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The Fall - Totale's Turns (It's Now or Never) [Live] [Expanded Edition] (1980/2013)

The Fall - Totale's Turns (It's Now or Never) [Live] [Expanded Edition] (1980/2013)

BAND/ARTIST: The Fall

  • Title: Totale's Turns (It's Now or Never) [Live] [Expanded Edition]
  • Year Of Release: 1980/2013
  • Label: Castle Communications
  • Genre: Post-Punk, New Wave
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 01:01:33
  • Total Size: 141 mb | 359 mb
  • WebSite:
Tracklist:

01. The Fall - Intro (Live)
02. The Fall - Fiery Jack (Live)
03. The Fall - Rowche Rumble (Live)
04. The Fall - Muzorewi's Daughter (Live)
05. The Fall - In My Area (Live)
06. The Fall - Choc-Stock (Live)
07. The Fall - Spectre vs. Rector (Live)
08. The Fall - Cary Grant's Wedding (Live)
09. The Fall - That Man
10. The Fall - New Puritan (Live)
11. The Fall - No Xmas for John Quays (Live)
12. The Fall - The Container Drivers (Peel Session 24/9/80)
13. The Fall - Jawbone + the Air-Rifle (Peel Session 24/9/80)
14. The Fall - New Puritan (Peel Session 24/9/80)
15. The Fall - New Face In Hell (Peel Session 24/9/80)

The first of what would be a veritable flock of live albums, some legit and some hovering on the edge of it, Totale's Turns, with the same lineup as Dragnet, found the Fall in a hilariously aggressive mood, as the statement of purpose "Intro" demonstrates. "The difference between you and us is that we have brains!" proclaims Smith, and from there it's off into their version of rock & roll hell. Song choices range over the first two albums and various singles, delivered with the at-once on form and shambling elan that characterized the band's rough and ready early days. The Riley/Scanlon guitar team performs their own brand of anti-guitar hero guitar heroics, scratchy, twanging, cutting, kicking into rave-up energy more often than not. The Leigh/Hanley rhythm section matches it all quite well, leaving Smith to be the howling, sneering, gurgling, and perfectly charismatic center of attention. There aren't as many one-off side comments as might be thought, but at one point he does note to the audience that "last orders are at half past ten." Some brilliant performances are to be had "Rowche Rumble" kicks into gear with just Leigh and Smith setting the rhythm and the pace before everyone else pours it on, a straightforward, endlessly cycling riff driving everything before it. "Muzorewi's Daughter" immediately follows, its tense exchange between slow, rolling beats and explosive chorus fully intact and even more ragged. Two of the band's most famous early numbers get some great run-throughs "Spector vs. Rector" has a brief intro about "those flowers, take them away" before shifting into a stuttering, lurching groove somehow perfectly suited to Smith's delivery. Meanwhile, "No Xmas for John Quays" concludes the album with all the murky and righteous kick one could want, the keyboards at the end adding even more craziness.


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