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Friedrich Gulda - Friedrich Gulda - Legacy (2021)

Friedrich Gulda - Friedrich Gulda - Legacy (2021)

BAND/ARTIST: Friedrich Gulda

  • Title: Friedrich Gulda - Legacy
  • Year Of Release: 2021
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 6:21:26
  • Total Size: 1.38 GB
  • WebSite:
Tracklist:

01. Capriccio in B flat, BWV 992 "On the departure of a dear brother" : 5. Allegro poco. Aria di Postiglione
02. Capriccio in B flat, BWV 992 "On the departure of a dear brother" : 6. Fuga all'imitatione di posta
03. Waltz No. 14 in E Minor, Op. posth.
04. Nocturne in F Sharp Major, Op. 15, No. 2
05. Prelude and Fugue : Prelude
06. Prelude and Fugue : Fugue
07. Epitaph für eine Liebe : 1. Epitaph
08. Epitaph für eine Liebe : 2. Entzückung
09. Epitaph für eine Liebe : 3. Erfüllung
10. Epitaph für eine Liebe : 4. Enttäuschung
11. Epitaph für eine Liebe : 5. Entfernung
12. Epitaph für eine Liebe : 6. Erstarrung
13. Epitaph für eine Liebe : 7. Entsagung
14. Epitaph für eine Liebe : 8. Epilog
15. Italian Concerto in F Major, BWV 971 : I. (Allegro)
16. Italian Concerto in F Major, BWV 971 : II. Andante
17. Italian Concerto in F Major, BWV 971 : III. Presto
18. English Suite No.2 in A minor, BWV 807 : 3. Courante
19. English Suite No.2 in A minor, BWV 807 : 4. Sarabande
20. 24 Préludes, Op.28 : 1. In C Major
21. 24 Préludes, Op.28 : 2. In A Minor
22. English Suite No.2 in A minor, BWV 807 : 5. Bourrée I & II
23. English Suite No.2 in A minor, BWV 807 : 6. Gigue
24. English Suite No.2 in A minor, BWV 807 : 1. Prelude
25. English Suite No.2 in A minor, BWV 807 : 2. Allemande
26. English Suite No.2 in A minor, BWV 807 : 5. Bourrée I & II
27. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation IV
28. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation V
29. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation VI
30. Toccata in C minor, BWV 911 : (Toccata) - Adagio
31. Toccata in C minor, BWV 911 : (Allegro)
32. 24 Préludes, Op.28 : 3. In G Major
33. 24 Préludes, Op.28 : 4. In E Minor
34. Nocturne No.17 In B, Op.62 No.1
35. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation VI. Adagio
36. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation I
37. 24 Préludes, Op.28 : 5. In D Major
38. 24 Préludes, Op.28 : 6. In B Minor
39. 24 Préludes, Op.28 : 16. In B Flat Minor
40. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Thema. Allegretto
41. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation I
42. 24 Préludes, Op.28 : 7. In A Major
43. 24 Préludes, Op.28 : 8. In F Sharp Minor
44. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation II
45. 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 : Variation III
46. 24 Préludes, Op.28 : 17. In A Flat Major
47. 24 Préludes, Op.28 : 18. In F Minor
48. 24 Préludes, Op.28 : 19. In E Flat Major
49. 24 Préludes, Op.28 : 20. In C Minor
50. 24 Préludes, Op.28 : 21. In B Flat Major
51. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation II
52. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation III
53. 24 Préludes, Op.28 : 9. In E Major
54. 24 Préludes, Op.28 : 11. In B Major
55. 24 Préludes, Op.28 : 12. In G Sharp Minor
56. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation IV
57. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 : Variation V. Si prenda il tempo un poco più vivace
58. 24 Préludes, Op.28 : 15. In D Flat Major ("Raindrop")
59. Sonata for Cello and Piano No. 3 in A Major, Op. 69 : 1. Allegro ma non tanto
60. Sonata for Cello and Piano No. 3 in A Major, Op. 69 : 2. Scherzo (Allegro molto)
61. Sonata for Cello and Piano No. 3 in A Major, Op. 69 : 3. Adagio cantabile - Allegro vivace
62. 24 Préludes, Op.28 : 22. In G Minor
63. 24 Préludes, Op.28 : 23. In F Major
64. 24 Préludes, Op.28 : 24. In D Minor
65. 24 Préludes, Op.28 : 14. In E Flat Minor
66. Piano Concerto No. 1 in E Minor, Op. 11 : I. Allegro maestoso (Re-Orch. Balakirev)
67. Piano Concerto No. 1 in E Minor, Op. 11 : II. Romance. Larghetto (Re-Orch. Balakirev)
68. Piano Concerto No. 1 in E Minor, Op. 11 : III. Rondo. Vivace (Re-Orch. Balakirev)
69. Piano Concerto No. 20 in D Minor, K. 466 : I. Allegro (Cadenza by Beethoven, WoO 58,1)
70. Piano Concerto No. 20 in D Minor, K. 466 : II. Romance
71. Piano Concerto No. 20 in D Minor, K. 466 : III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2)
72. Quintet for Piano and Wind Quartet in E flat, Op.16 : 1. Grave - Allegro ma non troppo
73. Quintet for Piano and Wind Quartet in E flat, Op.16 : 2. Andante cantabile
74. Quintet for Piano and Wind Quartet in E flat, Op.16 : 3. Rondo (Allegro ma non troppo)
75. Piano Sonata No.8 In A Minor, K.310 : 1. Allegro maestoso
76. Piano Sonata No.8 In A Minor, K.310 : 2. Andante cantabile con espressione
77. Piano Sonata No.8 In A Minor, K.310 : 3. Presto
78. Piano Sonata No.10 In C Major, K.330 : 1. Allegro moderato
79. Piano Sonata No.10 In C Major, K.330 : 2. Andante cantabile
80. Piano Sonata No.10 In C Major, K.330 : 3. Allegretto
81. Piano Sonata No. 11 in A Major, K. 331 : I. Tema (Andante grazioso) con variazioni
82. Piano Sonata No. 11 in A Major, K. 331 : II. Menuetto
83. Piano Sonata No. 11 in A Major, K. 331 : III. Alla Turca (Allegretto)
84. Fantasia In C Minor, K.475 : Adagio - Allegro - Andantino - Più allegro -Tempo I
85. Ballade No. 1 in G Minor, Op. 23
86. Ballade No.2 In F, Op.38
87. Ballade No.3 In A Flat, Op.47
88. Ballade No.4 In F Minor, Op.52
89. Nocturne No. 13 in C Minor, Op. 48 No. 1
90. Barcarolle In F Sharp, Op.60

Classical and jazz pianist and composer, Friedrich Gulda was one of Austria's premiere pianists. Born in Vienna in 1930, Gulda started piano lessons at the age of seven. When he was 12, he enrolled in the Vienna Music Academy, and four years later received first place in the Geneva International Music Festival. In 1949, Gulda toured Europe and South America, earning international acclaim for his treatments of Bach, Mozart, and Beethoven, and the following year he successfully debuted at Carnegie Hall. Gulda became more involved in jazz from 1951 on, when he improvised with Dizzy Gillespie following a performance with the Chicago Symphony. Five years later, Gulda played his first American jazz concert at Birdland (N.Y.C.), followed by a performance at the Newport Jazz Festival. After this, Gulda formed the Eurojazz Orchestra, a jazz combo and big band which drew from both jazz and classical compositions. In 1966, ten years after his Birdland appearance, Gulda organized a modern jazz competition in his native city. He was awarded the Vienna Academy's Beethoven Ring in 1970, but later returned it to protest what he regarded as a constricting educational system. This only reinforced the public's perception of Gulda as an eccentric. This reputation was not helped when he abruptly called off major performances more than once. A 1988 incident occurred in reaction to objections to his program for a Salzburg music festival that included jazz musician Joe Zawinul; he made another last minute cancellation by faking his own death with a phony obituary only days before a scheduled performance of Mozart. On January 27, 2000, Friedrich Gulda died of an apparent heart attack in Vienna, the city of his birth. ~ Joslyn Layne


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