Catherine Mackintosh and Geoffrey Govier - Mozart: Duo Sonatas Volume 1 (2008)
BAND/ARTIST: Catherine Mackintosh, Geoffrey Govier
- Title: Mozart: Duo Sonatas Volume 1
- Year Of Release: 2008
- Label: Chandos
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:06:12
- Total Size: 276 mb
- WebSite: Album Preview
Tracklist
01. Violin Sonata No. 18 in G major, K. 301: I. Allegro con spirito I. Allegro con spirit
02. Violin Sonata No. 18 in G major, K. 301: II. Allegro II. Allegr
03. Violin Sonata No. 20 in C major, K. 303: I. Adagio - Molto allegro I. Adagio - Molto allegr
04. Violin Sonata No. 20 in C major, K. 303: II. Tempo di menuetto II. Tempo di menuett
05. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Thema: Allegretto Thema: Allegrett
06. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 1 Variation
07. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 2 Variation
08. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 3 Variation
09. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 4 Variation
10. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 5 Variation
11. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 6 Variation
12. Violin Sonata No. 19 in E-Flat Major, K. 302: I. Allegro I. Allegr
13. Violin Sonata No. 19 in E-Flat Major, K. 302: II. Rondo. Andante grazioso II. Rondo. Andante grazios
14. Variations in G Major on La bergere Celimene, K. 359: Thema: Allegretto Thema: Allegrett
15. Variation 1: Variation 1 Variation
16. Variation 2: Variation 2 Variation
17. Variation 3: Variation 3 Variation
18. Variation 4: Variation 4 Variation
19. Variation 5: Variation 5 Variation
20. Variation 6: Variation 6 Variation
21. Variation 7: Variation 7 Variation
22. Variation 8: Variation 8 Variation
23. Variation 9: Variation 9 Variation
24. Variation 10: Variation 10 Variation 1
25. Variation 11: Variation 11 Variation 1
26. Variation 12: Variation 12 Variation 1
Mozart’s charming and intimate late violin sonatas KV 301, 302 and 303, composed in Mannheim in 1778 are performed here on period instruments by Duo Amadè (Catherine Mackintosh and Geoffrey Govier) and coupled with two sets of variations based on French popular tunes.
Mackintosh and Govier have a love for this repertoire which stretches back to the late 1980s when they first met at the Royal College of Music, London. They formed Duo Amadè in order to perform the charming and intimate works of Mozart for this combination in concert often carried out with readings from his family letters. In 2006 Duo Amadè performed the whole cycle at the Royal College of Music.
Violinist Catherine Mackintosh is best known as the former leader of Orchestra of Age of Enlightenment and part of the Purcell Quartet. She is joined by fortepianist Geoffrey Govier. Geoffrey plays a fortepiano after Anton Walter made by Christopher Clare in Cluny while Catherine plays a violin dating from 1703 by Giovanni Grancino. These instruments bring a lightness and freshness of articulation to these delightful works, entirely in keeping with the spirit of enlightenment in which the sonatas were written. It is their aim is to record the complete cycle of mature sonatas.
01. Violin Sonata No. 18 in G major, K. 301: I. Allegro con spirito I. Allegro con spirit
02. Violin Sonata No. 18 in G major, K. 301: II. Allegro II. Allegr
03. Violin Sonata No. 20 in C major, K. 303: I. Adagio - Molto allegro I. Adagio - Molto allegr
04. Violin Sonata No. 20 in C major, K. 303: II. Tempo di menuetto II. Tempo di menuett
05. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Thema: Allegretto Thema: Allegrett
06. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 1 Variation
07. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 2 Variation
08. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 3 Variation
09. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 4 Variation
10. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 5 Variation
11. 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360: Variation 6 Variation
12. Violin Sonata No. 19 in E-Flat Major, K. 302: I. Allegro I. Allegr
13. Violin Sonata No. 19 in E-Flat Major, K. 302: II. Rondo. Andante grazioso II. Rondo. Andante grazios
14. Variations in G Major on La bergere Celimene, K. 359: Thema: Allegretto Thema: Allegrett
15. Variation 1: Variation 1 Variation
16. Variation 2: Variation 2 Variation
17. Variation 3: Variation 3 Variation
18. Variation 4: Variation 4 Variation
19. Variation 5: Variation 5 Variation
20. Variation 6: Variation 6 Variation
21. Variation 7: Variation 7 Variation
22. Variation 8: Variation 8 Variation
23. Variation 9: Variation 9 Variation
24. Variation 10: Variation 10 Variation 1
25. Variation 11: Variation 11 Variation 1
26. Variation 12: Variation 12 Variation 1
Mozart’s charming and intimate late violin sonatas KV 301, 302 and 303, composed in Mannheim in 1778 are performed here on period instruments by Duo Amadè (Catherine Mackintosh and Geoffrey Govier) and coupled with two sets of variations based on French popular tunes.
Mackintosh and Govier have a love for this repertoire which stretches back to the late 1980s when they first met at the Royal College of Music, London. They formed Duo Amadè in order to perform the charming and intimate works of Mozart for this combination in concert often carried out with readings from his family letters. In 2006 Duo Amadè performed the whole cycle at the Royal College of Music.
Violinist Catherine Mackintosh is best known as the former leader of Orchestra of Age of Enlightenment and part of the Purcell Quartet. She is joined by fortepianist Geoffrey Govier. Geoffrey plays a fortepiano after Anton Walter made by Christopher Clare in Cluny while Catherine plays a violin dating from 1703 by Giovanni Grancino. These instruments bring a lightness and freshness of articulation to these delightful works, entirely in keeping with the spirit of enlightenment in which the sonatas were written. It is their aim is to record the complete cycle of mature sonatas.
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