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Alicia de Larrocha - Grandi Pianisti Alicia de Larrocha (2021)

Alicia de Larrocha - Grandi Pianisti Alicia de Larrocha (2021)

BAND/ARTIST: Alicia de Larrocha

  • Title: Grandi Pianisti Alicia de Larrocha
  • Year Of Release: 2021
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:38:06
  • Total Size: 503 MB
  • WebSite:
Tracklist:

01. Suite española No. 1, Op. 47 : Asturias (Leyenda)
02. España, Op. 165 : 2. Tango
03. El amor brujo : 4. Danza del ritual del fuego fatuo (Arr. Piano)
04. Suite española No. 1, Op. 47 : Castilla (Seguidillas)
05. El sombrero de tres picos / Pt. 1 : 3. Dance of the Miller's Wife (Arr. Piano)
06. Spanish Dance, Op.37, No.2 - "Oriental"
07. Iberia - Piano (Pub.1906) - Book 1 : 1. Evocación
08. Recuerdos de Viaje, Op. 71 : 6. Puerta de tierra: Bolero
09. El amor brujo : 10. Chanson du feu follet (Arr. Piano)
10. El sombrero de tres picos / Pt. 2 : 1. Dance of the Neighbours (Arr. Piano)
11. Piano Sonata No. 16 in C Major, K. 545 "Sonata facile" : 2. Andante
12. French Suite No. 6 in E Major, BWV 817 : 5. Polonaise
13. Italian Concerto in F Major, BWV 971 : 2. Andante
14. 24 Préludes, Op. 28, C. 166-189 : 7 in A Major
15. Iberia - Piano (Pub.1906) - Book 1 : 2. El Puerto
16. Goyescas - Suite : 3. El Fandango del Candil
17. Piano Concerto No.4 in G, Op.58 : 2. Andante con moto
18. Sonata in D Major
19. Jesus nahm zu sich die Zwölfe, Cantata BWV 22 : 5. Sanctify Us (Arr. Cohen)
20. Spanish Dance, Op.37, No.4 - "Villanesca"
21. Cançons i dansas : No. 2
22. Suite española No. 1, Op. 47 : Cádiz (Canción)
23. Iberia - Piano (Pub.1906) - Book 2 : 6. Triana
24. Suite española No. 1, Op. 47 : Cuba (Capricho)
25. Sonata in G Minor, R. 42
26. Liebster Jesu, wir sind hier, BWV 731 (Arr. Piano by Cohen)
27. Berceuse in D Flat Major, Op. 57
28. Iberia - Piano (Pub.1906) - Book 3 : 7. El Albaicín
29. Cantos de España, Op. 232 : 3. Sous le palmier
30. Carnaval, Op. 9 : 4. Valse noble
31. Spanish Dance, Op.37, No.3 "Zarabanda"
32. Navarra
33. Spanish Dance, Op.37, No.12 "Arabesca"
34. Goyescas - Book 2: 7. El Pelele (Escena Goyesca)
35. 7 Bagatelles, Op. 33 : 3. Allegretto
36. Sonata in D Minor, K. 9
37. Carnaval, Op. 9 : 12. Chopin
38. 24 Préludes, Op. 28, C. 166-189 : 15 in D Flat Major "Raindrop"
39. Harpsichord Suite No. 5 in E Major, HWV 430 "The Harmonious Blacksmith" : 1. Prelude

Alicia de Larrocha's greatest contribution as a musician was her unrivaled advocacy of Spanish and Catalonian piano music. Her interpretations of the music of Albéniz, Granados, Falla, Mompou (a lifelong friend who dedicated several works to her), and Montsalvatge were universally described as brilliant, authentic, and masterful in tonal color, texture, and rhythm. She was also highly regarded for her recordings of Mozart and French Impressionist music. She began her career before the age of six with a solo recital, followed by her orchestral debut at the age of 11 performing Mozart's "Coronation" Concerto (K. 537) with the Orquesta Sinfónica de Madrid. She studied with Frank Marshall at his Academia Marshall and also studied music theory with Ricardo Lamote de Gignon. Her adult career began in 1940, but she did not make any international tours until 1947, when she first toured Europe. In 1953, she premiered Montsalvatge's Concierto breve, which is dedicated to her, and also made her first visit to England. Her first appearance in the U.S. was in 1955 with the Los Angeles Philharmonic. After that, she began performing around the world, working with such artists as Victoria de Los Angeles, Montserrat Caballé, the Guarneri and Tokyo String Quartets, Sir Colin Davis, Rafael Frühbeck de Burgos, Kent Nagano, and Gerard Schwarz. She even performed Poulenc's Concerto for two pianos with the composer at the second piano. In addition to her performing, she took on the directorship of the Academia Marshall in 1959. Her recordings, particularly of Albéniz and Granados, have received numerous prizes, including Grammys, the Edison Prize, the Grand Prix du Disques, and the Deutsche Schallplatten Prize. She herself was awarded the Paderewski Memorial Medal and the Principe de Asturias prize, among others, and was recognized for her talents by the city of Barcelona, the Spanish and French governments, and UNESCO. She continued to perform until her 80th year. After breaking her hip in 2007, she suffered an overall decline in health, and died in 2009. ~ Patsy Morita


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