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Ton Koopman - Ton Koopman Conducts Bach (2021)

Ton Koopman - Ton Koopman Conducts Bach (2021)
  • Title: Ton Koopman Conducts Bach
  • Year Of Release: 2021
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 5:21:42
  • Total Size: 1.63 GB
  • WebSite:
Tracklist:

01. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
02. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
03. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II
04. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
05. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
06. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
07. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
08. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II
09. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
10. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II
11. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II
12. Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II
13. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
14. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
15. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
16. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
17. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise
18. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Double
19. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Menuet
20. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie
21. Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture
22. Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrées I & II
23. Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: III. Gavotte
24. Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II
25. Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: V. Réjouissance
26. Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. —
27. Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
28. Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
29. Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto. Trio I - Polacca - Trio II
30. Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
31. Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
32. Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
33. Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
34. Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
35. Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
36. Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
37. Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
38. Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
39. Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
40. Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
41. Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
42. Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
43. Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
44. Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
45. Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro
46. Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio
47. Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai
48. Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: I. —
49. Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante
50. Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai
51. Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace
52. Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
53. Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro
54. Bach, JS: Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: I. Allegro
55. Bach, JS: Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: II. Adagio ma non tanto e dolce
56. Bach, JS: Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: III. Alla breve
57. Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
58. Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio
59. Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro
60. Bach, JS: Harpsichord Concerto No. 2 in E Major, BWV 1053: I. —
61. Bach, JS: Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
62. Bach, JS: Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
63. Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. —
64. Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
65. Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto
66. Bach, JS: Harpsichord Concerto No. 6 in F Major, BWV 1057: I. —
67. Bach, JS: Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante
68. Bach, JS: Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai
69. Bach, JS & Koopman: Keyboard Concerto No. 8 in D Minor, BWV 1059: I. Allegro
70. Bach, JS & Koopman: Keyboard Concerto No. 8 in D Minor, BWV 1059: II. Adagio
71. Bach, JS & Koopman: Keyboard Concerto No. 8 in D Minor, BWV 1059: III. Presto

By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself in which he would rise to become one of the world's most prominent performers in the early music movement. Koopman was born in the Dutch town of Zwolle in 1944. After what he describes as a "classical education," he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older musics on their original instruments in a thoroughly researched historical performing style. He founded his first Baroque orchestra in 1966, followed by an exuberant career (40 years and counting) of mingled performance, conducting, and scholarship.

As a keyboardist, Ton Koopman has appeared on the most prestigious concert stages of five continents and has produced an extensive discography on Erato, Philips, Sony, Teldec, and other labels. He has concertized on many of the greatest historical organs throughout Europe. He plays harpsichord while leading the Amsterdam Baroque Orchestra & Choir (both of which he also founded), in addition to giving regular guest performances with professional orchestras throughout the world. He has taught harpsichord at the Sweelinck conservatory, serves as a professor of harpsichord at the Hague's Royal Conservatory, and is an honorary member of the Royal Academy of Music in London. Koopman's first international prizes -- a pair of Prix d'Excellence -- came for his performances on organ and harpsichord.

Koopman's work as a conductor of early music has garnered him a wealth of further awards, including two Edison Prizes, a 3M Prize, a Deutsche Schallplattenpreis, a French Grand Prix du Disque and Prix Hector Berlioz, Grammy nominations in both the U.S. and Britain, and the Silver Phonograph from the Dutch recording industry. Much of his recorded work has been with the period instrument ensemble the Amsterdam Baroque Orchestra, which he founded in 1979. Together, Koopman and the Amsterdam Baroque have produced scores of recordings; Biber, Charpentier, Handel, Mozart, Purcell, and Vivaldi have been featured, though Koopman is best known now for his massive projects with recording the music of J.S. Bach. Between 1994 and 2004 he conducted and recorded the entire corpus of Bach's cantatas; other projects have included the complete Bach organ works and Passions (including Koopman's own reconstruction of the lost Markuspassion). In 2003, he formed Antoine Marchand Records, his own label. That same year, he was also admitted into the Order of the Netherlands Lion. Koopman became artist-in-residence with the Cleveland Orchestra in 2011, while continuing to be a professor at the Royal Conservatory of The Hague.

Koopman maintains an incredibly active schedule as guest conductor, in addition to his publishing career. ~ Timothy Dickey


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