• logo

Sarah Cuninngham, Orchestra of the Age of Enlightenment, Monica Hugget - Telemann: Les Plaisirs - Chamber Concertos (1997)

Sarah Cuninngham, Orchestra of the Age of Enlightenment, Monica Hugget - Telemann: Les Plaisirs - Chamber Concertos (1997)
  • Title: Telemann: Les Plaisirs - Chamber Concertos
  • Year Of Release: 1997
  • Label: Harmonia Mundi
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 73:39
  • Total Size: 353 / 187 Mb
  • WebSite:
Tracklist:

Concerto in A minor for Recorder, Viola da gamba and Strings:
01.Grave
02.Allegro
03.Dolce
04.Allegro
Suite in D major for Viola da gamba and Strings:
05.I.Ouverture
06.II. La Trompette
07.III. Sarabande
08.IV. Rondeau
09.V. Bourree
10.VI. Courante/Double
11.VII. Gigue (Presto)
Suite in A minor for Recorder and Strings
12.I. Ouverture
13.II. Les Plaisirs I/II
14.III. Air l'Italien (Largo)
15.IV. Menuet I/II
16.V. Rejouissance
17.VI. Passepied I/II
18.VII. Polonoise/Double
Sinfonia in F major for Alto Recorder, Viola da gamba and Strings:
19.Alla Breve
20.Andante
21.Vivace

Performers:
Sarah Cuninngham - viola da gamba
Marion Verbruggen - recorder
Orchestra of the Age of Enlightenment
Monica Hugget - director

This cd contains one of the best performances of Telemann's well-known A Minor Suite for recorder and strings. Sarah Cunningham is a fine recorder player, and Monica Hugget plays first violin and directs the Orchestra of the Age of Enlightenment, who play on period instruments. The strings play with very little or no vibratto, which might sound a bit dry to some listeners, but the elegance and precision of this band will win over many others. The A Minor Concerto for recorder is also given an enjoyable performance, but the remaining pieces, a Suite in D for Viola da gamba, and a Sinfonia in F for recorder and gamba are less pleasing, mainly because the gamba playing of Marion Verbruggen is somewhat less than exciting. Her instrument is mainly effective in chamber music of a very intimate type since it has a very small voice which I find difficult to hear along with the rest of the band. Even the recorder tends to drown it out. I wonder if these two works were acutally intended for the viola d'amore (or viola) rather than the gamba ("leg viol"), since the viola has a somwhat louder voice. So, at least half of this disc is full of pleasures, but the other half is a bit disappointing.




As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads