Andrea Kauten - "Promenade" - Works by Chopin & Mussorgsky (2021) [Hi-Res]
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BAND/ARTIST: Andrea Kauten
- Title: "Promenade" - Works by Chopin & Mussorgsky
- Year Of Release: 2021
- Label: Solo Musica
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 01:17:11
- Total Size: 291 / 612 mb
- WebSite: Album Preview
Tracklist
01. 24 Préludes, Op. 28: No. 1 in C Major, B. 124
02. 24 Préludes, Op. 28: No. 2 in A Minor, B. 123
03. 24 Préludes, Op. 28: No. 3 in G Major, B. 107
04. 24 Préludes, Op. 28: No. 4 in E Minor, B. 123
05. 24 Préludes, Op. 28: No. 5 in D Major, B. 107
06. 24 Préludes, Op. 28: No. 6 in B Minor, B. 107
07. 24 Préludes, Op. 28: No. 7 in A Major, B. 100
08. 24 Préludes, Op. 28: No. 8 in F-Sharp Minor, B. 107
09. 24 Préludes, Op. 28: No. 9 in E Major, B. 107
10. 24 Préludes, Op. 28: No. 10 in C-Sharp Minor, B. 123
11. 24 Préludes, Op. 28: No. 11 in B Major, B. 107
12. 24 Préludes, Op. 28: No. 12 in G-Sharp Minor, B. 107
13. 24 Préludes, Op. 28: No. 13 in F-Sharp Major, B. 107
14. 24 Préludes, Op. 28: No. 14 in E-Flat Minor, B. 107
15. 24 Préludes, Op. 28: No. 15 in D-Flat Major, B. 107 "Raindrop"
16. 24 Préludes, Op. 28: No. 16 in B-Flat Minor, B. 107
17. 24 Préludes, Op. 28: No. 17 in A-Flat Major, B. 100
18. 24 Préludes, Op. 28: No. 18 in F Minor, B. 107
19. 24 Préludes, Op. 28: No. 19 in E-Flat Major, B. 107
20. 24 Préludes, Op. 28: No. 20 in C Minor, B. 107
21. 24 Préludes, Op. 28: No. 21 in B-Flat Major, B. 123
22. 24 Préludes, Op. 28: No. 22 in G Minor, B. 107
23. 24 Préludes, Op. 28: No. 23 in F Major, B. 107
24. 24 Préludes, Op. 28: No. 24 in D Minor, B. 107
25. Pictures at an Exhibition: Promenade I
26. Pictures at an Exhibition: I. Gnomus
27. Pictures at an Exhibition: Promenade II
28. Pictures at an Exhibition: II. Il vecchio castello
29. Pictures at an Exhibition: Promenade III
30. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
31. Pictures at an Exhibition: IV. Bydło
32. Pictures at an Exhibition: Promenade IV
33. Pictures at an Exhibition: V. Ballet of Unhatched Chicks in Their Shells
34. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
35. Pictures at an Exhibition: Promenade V
36. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
37. Pictures at an Exhibition: VIIIa. Catacombæ (Sepulcrum romanum)
38. Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua
39. Pictures at an Exhibition: IX. The Hut on Fowl's Legs [Baba-Yagá]
40. Pictures at an Exhibition: X. The Great Gate of Kiev
![Andrea Kauten - "Promenade" - Works by Chopin & Mussorgsky (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-04/1619533223_andrea-kauten-promenade-works-by-chopin-mussorgsky-2021-back.jpg)
The new Solo Musica recording "Promenade" of Frédéric Chopin's Préludes, Op. 28 and Modest Mussorgsky's Pictures at an Exhibition brings together two prominent piano cycles that are almost emblematic of their creators' oeuvre. In the juxtaposition, pianist Andrea Kauten shows what unites them despite all the expected contrasts, which goes far beyond some obvious references by Mussorgsky to Chopin's Préludes. Both large-scale cycles combine miniatures of partly aphoristic character. They stand in the tension between European art music and the national influences of Eastern European and Slavic traditions. For the time being, they seek different solutions. The cosmopolitan Chopin, rejecting any demonstrative patriotism, manages the seamless integration of his Polish idiom into a universally European expression. Mussorgsky, as a self-confessed post-cosmopolitan, emphatically recalled the folk-Russian, which he offensively opposed to everything "Western". Both composers found their way to a personalised musical language which, while freely handling the form, allows the traditional harmonies to be broken up by deliberate instabilities. Both meet on the path to modernity. Even if emotional exhibitionism was alien to both composers and the works can only be related to the biographical snapshots of their genesis with extreme caution: Both cycles are set against the background of a confrontation with death that is as surprising as it is inexorable.
01. 24 Préludes, Op. 28: No. 1 in C Major, B. 124
02. 24 Préludes, Op. 28: No. 2 in A Minor, B. 123
03. 24 Préludes, Op. 28: No. 3 in G Major, B. 107
04. 24 Préludes, Op. 28: No. 4 in E Minor, B. 123
05. 24 Préludes, Op. 28: No. 5 in D Major, B. 107
06. 24 Préludes, Op. 28: No. 6 in B Minor, B. 107
07. 24 Préludes, Op. 28: No. 7 in A Major, B. 100
08. 24 Préludes, Op. 28: No. 8 in F-Sharp Minor, B. 107
09. 24 Préludes, Op. 28: No. 9 in E Major, B. 107
10. 24 Préludes, Op. 28: No. 10 in C-Sharp Minor, B. 123
11. 24 Préludes, Op. 28: No. 11 in B Major, B. 107
12. 24 Préludes, Op. 28: No. 12 in G-Sharp Minor, B. 107
13. 24 Préludes, Op. 28: No. 13 in F-Sharp Major, B. 107
14. 24 Préludes, Op. 28: No. 14 in E-Flat Minor, B. 107
15. 24 Préludes, Op. 28: No. 15 in D-Flat Major, B. 107 "Raindrop"
16. 24 Préludes, Op. 28: No. 16 in B-Flat Minor, B. 107
17. 24 Préludes, Op. 28: No. 17 in A-Flat Major, B. 100
18. 24 Préludes, Op. 28: No. 18 in F Minor, B. 107
19. 24 Préludes, Op. 28: No. 19 in E-Flat Major, B. 107
20. 24 Préludes, Op. 28: No. 20 in C Minor, B. 107
21. 24 Préludes, Op. 28: No. 21 in B-Flat Major, B. 123
22. 24 Préludes, Op. 28: No. 22 in G Minor, B. 107
23. 24 Préludes, Op. 28: No. 23 in F Major, B. 107
24. 24 Préludes, Op. 28: No. 24 in D Minor, B. 107
25. Pictures at an Exhibition: Promenade I
26. Pictures at an Exhibition: I. Gnomus
27. Pictures at an Exhibition: Promenade II
28. Pictures at an Exhibition: II. Il vecchio castello
29. Pictures at an Exhibition: Promenade III
30. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
31. Pictures at an Exhibition: IV. Bydło
32. Pictures at an Exhibition: Promenade IV
33. Pictures at an Exhibition: V. Ballet of Unhatched Chicks in Their Shells
34. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
35. Pictures at an Exhibition: Promenade V
36. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
37. Pictures at an Exhibition: VIIIa. Catacombæ (Sepulcrum romanum)
38. Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua
39. Pictures at an Exhibition: IX. The Hut on Fowl's Legs [Baba-Yagá]
40. Pictures at an Exhibition: X. The Great Gate of Kiev
The new Solo Musica recording "Promenade" of Frédéric Chopin's Préludes, Op. 28 and Modest Mussorgsky's Pictures at an Exhibition brings together two prominent piano cycles that are almost emblematic of their creators' oeuvre. In the juxtaposition, pianist Andrea Kauten shows what unites them despite all the expected contrasts, which goes far beyond some obvious references by Mussorgsky to Chopin's Préludes. Both large-scale cycles combine miniatures of partly aphoristic character. They stand in the tension between European art music and the national influences of Eastern European and Slavic traditions. For the time being, they seek different solutions. The cosmopolitan Chopin, rejecting any demonstrative patriotism, manages the seamless integration of his Polish idiom into a universally European expression. Mussorgsky, as a self-confessed post-cosmopolitan, emphatically recalled the folk-Russian, which he offensively opposed to everything "Western". Both composers found their way to a personalised musical language which, while freely handling the form, allows the traditional harmonies to be broken up by deliberate instabilities. Both meet on the path to modernity. Even if emotional exhibitionism was alien to both composers and the works can only be related to the biographical snapshots of their genesis with extreme caution: Both cycles are set against the background of a confrontation with death that is as surprising as it is inexorable.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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