Miloš Popović - Schumann: Drei Romanzen Op. 28, Sonata Op. 11 & Kinderszenen Op. 15 (2007)
BAND/ARTIST: Miloš Popović
- Title: Schumann: Drei Romanzen Op. 28, Sonata Op. 11 & Kinderszenen Op. 15
- Year Of Release: 2015
- Label: Fuga Libera
- Genre: Classical Piano
- Quality: flac lossless
- Total Time: 01:03:01
- Total Size: 195 mb
- WebSite: Album Preview
Tracklist
01. Drei Romanzen, Op. 28: I. in B flat Minor (Sehr markirt)
02. Drei Romanzen, Op. 28: II. in F-Sharp (Einfach)
03. Drei Romanzen, Op. 28: III. In B (Sehr markirt-Etwas bewegter-Presto-Erstes Tempo-Etwas langsamer-Wie vorher)
04. Sonata in F Sharp Minor, Op. 11: I. Introduzione (Un poco Adagio)-Allegro vivace
05. Sonata in F Sharp Minor, Op. 11: II. Aria
06. Sonata in F Sharp Minor, Op. 11: III. Scherzo & Intermezzo (Allegrissimo)
07. Sonata in F Sharp Minor, Op. 11: IV. Finale (Allegro un poco maestoso)
08. Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
09. Kinderszenen, Op. 15: II. Kuriose Geschichte
10. Kinderszenen, Op. 15: III. Hasche-Mann
11. Kinderszenen, Op. 15: IV. Bittendes Kind
12. Kinderszenen, Op. 15: V. Glückes genug
13. Kinderszenen, Op. 15: VI. Wichtige Begebenheid
14. Kinderszenen, Op. 15: VII. Traümerei
15. Kinderszenen, Op. 15: VIII. Am Kamin
16. Kinderszenen, Op. 15: IX. Ritter von Steckenpferd
17. Kinderszenen, Op. 15: X. Fast zu Ernst
18. Kinderszenen, Op. 15: XI. Fürchtenmachen
19. Kinderszenen, Op. 15: XII. Kind im Einschlummern
20. Kinderszenen, Op. 15: XIII. Der Dichter spricht
In his recording debut, Belgrade-born and Brussels-based pianist Milos Popovic has chosen a set of three works by Robert Schumann: his Drei Romanzen, Sonata in F-sharp minor, and Kinderszenen. The freshness of his playing and the ardor of his interpretations are enough to eclipse memories of performances by such masters as Arrau, Kempff, Horowitz, and Richter. His tempos are ideally balanced between poise and impulse, with accelerandos of uncanny ease and naturalness. His phrasing is all about singing, and every line -- top, bottom, and middle -- has its own melody. Furthermore, his sonorities are rich and sensual, his rhythms muscular but agile, and his control of form absolutely complete, every moment at once a surprise and a fulfillment. In Popovic's hands, each work has its own character -- the Romanzen recklessly heroic, the Sonata relentlessly passionate, and the Kinderszenen innocently poetic. The composer who emerges here is strongly romantic and supremely virtuosic, and the pianist is defiantly individualistic and consummately musical. Recorded in 2007 in clean, direct but close digital sound in Flagey Studio 4 in Brussels, this recital introduces a major new Schumann player to the scene.
01. Drei Romanzen, Op. 28: I. in B flat Minor (Sehr markirt)
02. Drei Romanzen, Op. 28: II. in F-Sharp (Einfach)
03. Drei Romanzen, Op. 28: III. In B (Sehr markirt-Etwas bewegter-Presto-Erstes Tempo-Etwas langsamer-Wie vorher)
04. Sonata in F Sharp Minor, Op. 11: I. Introduzione (Un poco Adagio)-Allegro vivace
05. Sonata in F Sharp Minor, Op. 11: II. Aria
06. Sonata in F Sharp Minor, Op. 11: III. Scherzo & Intermezzo (Allegrissimo)
07. Sonata in F Sharp Minor, Op. 11: IV. Finale (Allegro un poco maestoso)
08. Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
09. Kinderszenen, Op. 15: II. Kuriose Geschichte
10. Kinderszenen, Op. 15: III. Hasche-Mann
11. Kinderszenen, Op. 15: IV. Bittendes Kind
12. Kinderszenen, Op. 15: V. Glückes genug
13. Kinderszenen, Op. 15: VI. Wichtige Begebenheid
14. Kinderszenen, Op. 15: VII. Traümerei
15. Kinderszenen, Op. 15: VIII. Am Kamin
16. Kinderszenen, Op. 15: IX. Ritter von Steckenpferd
17. Kinderszenen, Op. 15: X. Fast zu Ernst
18. Kinderszenen, Op. 15: XI. Fürchtenmachen
19. Kinderszenen, Op. 15: XII. Kind im Einschlummern
20. Kinderszenen, Op. 15: XIII. Der Dichter spricht
In his recording debut, Belgrade-born and Brussels-based pianist Milos Popovic has chosen a set of three works by Robert Schumann: his Drei Romanzen, Sonata in F-sharp minor, and Kinderszenen. The freshness of his playing and the ardor of his interpretations are enough to eclipse memories of performances by such masters as Arrau, Kempff, Horowitz, and Richter. His tempos are ideally balanced between poise and impulse, with accelerandos of uncanny ease and naturalness. His phrasing is all about singing, and every line -- top, bottom, and middle -- has its own melody. Furthermore, his sonorities are rich and sensual, his rhythms muscular but agile, and his control of form absolutely complete, every moment at once a surprise and a fulfillment. In Popovic's hands, each work has its own character -- the Romanzen recklessly heroic, the Sonata relentlessly passionate, and the Kinderszenen innocently poetic. The composer who emerges here is strongly romantic and supremely virtuosic, and the pianist is defiantly individualistic and consummately musical. Recorded in 2007 in clean, direct but close digital sound in Flagey Studio 4 in Brussels, this recital introduces a major new Schumann player to the scene.
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