Dan Ar Bras - Douar Nevez: Terre nouvelle (Reissue) (1977/1991)
BAND/ARTIST: Dan Ar Bras
- Title: Douar Nevez: Terre nouvelle
- Year Of Release: 1977/1991
- Label: Hexagone
- Genre: Folk Rock, Prog Rock
- Quality: Mp3 320 / Flac (tracks, .cue, log)
- Total Time: 40:05
- Total Size: 140/260 Mb (scans)
- WebSite: Album Preview
Tracklist:
1. Intro (0:58)
2. Retour de duerre (3:01)
3. Naissance de Dahud (1:46)
4. Mort et immersion de Malguen fin du voyage (5:47)
5. Naissance de la ville (4:44)
6. Morvac'h (cheval de la mer) (2:46)
7. Orgies nocturnes (3:15)
8. L'ennui du roi (2:44)
9. Les forces du mal (2:51)
10. L'appel du sage (7:29)
11. Submersion de la ville (2:58)
12. Douar Nevez (terre nouvelle) (1:46)
Line-up:
Bass – Dave Pegg
Drums – Michel Santangeli
Electric Guitar, Acoustic Guitar – Dan Ar Bras
Electric Piano, Piano [Piano Acoustique], Synthesizer [Synthétiseurs], Electric Organ [Orgue Hammond, Eminent] – Benoît Widemann
Flute [Flûtes], Uilleann Pipes [Uilean Pipes], Bagpipes [Biniou Bras] – Patrig Molard
Hurdy Gurdy [Vielle à Roue] – Emmanuelle Parrenin
Percussion [Percussions] – Marc Chantereau
One of the most melodic guitarists in Celtic music, Dan Ar Bras has recorded as a soloist and with innovative Celtic harp, bagpipe and flute player Alan Stivell. A pioneer of electric folk in the early 1970s, Ar Bras has continued to explore the textural possibilities of electric and acoustic guitar.
Renaissance of the Celtic HarpAr Bras hooked up with Stivell in 1967, shortly after moving to Brittany, a region in western France. He remained an essential element of Stivell's sound for more than a decade and made important contributions to nine of Stivell's albums, including the influential Renaissance of the Celtic Harp in 1972, and the reunion album Again in 1994. After Stivell broke up the band in 1976, Ar Bras spent six months as a member of Fairport Convention, leaving before recording with the group. Although he assembled his own tradition-rooted band, they were equally skilled at electric music and recorded a rock version of Lennon and McCartney's "Rain." Ar Bras switched to a Celtic style of playing acoustic guitar in the mid-1980s and recorded a heavily atmospheric album, Music for Silences to Come, in 1985. In the 1990s, Ar Bras assembled a 50-piece band, L'Heritage Des Celtes. A self-titled studio album was released in 1994 with a live recording, En Concert, following a year later.
Ar Bras continues to be involved with Fairport Convention, recording in Dave Pegg's Woodworm studios near Banbury, Oxfordshire and performing regularly at Fairport's annual festival in Cropedy.
Renaissance of the Celtic HarpAr Bras hooked up with Stivell in 1967, shortly after moving to Brittany, a region in western France. He remained an essential element of Stivell's sound for more than a decade and made important contributions to nine of Stivell's albums, including the influential Renaissance of the Celtic Harp in 1972, and the reunion album Again in 1994. After Stivell broke up the band in 1976, Ar Bras spent six months as a member of Fairport Convention, leaving before recording with the group. Although he assembled his own tradition-rooted band, they were equally skilled at electric music and recorded a rock version of Lennon and McCartney's "Rain." Ar Bras switched to a Celtic style of playing acoustic guitar in the mid-1980s and recorded a heavily atmospheric album, Music for Silences to Come, in 1985. In the 1990s, Ar Bras assembled a 50-piece band, L'Heritage Des Celtes. A self-titled studio album was released in 1994 with a live recording, En Concert, following a year later.
Ar Bras continues to be involved with Fairport Convention, recording in Dave Pegg's Woodworm studios near Banbury, Oxfordshire and performing regularly at Fairport's annual festival in Cropedy.
Folk | Rock | FLAC / APE | Mp3
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