marin Marais (1656-1728) was one of the greatest French composers of the Baroque. He was probably the greatest of all Baroque composers in terms of his compositions for viola da gamba. Laura Jeppesen and Catherine Liddell are among the finest American artists at their respective instruments. Laura Jeppesen received a master’s degree from Yale University and subsequently studied the viola da gamba at the Hamburg Hochschule and the Brussels Conservatory. She has been a Woodrow Wilson Designate, a Fulbright Scholar, and a fellow of the Bunting Institute at Harvard. A prominent member of Boston’s early music community, she has long associations with The Boston Museum Trio, Boston Baroque, The Handel and Haydn Society, the Boston Early Music Festival and Aston Magna. Catherine Liddell is much in demand for her sensitivity and skill as a continuo player on theorbo and lute and has appeared with many of the leading period instrument ensembles in the U.S., including the Handel & Haydn Society, Boston Baroque, the Seattle Baroque Orchestra, Apollo's Fire, and the New York Collegium.
Year 2021 | Classical | FLAC / APE
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