The Academy of Ancient Music, Christopher Hogwood - Mozart: Requiem (1988)
BAND/ARTIST: The Academy of Ancient Music, Christopher Hogwood
- Title: Mozart: Requiem
- Year Of Release: 1984 (1988)
- Label: Decca
- Genre: Classical
- Quality: FLAC (tracks) / MP3 320 Kbps
- Total Time: 43:26
- Total Size: 223 / 110 Mb
- WebSite: Album Preview
Tracklist:
Requiem in D minor, K.626 (Wolfgang Amadeus Mozart)
1. Introitus, Requiem aeternum 05:09
2. Kyrie eleison 02:31
3. Dies Irae 01:52
4. Tuba mirum 03:52
5. Rex tremendae majestatis 01:57
6. Recordare, Jesu pie 06:10
7. Confutatis maledictis 02:23
8. Lacrymosa dies illa 02:17
9. Amen 01:32
10. Domine Jesu Christe 03:39
11. Versus: Hostias et preces 03:47
12. Agnus Dei 02:38
13. Communio. Lux aeterna - Cum sanctis tuis 05:39
Performers:
Soprano Vocals – Emma Kirkby
Tenor Vocals – Anthony Rolfe Johnson
Timpani – Robert Howes
Trombone [Natural] – Dudley Bright, Peter Harvey (2), Susan Addison
Trumpet [Natural] – David Staff, Michael Laird (2)
Viola – Annette Isserlis, Colin Kitching, Katharine Hart, Trevor Jones (4)
Violin [First] – Graham Cracknell, James Ellis (3), John Holloway, Micaela Comberti, Miles Golding, Paull Boucher*
Violin [Second] – Felicity Notariello, John Willison, Julian Cummings, Pavlo Beznosiuk, Roy Goodman, Susan Carpenter-Jacobs
Violoncello – John Heley, Susan Sheppard, Timothy Mason
Bass Vocals – David Thomas (9)
Basset Horn – Keith Puddy, Lesley Schatzberger
Bassoon – Alastair Mitchell, Felix Warnock
Double Bass – Amanda McNamara, Barry Guy
Choir – Westminster Cathedral Boys Choir
Chorus – Chorus Of The Academy Of Ancient Music
Chorus Master [Westminster Cathedral Boys Choir] – David Hill
Contralto Vocals – Carolyn Watkinson
Orchestra Of The Academy Of Ancient Music
Directed By [Chorus & Orchestra Of The Academy Of Ancient Music] – Christopher Hogwood
Requiem in D minor, K.626 (Wolfgang Amadeus Mozart)
1. Introitus, Requiem aeternum 05:09
2. Kyrie eleison 02:31
3. Dies Irae 01:52
4. Tuba mirum 03:52
5. Rex tremendae majestatis 01:57
6. Recordare, Jesu pie 06:10
7. Confutatis maledictis 02:23
8. Lacrymosa dies illa 02:17
9. Amen 01:32
10. Domine Jesu Christe 03:39
11. Versus: Hostias et preces 03:47
12. Agnus Dei 02:38
13. Communio. Lux aeterna - Cum sanctis tuis 05:39
Performers:
Soprano Vocals – Emma Kirkby
Tenor Vocals – Anthony Rolfe Johnson
Timpani – Robert Howes
Trombone [Natural] – Dudley Bright, Peter Harvey (2), Susan Addison
Trumpet [Natural] – David Staff, Michael Laird (2)
Viola – Annette Isserlis, Colin Kitching, Katharine Hart, Trevor Jones (4)
Violin [First] – Graham Cracknell, James Ellis (3), John Holloway, Micaela Comberti, Miles Golding, Paull Boucher*
Violin [Second] – Felicity Notariello, John Willison, Julian Cummings, Pavlo Beznosiuk, Roy Goodman, Susan Carpenter-Jacobs
Violoncello – John Heley, Susan Sheppard, Timothy Mason
Bass Vocals – David Thomas (9)
Basset Horn – Keith Puddy, Lesley Schatzberger
Bassoon – Alastair Mitchell, Felix Warnock
Double Bass – Amanda McNamara, Barry Guy
Choir – Westminster Cathedral Boys Choir
Chorus – Chorus Of The Academy Of Ancient Music
Chorus Master [Westminster Cathedral Boys Choir] – David Hill
Contralto Vocals – Carolyn Watkinson
Orchestra Of The Academy Of Ancient Music
Directed By [Chorus & Orchestra Of The Academy Of Ancient Music] – Christopher Hogwood
This version is a radical departure from the traditional version of Mozart's Requiem. This version is thoroughly edited by the famous musicologist and mathematician Richard Maunder. I was skeptical at the beginning. But I wanted to hear it. I have to say that the Maunder's version (which are missing some parts of the standard score) is very convincing. To my ear, it sounds far more Mozartian than the traditional one (which was completed by a mediocre student of Mozart after Mozart's death, and only after Mozart's widow failed to convince any of Mozart's better students to complete the work). As expected, Hogwood and his vocal and orchestral forces deliver a magnificent musical experience (the Westminster Cathedral Boys Choir sounds angelical and the period-instrument sound of AAM is unmatched). Since I got this version, I have listened to it about 20 times, and I am sure I will come back for more. If you are not very familiar with the Requiem, my advise is to listen to a good recording of the standard version first (try the Philippe Herreweghe or the John Eliot Gardiner); and then listen closely to the Hogwood recording. I promise you, you won't be disappointed.
Classical | FLAC / APE | Mp3
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