Beau - That Thing Reality (2015) [Hi-Res]
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BAND/ARTIST: Beau
- Title: That Thing Reality
- Year Of Release: 2015
- Label: Kitsuné
- Genre: Indie Pop, Folk Rock, Female Vocal
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 00:51: / 00:39:59
- Total Size: 328 / 458 mb
- WebSite: Album Preview
Tracklist
01. C'Mon Please
02. Jane Hotel
03. Mosquito
04. One Wing
05. Animal Kingdom
06. Oceans
07. Leave Me Be
08. Roam
09. Sweet Lips
10. Soar Across the Sea
11. Sleep Deprived
12. Lullaby
16 bit only (Deluxe Edition)
13. Fire
14. Not so Pretty City
15. Foggy Love Head
The debut full-length album from New York's Beau, 2016's That Thing Reality, finds the singer/songwriter duo straddling the line between introspective '60s folk and quirky, high-energy late-'70s punk. Featuring the talents of Heather Golden and Emma Jenney, Greenwich Village's Beau often sound like the long-lost daughters of punk legend Patti Smith and art-pop icon Rickie Lee Jones. Which is to say that Golden and Jenney have distinctive, high-pitched voices that swell and coo over their primarily acoustic-based songs with an often violent, birdlike energy. Its an arresting juxtaposition that belies their soft-focus image and knack for lyrical pop melodicism. Admittedly, for many listeners it may also fall under the heading of an acquired taste; one worth the effort. Working with producer alalal aka Al O'Connell (Bruno Mars, Rufus Wainwright, Metronomy), Beau have come up with a bare-bones production that, smartly, does little to tamper with their heretofore coffeehouse approach to arty pop. These are largely acoustic guitar-based recordings accented with whipcrack drums, woody piano, and tube-driven electric guitar. Cuts like "Jane Hotel," "One Wing," and "Oceans" are echoey, languid numbers that fit more into the duo's '60s folk end of the spectrum. Conversely, tracks like the minor-key "Mosquito," the aggressively absurdist "Animal Kingdom," and the twangy, desire-ridden "Sweet Lips" are acidic anthems delivered with a rambunctious, late-night energy that's more '70s garage rock than '60s garden flower. In that sense, along with older artists like Smith and Jones, Beau bring to mind the stylistically varied approaches of contemporary acts like Britain's Kitty, Daisy & Lewis and New York's Jack + Eliza. Ultimately, it's Beau's combination of stylish folk glamour and gritty basement punk energy that lends That Thing Reality an effectively unpredictable spark.
01. C'Mon Please
02. Jane Hotel
03. Mosquito
04. One Wing
05. Animal Kingdom
06. Oceans
07. Leave Me Be
08. Roam
09. Sweet Lips
10. Soar Across the Sea
11. Sleep Deprived
12. Lullaby
16 bit only (Deluxe Edition)
13. Fire
14. Not so Pretty City
15. Foggy Love Head
The debut full-length album from New York's Beau, 2016's That Thing Reality, finds the singer/songwriter duo straddling the line between introspective '60s folk and quirky, high-energy late-'70s punk. Featuring the talents of Heather Golden and Emma Jenney, Greenwich Village's Beau often sound like the long-lost daughters of punk legend Patti Smith and art-pop icon Rickie Lee Jones. Which is to say that Golden and Jenney have distinctive, high-pitched voices that swell and coo over their primarily acoustic-based songs with an often violent, birdlike energy. Its an arresting juxtaposition that belies their soft-focus image and knack for lyrical pop melodicism. Admittedly, for many listeners it may also fall under the heading of an acquired taste; one worth the effort. Working with producer alalal aka Al O'Connell (Bruno Mars, Rufus Wainwright, Metronomy), Beau have come up with a bare-bones production that, smartly, does little to tamper with their heretofore coffeehouse approach to arty pop. These are largely acoustic guitar-based recordings accented with whipcrack drums, woody piano, and tube-driven electric guitar. Cuts like "Jane Hotel," "One Wing," and "Oceans" are echoey, languid numbers that fit more into the duo's '60s folk end of the spectrum. Conversely, tracks like the minor-key "Mosquito," the aggressively absurdist "Animal Kingdom," and the twangy, desire-ridden "Sweet Lips" are acidic anthems delivered with a rambunctious, late-night energy that's more '70s garage rock than '60s garden flower. In that sense, along with older artists like Smith and Jones, Beau bring to mind the stylistically varied approaches of contemporary acts like Britain's Kitty, Daisy & Lewis and New York's Jack + Eliza. Ultimately, it's Beau's combination of stylish folk glamour and gritty basement punk energy that lends That Thing Reality an effectively unpredictable spark.
Pop | Folk | Rock | Indie | FLAC / APE | HD & Vinyl
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