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Ensemble San Felice - Rossini: Petite messe solennelle (Version for Chamber Ensemble) (2021)

Ensemble San Felice - Rossini: Petite messe solennelle (Version for Chamber Ensemble) (2021)

BAND/ARTIST: Ensemble San Felice

  • Title: Rossini: Petite messe solennelle (Version for Chamber Ensemble)
  • Year Of Release: 2021
  • Label: Bongiovanni
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 74:32 min
  • Total Size: 348 MB
  • WebSite:
Ensemble San Felice - Rossini: Petite messe solennelle (Version for Chamber Ensemble) (2021)

Tracklist:

01. Petite messe solennelle (Version for Chamber Ensemble): I. Kyrie
02. Petite messe solennelle (Version for Chamber Ensemble): IIa. Gloria in excelsis Deo
03. Petite messe solennelle (Version for Chamber Ensemble): IIb. Laudamus te
04. Petite messe solennelle (Version for Chamber Ensemble): IIc. Gratias
05. Petite messe solennelle (Version for Chamber Ensemble): IId. Domine Deus
06. Petite messe solennelle (Version for Chamber Ensemble): IIe. Qui tollis
07. Petite messe solennelle (Version for Chamber Ensemble): IIf. Quoniam
08. Petite messe solennelle (Version for Chamber Ensemble): IIg. Cum Sancto Spiritu
09. Petite messe solennelle (Version for Chamber Ensemble): IIIa. Credo
10. Petite messe solennelle (Version for Chamber Ensemble): IIIb. Crucifixus
11. Petite messe solennelle (Version for Chamber Ensemble): IIIc. Et resurrexit
12. Petite messe solennelle (Version for Chamber Ensemble): IIId. Et vitam venturi saeculi
13. Petite messe solennelle (Version for Chamber Ensemble): IV. Preludio religioso
14. Petite messe solennelle (Version for Chamber Ensemble): Va. Ritornello
15. Petite messe solennelle (Version for Chamber Ensemble): Vb. Sanctus
16. Petite messe solennelle (Version for Chamber Ensemble): VI. O salutaris hostia
17. Petite messe solennelle (Version for Chamber Ensemble): VII. Agnus Dei

The Petite messe solennelle is unique in sacred music and is impossible to imitate or improve upon. Using only keyboards for the instrumental parts proves surprisingly effective and the solo pianoforte is particularly outstanding in the remarkable Prélude which combines Bach-like chromaticism with early hints of Impressionism or in the long introductions and postludes where it assumes a leading role, becoming the fifth soloist in the score. The writing for the solo voices however reverts to Rossini's operatic vein and makes considerable demands on the singers.


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