Joseph Kelemen - Matthias Weckmann: Norddeutsche Orgelmeister, Vol. 2 (2005) [SACD]
BAND/ARTIST: Joseph Kelemen
- Title: Matthias Weckmann: Norddeutsche Orgelmeister, Vol. 2
- Year Of Release: 2005
- Label: Oehms - OC 627
- Genre: Classical
- Quality: DSD64 image (*.iso) / 2.0, 5.0 (2,8 MHz/1 Bit)
- Total Time: 68:34
- Total Size: 3.32 GB
- WebSite: Album Preview
Tracklist:
1. Praeambulum Primi toni a. 5 in d
2. Fuga ex D. Pedaliter, primi Toni in d
3. Ach wir armen Sünder - Versus 1 Choral in Ten.
4. Ach wir armen Sünder - Versus 2 à 2 Clav. è Ped.
5. Ach wir armen Sünder - Versus 3 à 2 Clav.
6. Toccata Dal 12 Tuono in C
7. Canzon Dall istesso Tuono in C
8. Es ist das Heyl uns kommen her - Primuns Versus a 5 Voc. Im vollen Werck
9. Es ist das Heyl uns kommen her - Secundus Versus Manualiter Canon in hyperdiapente post minimam
10. Es ist das Heyl uns kommen her - Tertius Versus Vff 2 Clavir
11. Es ist das Heyl uns kommen her - Quartus Versus a 3. Pedaliter Canon in subdiapason post semiminimam
12. Es ist das Heyl uns kommen her - Quintus Versus a 3. Pedaliter Canon in subdiapason post semiminimam
13. Es ist das Heyl uns kommen her - Sextus Versus Vff 2 Clavier
14. Es ist das Heyl uns kommen her - septimus et ultimus Versus Im vollen Werck Choral im Tenor Manualiter et Pedaliter
15. Lucidor einß hütt der schaf
16. Gelobet seystu Jesu Christ - Primus Versus a 4
17. Gelobet seystu Jesu Christ - Secundus Versus Auff 2
18. Gelobet seystu Jesu Christ - Tertius Versus Auff 2 Clavir à 4
19. Gelobet seystu Jesu Christ - Quatrus Versus á 3
20. Canzon in d
21. Fanatsia. Ex. D in d
1. Praeambulum Primi toni a. 5 in d
2. Fuga ex D. Pedaliter, primi Toni in d
3. Ach wir armen Sünder - Versus 1 Choral in Ten.
4. Ach wir armen Sünder - Versus 2 à 2 Clav. è Ped.
5. Ach wir armen Sünder - Versus 3 à 2 Clav.
6. Toccata Dal 12 Tuono in C
7. Canzon Dall istesso Tuono in C
8. Es ist das Heyl uns kommen her - Primuns Versus a 5 Voc. Im vollen Werck
9. Es ist das Heyl uns kommen her - Secundus Versus Manualiter Canon in hyperdiapente post minimam
10. Es ist das Heyl uns kommen her - Tertius Versus Vff 2 Clavir
11. Es ist das Heyl uns kommen her - Quartus Versus a 3. Pedaliter Canon in subdiapason post semiminimam
12. Es ist das Heyl uns kommen her - Quintus Versus a 3. Pedaliter Canon in subdiapason post semiminimam
13. Es ist das Heyl uns kommen her - Sextus Versus Vff 2 Clavier
14. Es ist das Heyl uns kommen her - septimus et ultimus Versus Im vollen Werck Choral im Tenor Manualiter et Pedaliter
15. Lucidor einß hütt der schaf
16. Gelobet seystu Jesu Christ - Primus Versus a 4
17. Gelobet seystu Jesu Christ - Secundus Versus Auff 2
18. Gelobet seystu Jesu Christ - Tertius Versus Auff 2 Clavir à 4
19. Gelobet seystu Jesu Christ - Quatrus Versus á 3
20. Canzon in d
21. Fanatsia. Ex. D in d
Matthias Weckmann was probably born in 1616 in Niederdorla, near Mühlhausen, Thuringia. He moved to Dresden around 1628 and was a choirboy in the court chapel led by Heinrich Schütz (1585–1672). Schütz sent him to Hamburg in 1633 – complete with a scholarship sponsored by Saxon’s prince elector Johann Georg I – to study organ with Jacob Praetorius (1586–1651), the organist at St. Peter’s. Praetorius had studied with the famous teacher Jan Pieterszoon Sweelinck (1562–1621) in Amsterdam, just as had Heinrich Scheidemann (ca. 1596–1663), who was in Hamburg at the same time as Praetorius and the organist at St. Katharina’s. During his studies with Praetorius, Weckmann would certainly have heard Scheidemann on occasion. Weckmann’s acquaintanceship with both of these important masters during his Hamburg years gave him many insights into the Northern German manner of organbuilding and performance.
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