Tadd Dameron - The Chronological Classics: 1947-1949 (2000)
BAND/ARTIST: Tadd Dameron
- Title: The Chronological Classics: 1947-1949
- Year Of Release: 2000
- Label: Classics[1106]
- Genre: Jazz, Bop
- Quality: FLAC (tracks + scans)
- Total Time: 64:42
- Total Size: 163 MB(+3%)
- WebSite: Album Preview
Tracklist
01. I Think I'll Go Away (2:57)
02. Don't Mention Love to Me (3:13)
03. The Chase (2:48)
04. The Squirrel (3:00)
05. Our Delight (3:00)
06. Dameronia (3:02)
07. A Be-Bop Carroll (3:00)
08. The Tadd Walk (2:53)
09. Gone with the Wind (3:12)
10. That Someone Must Be You (3:03)
11. Jahbero (2:57)
12. Lady Bird (2:54)
13. Symphonette (3:10)
14. I Think I'll Go Away (3:18)
15. Anthropology - Part 1 (2:06)
16. Anthropology - Part 2 (1:56)
17. Sid's Delight (2:55)
18. Casbah (3:00)
19. John's Delight (2:58)
20. What's New (3:01)
21. Heaven's Doors Are Wide Open (3:20)
22. Focus (2:59)
Although Tadd Dameron was a talented pianist, he never considered piano playing his strong point -- the bebopper was best known for his writing and arranging, and when he recorded as a leader (which wasn't all that often), Dameron was quite happy to let his sidemen take most of the solos. Dameron can hardly be accused of hogging the solo space on 1947-1949, a collection of small-group and big-band sides he recorded as a leader for Blue Note and Savoy, among others, from August 1947-April 1949. The material, most of it superb, falls into two main categories: hard-swinging bop instrumentals and romantic ballads featuring vocalists. On the instrumentals (which include "Our Delight," "Dameronia," "The Squirrel," "Lady Bird," and other Dameron originals), he features some of early bop's heavy-hitting soloists, including trumpeter Fats Navarro (a major influence on Clifford Brown), tenor saxman Wardell Gray, and alto saxman Ernie Henry (who, like Sonny Stitt, was a Charlie Parker disciple but not a clone). And Dameron's romantic side takes over when he features Kay Penton (a delightful though underexposed vocalist) on several ballads (including "What's New" and "Gone With the Wind") and employs the Billy Eckstine-influenced Kenny Hagood on "I Think I'll Go Away." Meanwhile, singer Rae Pearl (who later went by Rae Harrison) provides a wordless vocal on Dameron's dreamy "Casbah." Boasting some of Dameron's most essential work, this French release is recommended without hesitation to lovers of early bop.
01. I Think I'll Go Away (2:57)
02. Don't Mention Love to Me (3:13)
03. The Chase (2:48)
04. The Squirrel (3:00)
05. Our Delight (3:00)
06. Dameronia (3:02)
07. A Be-Bop Carroll (3:00)
08. The Tadd Walk (2:53)
09. Gone with the Wind (3:12)
10. That Someone Must Be You (3:03)
11. Jahbero (2:57)
12. Lady Bird (2:54)
13. Symphonette (3:10)
14. I Think I'll Go Away (3:18)
15. Anthropology - Part 1 (2:06)
16. Anthropology - Part 2 (1:56)
17. Sid's Delight (2:55)
18. Casbah (3:00)
19. John's Delight (2:58)
20. What's New (3:01)
21. Heaven's Doors Are Wide Open (3:20)
22. Focus (2:59)
Although Tadd Dameron was a talented pianist, he never considered piano playing his strong point -- the bebopper was best known for his writing and arranging, and when he recorded as a leader (which wasn't all that often), Dameron was quite happy to let his sidemen take most of the solos. Dameron can hardly be accused of hogging the solo space on 1947-1949, a collection of small-group and big-band sides he recorded as a leader for Blue Note and Savoy, among others, from August 1947-April 1949. The material, most of it superb, falls into two main categories: hard-swinging bop instrumentals and romantic ballads featuring vocalists. On the instrumentals (which include "Our Delight," "Dameronia," "The Squirrel," "Lady Bird," and other Dameron originals), he features some of early bop's heavy-hitting soloists, including trumpeter Fats Navarro (a major influence on Clifford Brown), tenor saxman Wardell Gray, and alto saxman Ernie Henry (who, like Sonny Stitt, was a Charlie Parker disciple but not a clone). And Dameron's romantic side takes over when he features Kay Penton (a delightful though underexposed vocalist) on several ballads (including "What's New" and "Gone With the Wind") and employs the Billy Eckstine-influenced Kenny Hagood on "I Think I'll Go Away." Meanwhile, singer Rae Pearl (who later went by Rae Harrison) provides a wordless vocal on Dameron's dreamy "Casbah." Boasting some of Dameron's most essential work, this French release is recommended without hesitation to lovers of early bop.
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