James Willshire - Cecil Coles, Gustav Holst: Piano Music (2021) [Hi-Res]
BAND/ARTIST: James Willshire
- Title: Cecil Coles, Gustav Holst: Piano Music
- Year Of Release: 2021
- Label: Delphian Records
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:08:44
- Total Size: 243 mb / 1.09 gb
- WebSite: Album Preview
Tracklist
01. Variations on an Original Theme: Thema (Andante con moto)
02. Variations on an Original Theme: Variation 1 (Poco più mosso)
03. Variations on an Original Theme: Variation 2 (Scherzoso)
04. Variations on an Original Theme: Variation 3 (Maestoso ma allegro)
05. Variations on an Original Theme: Variation 4 (Andante serioso ed espressivo)
06. Variations on an Original Theme: Variation 5 (Allegro giusto)
07. Five Sketches: I. Prelude
08. Five Sketches: II. Her Picture
09. Five Sketches: III. Little Study
10. Five Sketches: IV. Phantom
11. Five Sketches: V. Retrospect
12. Valse in D
13. Sonata in C Minor: I. Allegro
14. Sonata in C Minor: II. Andante con moto
15. Trianon Gavotte
16. Five Little Variations on an Original Theme: Theme (Poco andante)
17. Five Little Variations on an Original Theme: Variation 1
18. Five Little Variations on an Original Theme: Variation 2 (Poco allegro)
19. Five Little Variations on an Original Theme: Variation 3 (Vivo)
20. Five Little Variations on an Original Theme: Variation 4 (Maestoso)
21. Five Little Variations on an Original Theme: Variation 5 (Grazioso)
22. Triste et Gai, Op. 10
23. Toccata, H. 153
24. Folk Song Fragments, Op. 46 No. 2, H. 166: I. O I Hae Seen the Roses Blaw
25. Folk Song Fragments, Op. 46 No. 2, H. 166: II. The Shoemakker
26. Chrissemas Day in the Morning, Op. 46 No. 1, H. 165
27. Two Pieces for Piano, H. 179: I. Nocturne
28. Two Pieces for Piano, H. 179: II. Jig
29. Egdon Heath: A Homage to Thomas Hardy, Op. 47, H. 172 (arr. Iain Farrington)
Behind the lines of the Western Front, the young Scottish composer Cecil Coles sent his friend and mentor Gustav Holst a score, stained with mud and blood. Only one movement survived: the rest was believed destroyed by enemy action.Four months later Coles himself was killed in battle rescuing injured comrades.
James Willshire’s groundbreaking survey of his piano music reveals a composer finding his voice in pre-war Britain, France and Germany, a poignant and distinctive blend of ‘happy–sad’, as Nigel Osborne’s perceptive notes describe it.After the war, Holst’s own work shows him returning to his fascination with folk music with ‘fresh ears of almost shocking clarity’, in harmonic experiments that parallel those of Bartók.
The recital culminates in a compelling performance of Iain Farrington’s new arrangement of one of Holst’s orchestral masterpieces, a bleak, ambitious depiction of Thomas Hardy’s ‘untameable, inviolate’ Egdon Heath.
01. Variations on an Original Theme: Thema (Andante con moto)
02. Variations on an Original Theme: Variation 1 (Poco più mosso)
03. Variations on an Original Theme: Variation 2 (Scherzoso)
04. Variations on an Original Theme: Variation 3 (Maestoso ma allegro)
05. Variations on an Original Theme: Variation 4 (Andante serioso ed espressivo)
06. Variations on an Original Theme: Variation 5 (Allegro giusto)
07. Five Sketches: I. Prelude
08. Five Sketches: II. Her Picture
09. Five Sketches: III. Little Study
10. Five Sketches: IV. Phantom
11. Five Sketches: V. Retrospect
12. Valse in D
13. Sonata in C Minor: I. Allegro
14. Sonata in C Minor: II. Andante con moto
15. Trianon Gavotte
16. Five Little Variations on an Original Theme: Theme (Poco andante)
17. Five Little Variations on an Original Theme: Variation 1
18. Five Little Variations on an Original Theme: Variation 2 (Poco allegro)
19. Five Little Variations on an Original Theme: Variation 3 (Vivo)
20. Five Little Variations on an Original Theme: Variation 4 (Maestoso)
21. Five Little Variations on an Original Theme: Variation 5 (Grazioso)
22. Triste et Gai, Op. 10
23. Toccata, H. 153
24. Folk Song Fragments, Op. 46 No. 2, H. 166: I. O I Hae Seen the Roses Blaw
25. Folk Song Fragments, Op. 46 No. 2, H. 166: II. The Shoemakker
26. Chrissemas Day in the Morning, Op. 46 No. 1, H. 165
27. Two Pieces for Piano, H. 179: I. Nocturne
28. Two Pieces for Piano, H. 179: II. Jig
29. Egdon Heath: A Homage to Thomas Hardy, Op. 47, H. 172 (arr. Iain Farrington)
Behind the lines of the Western Front, the young Scottish composer Cecil Coles sent his friend and mentor Gustav Holst a score, stained with mud and blood. Only one movement survived: the rest was believed destroyed by enemy action.Four months later Coles himself was killed in battle rescuing injured comrades.
James Willshire’s groundbreaking survey of his piano music reveals a composer finding his voice in pre-war Britain, France and Germany, a poignant and distinctive blend of ‘happy–sad’, as Nigel Osborne’s perceptive notes describe it.After the war, Holst’s own work shows him returning to his fascination with folk music with ‘fresh ears of almost shocking clarity’, in harmonic experiments that parallel those of Bartók.
The recital culminates in a compelling performance of Iain Farrington’s new arrangement of one of Holst’s orchestral masterpieces, a bleak, ambitious depiction of Thomas Hardy’s ‘untameable, inviolate’ Egdon Heath.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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