Ricercar Consort, La Fenice, Philippe Pierlot - Samuel Scheidt: Concertuum Sacrorum (2007)
BAND/ARTIST: Ricercar Consort, La Fenice, Philippe Pierlot
- Title: Samuel Scheidt: Concertuum Sacrorum
- Year Of Release: 2007
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless
- Total Time: 02:11:47
- Total Size: 552 mb
- WebSite: Album Preview
Tracklist
01. Concertus No. 12: Magnificat Tribus Choribus
02. Paduan 4 Vocum
03. Concertus No. 5: Hodie Completi Sunt, 8 Vocum, Cum Instrumentis
04. Concertus No. 2: Laudate Dominum In Sanctis, 6 Vocum Et Variis Instrumentis
05. Hymnus Veni Redemptor Gentium
06. Concertus No. 6: Angelus Ad Pastores, 8 Vocum, Voce Et Instrumentis Cum Symphonia
07. Erbarm Dich Mein, O Herre Gott
08. Eile Mich, Gott, Zu Erreten
09. Ich Danke Dem Herrn
10. O Jesu Nomen Dulce
11. Ich Ruf Zu Dir
12. Ich Liege Und Schlafe
13. Von Aufgang Der Sonne
14. Meister, Wir Haben Die Ganze Nacht Gearbeitet
15. Herr, Neige Deine Himmel
16. Aus Der Tiefe
17. Was Betrübst Du Dich, Meine Seele
18. Gehe Aus Auf Die Landstrassen
19. Christ Unser Herr Zum Jordan Kam
20. O Jesu Christe, Gottes Sohn
21. Ich Ruf Zu Dir
22. Aus Tiefer Not
23. O Jesu Du Mein Leben
SAMUEL SCHEIDT AND HIS CONTEMPORARIESHeinrich Schtz - Christoph Bernhardt - Johann-Rudolph Ahle - Johann-Hermann Schein - Johann-Philippe Krieger Prima Pars Concertuum Sacrorum - Geistliche Konzerte Greta DE REYGHERE, soprano - Katelijne VAN LAETHEM, soprano - Agnès MELLON, soprano - Marie-Nolle DE CALLATA , soprano- Henri LEDROIT, counter-tenor - Max VAN EGMOND, bass - James WEAVER, bass Whereas the main source of inspiration of XVIIth century composers in Central Germany was still the tradition of Lutherian chorals, they gradually fell under the spell of the new Italian music. By and by, the dramatic recitative, vocal virtuosity and the mixture of voices and instruments becomes interwoven with the polyphonic tradition. Samuel Scheidt's collection of _Concertum Sacrorum_ is one of the most stunning illustration of this Italian influence. This recording also comprises a selection of "spiritual concerts", which, in their own way, also highlight this surprising fusion of styles.
01. Concertus No. 12: Magnificat Tribus Choribus
02. Paduan 4 Vocum
03. Concertus No. 5: Hodie Completi Sunt, 8 Vocum, Cum Instrumentis
04. Concertus No. 2: Laudate Dominum In Sanctis, 6 Vocum Et Variis Instrumentis
05. Hymnus Veni Redemptor Gentium
06. Concertus No. 6: Angelus Ad Pastores, 8 Vocum, Voce Et Instrumentis Cum Symphonia
07. Erbarm Dich Mein, O Herre Gott
08. Eile Mich, Gott, Zu Erreten
09. Ich Danke Dem Herrn
10. O Jesu Nomen Dulce
11. Ich Ruf Zu Dir
12. Ich Liege Und Schlafe
13. Von Aufgang Der Sonne
14. Meister, Wir Haben Die Ganze Nacht Gearbeitet
15. Herr, Neige Deine Himmel
16. Aus Der Tiefe
17. Was Betrübst Du Dich, Meine Seele
18. Gehe Aus Auf Die Landstrassen
19. Christ Unser Herr Zum Jordan Kam
20. O Jesu Christe, Gottes Sohn
21. Ich Ruf Zu Dir
22. Aus Tiefer Not
23. O Jesu Du Mein Leben
SAMUEL SCHEIDT AND HIS CONTEMPORARIESHeinrich Schtz - Christoph Bernhardt - Johann-Rudolph Ahle - Johann-Hermann Schein - Johann-Philippe Krieger Prima Pars Concertuum Sacrorum - Geistliche Konzerte Greta DE REYGHERE, soprano - Katelijne VAN LAETHEM, soprano - Agnès MELLON, soprano - Marie-Nolle DE CALLATA , soprano- Henri LEDROIT, counter-tenor - Max VAN EGMOND, bass - James WEAVER, bass Whereas the main source of inspiration of XVIIth century composers in Central Germany was still the tradition of Lutherian chorals, they gradually fell under the spell of the new Italian music. By and by, the dramatic recitative, vocal virtuosity and the mixture of voices and instruments becomes interwoven with the polyphonic tradition. Samuel Scheidt's collection of _Concertum Sacrorum_ is one of the most stunning illustration of this Italian influence. This recording also comprises a selection of "spiritual concerts", which, in their own way, also highlight this surprising fusion of styles.
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