Charles Owen - Poulenc: Piano Music (2014)
BAND/ARTIST: Charles Owen
- Title: Poulenc: Piano Music
- Year Of Release: 2014
- Label: SOMM Recordings
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 73:13 min
- Total Size: 269 MB
- WebSite: Album Preview
Tracklist:
01. Preambule
02. Cadence
03. Variation 1: Le comble de la distinction
04. Variation 2: Le coer sur la main
05. Variation 3: La desinvoltue et la discretion
06. Variation 4: La suite dans les idees
07. Variation 5: Le charme enjoleur
08. Variation 6: Le contentement de soi
09. Variation 7: Le gout du malheur
10. Variation 8: L'alerte vieillesse
11. Cadence
12. Finale
13. I. Barcarolle
14. II. Nocturne
15. III. Caprice Italien
16. Melancolie, FP 105
17. Novelette No. 1 in C Major: Modere sans lenteur
18. Novelette No. 2 in B-Flat Minor: Tres rapide et rythme
19. Novelette No. 3 in E Minor: Andantino tranquillo
20. Improvisation No. 1 in B Minor
21. Improvisation No. 2 in A-Flat Major
22. Improvisation No. 3 in B Minor
23. Improvisation No. 4 in A-Flat Major
24. Improvisation No. 5 in A Minor
25. Improvisation No. 6 in B-Flat Major
26. Improvisation No. 7 in C Major
27. Improvisation No. 8 in A Minor
28. Improvisation No. 9 in D Major
29. Improvisation No. 10 in F Major, "Eloge des gammes"
30. Improvisation No. 11 in G Minor
31. Improvisation No. 12 in E-Flat Major, "Hommage a Schubert"
32. Improvisation No. 13 in A Minor
33. Improvisation No. 14 in D-Flat Major
34. Improvisation No. 15 in C Minor, "Hommage a Edith Piaf"
Charles Owen, Piano. This is Charles Owen’s second disc in the “New Horizons” series (see SOMMCD 028). After Debussy and Ravel, and before Messiaen, Poulenc’s is the most significant body of French solo piano music of the twentieth-century. He combined the Dadaesque qualities of Erik Satie with the deeper, more serious expression of his composition teacher, Charles Koechlin, alongside his own formidable performing mastery as a pianist. Charles Owen’s own words — “One of the great joys in playing this repertoire is the need to recapture the joie de vivre inherent in the music’s conception.”
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