Mariangela Vacatello - Ginastera: Complete Piano Music (2015)
BAND/ARTIST: Mariangela Vacatello
- Title: Ginastera: Complete Piano Music
- Year Of Release: 2015
- Label: Brilliant Classics
- Genre: Classical Piano
- Quality: flac lossless
- Total Time: 01:46:49
- Total Size: 282 mb
- WebSite: Album Preview
Tracklist
01. Danzas argentinas, Op. 2: I. Danza del viejo boyero
02. Danzas argentinas, Op. 2: II. Danza de la moza donosa
03. Danzas argentinas, Op. 2: III. Danza del gaucho matrero
04. Tres piezas, Op. 6: I. Cuyana
05. Tres piezas, Op. 6: II. Norteña
06. Tres piezas, Op. 6: III. Criolla
07. Malambo, Op. 7
08. Doce preludios Americanos, Op. 12: I. Para los acentos
09. Doce preludios Americanos, Op. 12: II. Triste
10. Doce preludios Americanos, Op. 12: III. Danza criolla
11. Doce preludios Americanos, Op. 12: IV. Vidala
12. Doce preludios Americanos, Op. 12: V. en el 1er. Modo pentáfono menor
13. Doce preludios Americanos, Op. 12: VI. Homenaje a Roberto García Morillo
14. Doce preludios Americanos, Op. 12: VII. Para las octavas
15. Doce Preludios Americanos, Op. 12: VIII. Homenaje A Juan José Castro
16. Doce preludios Americanos, Op. 12: IX. Homenaje a Aaron Copland
17. Doce preludios Americanos, Op. 12: X. Pastoral
18. Doce preludios Americanos, Op. 12: XI. Homenaje a Heitor Villa-Lobos
19. Doce preludios Americanos, Op. 12: XII. en el 1er. Modo pentáfono mayor
20. Suite de danzas criollas, Op. 15: I. Adagietto pianissimo
21. Suite de danzas criollas, Op. 15: II. Allegro rustic
22. Suite de danzas criollas, Op. 15: III. Allegretto cantabile
23. Suite de danzas criollas, Op. 15: IV. Calmo e poetico
24. Suite de danzas criollas, Op. 15: V. Scherzando-Coda. Presto ed energico
25. Rondo sobre temas infantiles argentines, Op. 19
26. Sonata para Piano No. 1, Op. 22: I. Allegro marcato
27. Sonata para Piano No. 1, Op. 22: II. Presto misterioso
28. Sonata para Piano No. 1, Op. 22: III. Adagio molto appassionato
29. Sonata para Piano No. 1, Op. 22: IV. Ruvido ed ostinato
30. Danzas argentinas para los niños: I. Moderato. Para Alex
31. Danzas argentinas para los niños: II. Paisaje. Para Georgina
32. Piezas infantiles I: I. Preludio
33. Piezas infantiles I: II. Osito bailando
34. Piezas infantiles I: III. Arrullo
35. Piezas infantiles I: IV. Soldaditos
36. Piezas infantiles II: I. Antón Pirulero
37. Piezas infantiles II: II. Arrorró
38. Piezas infantiles II: III. Chacarerita
39. Piezas infantiles II: IV. Arroz con leche
40. Milonga
41. Pequeña danza
42. Toccata, adaptación de la toccata per órgano de Domenico Zipoli
43. Sonata para Piano No. 2, Op. 53: I. Allegramente
44. Sonata para Piano No. 2, Op. 53: II. Adagio sereno-Scorrevole-Ripresa dell'adagio
45. Sonata para Piano No. 2, Op. 53: III. Ostinato aymará
46. Sonata para Piano No. 3, Op. 54: Impetuosamente
To celebrate the centenary next year of the birth of one of the fathers of Argentinian art-music, Mariangela Vacatello turns her considerable skills to the music of Alberto Ginastera (1916-1983). And the moment is right: as the pianist Hugo Aisemberg remarks in the booklet-notes, ‘Europe still sees Argentinian music in terms of tango and nothing else’; yet even in his early and superficially vernacular works such as the Danzas Argentinas Op.2, Ginastera could hardly stand farther distant from the ready appeal of Astor Piazzolla’s music with its evocation of Buenos Aires nightlife. Which is not to say that Ginastera’s music has to be challenging, more that this music is more thoughtful and does not so overtly court popularity. In fact Piazzolla’s own memories of his teacher are warm and generous: ‘“I remember those years of study with Alberto for more than the technical expertise he taught me; he also passed on his humanity. He made an electrifying impact on me.”
The piano music in the first half of his career is all suites and dances, short, melodically undemanding stuff yet still spiced with dissonance. The three sonatas (1952, 1981 and a third from 1982, left unfinished at his death) are rather more substantial works in which the Allegro barbaro style of Bartok looms large, and to which Mariangela Vacatello brings the formidable technique that won her praise for a previous Brilliant Classics album (94250) dedicated to the pinnacle of 19th-century pianism, Liszt’s Transcendental Studies. The finale of the Second in particular is a staggering Ostinato that deserves to be as well-known in its way as the similarly motoric music of Prokofiev’s ‘War’ Sonatas.
01. Danzas argentinas, Op. 2: I. Danza del viejo boyero
02. Danzas argentinas, Op. 2: II. Danza de la moza donosa
03. Danzas argentinas, Op. 2: III. Danza del gaucho matrero
04. Tres piezas, Op. 6: I. Cuyana
05. Tres piezas, Op. 6: II. Norteña
06. Tres piezas, Op. 6: III. Criolla
07. Malambo, Op. 7
08. Doce preludios Americanos, Op. 12: I. Para los acentos
09. Doce preludios Americanos, Op. 12: II. Triste
10. Doce preludios Americanos, Op. 12: III. Danza criolla
11. Doce preludios Americanos, Op. 12: IV. Vidala
12. Doce preludios Americanos, Op. 12: V. en el 1er. Modo pentáfono menor
13. Doce preludios Americanos, Op. 12: VI. Homenaje a Roberto García Morillo
14. Doce preludios Americanos, Op. 12: VII. Para las octavas
15. Doce Preludios Americanos, Op. 12: VIII. Homenaje A Juan José Castro
16. Doce preludios Americanos, Op. 12: IX. Homenaje a Aaron Copland
17. Doce preludios Americanos, Op. 12: X. Pastoral
18. Doce preludios Americanos, Op. 12: XI. Homenaje a Heitor Villa-Lobos
19. Doce preludios Americanos, Op. 12: XII. en el 1er. Modo pentáfono mayor
20. Suite de danzas criollas, Op. 15: I. Adagietto pianissimo
21. Suite de danzas criollas, Op. 15: II. Allegro rustic
22. Suite de danzas criollas, Op. 15: III. Allegretto cantabile
23. Suite de danzas criollas, Op. 15: IV. Calmo e poetico
24. Suite de danzas criollas, Op. 15: V. Scherzando-Coda. Presto ed energico
25. Rondo sobre temas infantiles argentines, Op. 19
26. Sonata para Piano No. 1, Op. 22: I. Allegro marcato
27. Sonata para Piano No. 1, Op. 22: II. Presto misterioso
28. Sonata para Piano No. 1, Op. 22: III. Adagio molto appassionato
29. Sonata para Piano No. 1, Op. 22: IV. Ruvido ed ostinato
30. Danzas argentinas para los niños: I. Moderato. Para Alex
31. Danzas argentinas para los niños: II. Paisaje. Para Georgina
32. Piezas infantiles I: I. Preludio
33. Piezas infantiles I: II. Osito bailando
34. Piezas infantiles I: III. Arrullo
35. Piezas infantiles I: IV. Soldaditos
36. Piezas infantiles II: I. Antón Pirulero
37. Piezas infantiles II: II. Arrorró
38. Piezas infantiles II: III. Chacarerita
39. Piezas infantiles II: IV. Arroz con leche
40. Milonga
41. Pequeña danza
42. Toccata, adaptación de la toccata per órgano de Domenico Zipoli
43. Sonata para Piano No. 2, Op. 53: I. Allegramente
44. Sonata para Piano No. 2, Op. 53: II. Adagio sereno-Scorrevole-Ripresa dell'adagio
45. Sonata para Piano No. 2, Op. 53: III. Ostinato aymará
46. Sonata para Piano No. 3, Op. 54: Impetuosamente
To celebrate the centenary next year of the birth of one of the fathers of Argentinian art-music, Mariangela Vacatello turns her considerable skills to the music of Alberto Ginastera (1916-1983). And the moment is right: as the pianist Hugo Aisemberg remarks in the booklet-notes, ‘Europe still sees Argentinian music in terms of tango and nothing else’; yet even in his early and superficially vernacular works such as the Danzas Argentinas Op.2, Ginastera could hardly stand farther distant from the ready appeal of Astor Piazzolla’s music with its evocation of Buenos Aires nightlife. Which is not to say that Ginastera’s music has to be challenging, more that this music is more thoughtful and does not so overtly court popularity. In fact Piazzolla’s own memories of his teacher are warm and generous: ‘“I remember those years of study with Alberto for more than the technical expertise he taught me; he also passed on his humanity. He made an electrifying impact on me.”
The piano music in the first half of his career is all suites and dances, short, melodically undemanding stuff yet still spiced with dissonance. The three sonatas (1952, 1981 and a third from 1982, left unfinished at his death) are rather more substantial works in which the Allegro barbaro style of Bartok looms large, and to which Mariangela Vacatello brings the formidable technique that won her praise for a previous Brilliant Classics album (94250) dedicated to the pinnacle of 19th-century pianism, Liszt’s Transcendental Studies. The finale of the Second in particular is a staggering Ostinato that deserves to be as well-known in its way as the similarly motoric music of Prokofiev’s ‘War’ Sonatas.
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