Sweet Madness - Made in Spokane 1978-1981 Volume 1 & 2 (2015)
BAND/ARTIST: Sweet Madness
- Title: Made in Spokane 1978-1981 Volume 1 & 2
- Year Of Release: 2015
- Label: Sweet Madness
- Genre: New Wave, Post-Punk, Power Pop, Rock
- Quality: 320 kbps / FLAC (tracks)
- Total Time: 1:16:43
- Total Size: 178 mb / 509 mb
- WebSite: Album Preview
:: TRACKLIST ::
Volume 1
1. Put on Hold (02:48)
2. I Don't Want to Be a Number (01:55)
3. We Will Obey (02:50)
4. Tired Blood (01:58)
5. Concrete River (03:10)
6. Come Shining (02:10)
7. Buzzboys (01:44)
8. Can't Take It (02:59)
9. I Need Electricity (03:04)
10. Mechanical Things (01:49)
11. In on the Outs (01:48)
12. It Don't Bother Me (02:32)
13. Live for the Night (02:22)
14. Assembly Line (02:36)
15. Suburban Guerrillas (02:29)
16. Disco Assassin (00:53)
Volume 2
1 – Sleeping Without You (02:09)
A2 – Monica's Had A Change (02:12)
A3 – I'm Not Vicious (02:41)
A4 – Obsessive Compulsive (01:53)
A5 – Falling And Fading (03:13)
A6 – Disposable (02:25)
A7 – Grab And Hold (02:33)
A8 – Boys Just Get Excited (02:02)
B1 – Reorientation Camp (03:25)
B2 – I Don't Like You (02:44)
B3 – Are You Domesticated (01:57)
B4 – What's In It For Me? (02:11)
B5 – Severn (02:06)
B6 – D.O.A. (02:35)
B7 – Flight Number 77 (04:34)
Jan Gregor | vocals, guitar
John Robison | vocals, Vox & Farfisa organs, Yamaha CP-30 piano,
Buchla modular analog synthesizer
Mark Fenton | drums, backing vocals
Don Lynd | bass, backing vocals
Volume 1
1. Put on Hold (02:48)
2. I Don't Want to Be a Number (01:55)
3. We Will Obey (02:50)
4. Tired Blood (01:58)
5. Concrete River (03:10)
6. Come Shining (02:10)
7. Buzzboys (01:44)
8. Can't Take It (02:59)
9. I Need Electricity (03:04)
10. Mechanical Things (01:49)
11. In on the Outs (01:48)
12. It Don't Bother Me (02:32)
13. Live for the Night (02:22)
14. Assembly Line (02:36)
15. Suburban Guerrillas (02:29)
16. Disco Assassin (00:53)
In the dreary musical landscape of redneck country, beer swiggin'boogie and disco bars, just the basic concept of a band getting up on a stage and performing their own music was totally unheard of. That lesson was learned the hard way when Sweet Madness was unceremoniously boot-kicked from their first bar gig.
The seed was planted when lead singer/guitarist Jan Gregor and drummer Mark Fenton bonded in 1975, later joined by bassist Don Lynd. When keyboardist John Robison hooked in 1978, an original rock band sprouted, proving that a weed can grow anywhere
Unfazed with harsh reality, Sweet Madness pioneered the time-honored concept of "Do It Yourself" to create their own scene. Any scene. Literally. DIY or die. They threw rowdy parties, dances and staged unorthodox much-talked-about happenings: once performing
outside on Spokane's main drag in minus 7 degree weather and backing up traffic till the soundboard froze; another time hiring an "all-girl band" from Portland and then appearing in drag themselves.
The band built up their own local audience of punks, wavers, artists, misfits and weirdos, inciting both avid love and extreme loathing. Local press at the time called the group "bizarre, arty, and satirical", "punk/new wave", "demented Boy Scouts" and "like something out of the Twilight Zone."
Here are the uncommon sounds of geographic and cultural isolation.
Sweet Madness broke up in 1981, barely even heard of outside of the "Inland Empire" . . .
The seed was planted when lead singer/guitarist Jan Gregor and drummer Mark Fenton bonded in 1975, later joined by bassist Don Lynd. When keyboardist John Robison hooked in 1978, an original rock band sprouted, proving that a weed can grow anywhere
Unfazed with harsh reality, Sweet Madness pioneered the time-honored concept of "Do It Yourself" to create their own scene. Any scene. Literally. DIY or die. They threw rowdy parties, dances and staged unorthodox much-talked-about happenings: once performing
outside on Spokane's main drag in minus 7 degree weather and backing up traffic till the soundboard froze; another time hiring an "all-girl band" from Portland and then appearing in drag themselves.
The band built up their own local audience of punks, wavers, artists, misfits and weirdos, inciting both avid love and extreme loathing. Local press at the time called the group "bizarre, arty, and satirical", "punk/new wave", "demented Boy Scouts" and "like something out of the Twilight Zone."
Here are the uncommon sounds of geographic and cultural isolation.
Sweet Madness broke up in 1981, barely even heard of outside of the "Inland Empire" . . .
Volume 2
1 – Sleeping Without You (02:09)
A2 – Monica's Had A Change (02:12)
A3 – I'm Not Vicious (02:41)
A4 – Obsessive Compulsive (01:53)
A5 – Falling And Fading (03:13)
A6 – Disposable (02:25)
A7 – Grab And Hold (02:33)
A8 – Boys Just Get Excited (02:02)
B1 – Reorientation Camp (03:25)
B2 – I Don't Like You (02:44)
B3 – Are You Domesticated (01:57)
B4 – What's In It For Me? (02:11)
B5 – Severn (02:06)
B6 – D.O.A. (02:35)
B7 – Flight Number 77 (04:34)
Volume Two unearths more previously unreleased Sweet Madness music from where Made In Spokane: 1978 – 1981 left off. Featuring 15 mutant garage rock gems from the original Pacific NW post-punk era.
Jan Gregor | vocals, guitar
John Robison | vocals, Vox & Farfisa organs, Yamaha CP-30 piano,
Buchla modular analog synthesizer
Mark Fenton | drums, backing vocals
Don Lynd | bass, backing vocals
Rock | Alternative | Punk | FLAC / APE | Mp3 | CD-Rip
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