Andrès Segovia - Milestones of a Guitar Legend - Andrès Segovia, Vol. 1-10 (2014)
BAND/ARTIST: Andrès Segovia
- Title: Milestones of a Guitar Legend - Andrès Segovia, Vol. 1-10
- Year Of Release: 2014
- Label: Documents 2
- Genre: Classical Guitar
- Quality: flac lossless
- Total Time: 08:06:51
- Total Size: 1.82 gb
- WebSite: Album Preview
Tracklist
Milestones of a Guitar Legend - Andrès Segovia, Vol. 1
01. Suite española Op. 47, Nr. 1: Granada (serenata)
02. Tonadillas al estilo antiguo, Nr. 7: La Maja de Goya
03. Danza española Nr. 10 in g-Dur Op. 37: Melancolica
04. Piezas características Op. 92, Nr. 12: Torre Bermeja (serenata)
05. Danza española Nr. 5e-Moll Op. 37: Andaluza
06. Suite española Op. 47, Nr. 3: Sevilla
07. Tres Pavanas
08. Canzone e Saltarello
09. Burgalesa e Albada
10. Suite castellana: Arada
11. El noi de la mare
12. El testamento de Amelia
13. Danza mora y Minueto
14. Entrada y Giga
15. Bourrée y Minueto
Milestones of a Guitar Legend - Andrès Segovia, Vol. 2
01. Romanesca
02. Prélude
03. Ballet
04. Gigue
05. Cellosuite Nr. 1 g-Dur, BWV 1007: Prélude
06. Cellosuite Nr. 6 d-Dur, BWV 1012: Gavotte I & II
07. Deuxième Grande Sonate Op. 25: Allegro non troppo
08. Lieder ohne Worte Op. 19, No. 6: Venezianisches Gondellied
09. Klaviersonate g-Dur Op. 78 D 894: Menuetto
10. Sonatina a-Dur: Allegretto
11. Sonatina a-Dur: Andante
12. Sonatina a-Dur: Allegro
13. Suite española Op. 47, Nr. 5: Asturias (leyenda)
Milestones of a Guitar Legend - Andrès Segovia, Vol. 3
01. Fantasia XVI
02. Suite d-Moll: Prélude-Allemande-Bourrée-Sarabande-Gavotte-Gigue
03. Variationen über ein Thema von by Mozart Op. 9
04. Suite g-Moll, HWV 453: Allegretto grazioso (Menuett)
05. Gavotte g-Dur, HWV 491
06. Partita h-Moll Nr. 1 für Violine, BWV 1002: Bourée
07. Cellosuite Nr. 3 c-Dur, BWV 1009: Courante
08. Sonata c-Dur Op. 15, 1: Allegro spirituoso
09. Homenaje „Le Tombeau de Claude Debussy“
10. Etude Nr. 7 e-Moll
Milestones of a Guitar Legend - Andrès Segovia, Vol. 4
01. Pavana
02. Suite Nr. 4 d-Moll, HWV 437: Sarabande
03. Menuett g-Dur HWV 531
04. Tanz der seligen Geister-Orfeo ed Euridice
05. Violinsonate Nr. 1 g-Moll, BWV 1001: Sicilienne
06. Lautensuite e-Moll , BWV 996: Bourrée
07. Deuxième Grande Sonate Op. 26: Minuetto
08. Prélude a-Dur Op. 28, 7
09. Album für die Jugend Op. 79, 5: Frühlingsgruß
10. Andantino variato über ein Thema von Paganini
11. Walzer b-Dur Op. 39, 8
12. Madroños
13. Prélude Nr. 1 e-Moll
14. Partita für Solovioline Nr. 2 d-Moll BWV 1004: Chaconne
Milestones of a Guitar Legend - Andrès Segovia, Vol. 5
01. Aria con variazioni detta la Frescobalda
02. Corrente
03. Capriccio diabolico (Omaggio a Paganini)
04. 24 Preludios (Ausz.): Nr. 7 a-Dur
05. 24 Preludios (Ausz.): Nr. 2 a-Moll
06. 24 Preludios (Ausz.): Nr. 9 e-Dur
07. 24 Preludios (Ausz.): Nr. 8 fis-Moll
08. 24 Preludios (Ausz.): Nr. 13 fis-Dur
09. 24 Preludios (Ausz.): Nr. 11 h-Dur
10. Nouvelles suites de pièces de clavecin: Menuet g-Dur
11. Cavatina (Suite): I. Preludio
12. Cavatina (Suite): II. Sarabande
13. Cavatina (Suite): III. Scherzino
14. Cavatina (Suite): IV. Barcarola
15. Cavatina (Suite): V. Danza pomposa
16. Nocturno
Milestones of a Guitar Legend - Andrès Segovia, Vol. 6
01. Passacaglia
02. Prélude
03. Allemande
04. Sinfonie Nr. 96: Menuett und Trio
05. Lyric pieces Op. 47, 3: Melodie
06. Mexikanisches Volkslied Nr. 1: La Valentina
07. Serenata burlesca
08. Siciliana fis-Moll
09. L'Organiste: Quasi lento (Preludio)
10. L'Organiste: Andantino poco allegretto
11. Thème varié et finale
12. Canción
13. Guitarreo
14. Serenata española
Milestones of a Guitar Legend - Andrès Segovia, Vol. 7
01. Präludium und Allegro
02. Studie Nr. 1 c-Dur
03. Studie Nr. 9 a-Moll
04. Sonata „Hommage à Boccherini“: Allegro con spirito-Andantino, quasi canzone-Tempo di minuetto-Vívo ed energico
05. Fandango
06. Passacaglia
07. Gigua e Gavotta
08. Studie Nr. 20 c-Dur
09. 2 Menuette
10. Spanischer Tanz Nr. 10 g-Dur
Milestones of a Guitar Legend - Andrès Segovia, Vol. 8
01. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): I. Allegro non tanto
02. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): II. Andante cantabile
03. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): III. Allegretto. Più mosso
04. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): I. Prélude
05. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): II. Allemande
06. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): III. Courante
07. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): IV. Sarabande
08. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): V. Bourée I & II
09. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): VI. Gigue
Milestones of a Guitar Legend - Andrès Segovia, Vol. 9
01. Präambulum und Gavotte
02. Sonata
03. 2 Stücke für Laute
04. Madronos
05. Sonata
06. Cancion de Emperador (nach. Mille regretz v. J. des Préz)
07. Variationen über „Guardame las vacas“
08. Homenaje pour le tombeau de Debussy
09. Dos impresisones levantinas
10. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: I. Villano y ricercar. Adagietto. Andante moderato
11. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: II. Españoleta y fanfare de la caballería de Nápoles. Adagio. Allegretto
12. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: III. Danza de la hachas. Allegro con brio
13. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: IV. Canario. Allegro ma non troppo
Milestones of a Guitar Legend - Andrès Segovia, Vol. 10
01. Schlösser in Spanien: Turegano
02. Schlösser in Spanien: Torija
03. Schlösser in Spanien: Manzanares del Real
04. Schlösser in Spanien: Montemayor
05. Schlösser in Spanien: Alcaniz
06. Schlösser in Spanien: Siguenza
07. Schlösser in Spanien: Alba de Tormes
08. Schlösser in Spanien: Alcazar de Segovia
09. Lyrische Stücke Op. 65, 2: Lied des Bauern
10. Walzer Op. 12, 2
11. Präludium und Allegro
12. Studie Nr. 1 c-Dur
13. Studie Nr. 9 a-Moll
14. Sonata for Guitar Op. 77 "Hommage a Boccherini": Allegro con spirito
15. Sonata for Guitar Op. 77 "Hommage a Boccherini": Andantino, quasi canzone
16. Sonata for Guitar Op. 77 "Hommage a Boccherini": Tempo di Minuetto
17. Sonata for Guitar Op. 77 "Hommage a Boccherini": Vivo ed energico
18. Fandango
19. 12 Etudes Op. 6 (Auszüge): Nr. 8 c-Dur Andantino
20. 12 Etudes Op. 6 (Auszüge): Nr. 2 a-Dur Andante allegro
21. 12 Etudes Op. 6 (Auszüge): Nr. e-Moll Allegro moderato
22. 12 Etudes Op. 6 (Auszüge): Nr. 13 b-Dur Andante (Lento)
23. 12 Etudes Op. 6 (Auszüge): Nr. 17 c-Dur Allegro moderato
24. Suite für Gitarre solo Nr. 1 g-Dur: Gigue
25. Suite für Gitarre solo Nr. 2 e-moll: Gavotte
Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.
Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.
Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.
Milestones of a Guitar Legend - Andrès Segovia, Vol. 1
01. Suite española Op. 47, Nr. 1: Granada (serenata)
02. Tonadillas al estilo antiguo, Nr. 7: La Maja de Goya
03. Danza española Nr. 10 in g-Dur Op. 37: Melancolica
04. Piezas características Op. 92, Nr. 12: Torre Bermeja (serenata)
05. Danza española Nr. 5e-Moll Op. 37: Andaluza
06. Suite española Op. 47, Nr. 3: Sevilla
07. Tres Pavanas
08. Canzone e Saltarello
09. Burgalesa e Albada
10. Suite castellana: Arada
11. El noi de la mare
12. El testamento de Amelia
13. Danza mora y Minueto
14. Entrada y Giga
15. Bourrée y Minueto
Milestones of a Guitar Legend - Andrès Segovia, Vol. 2
01. Romanesca
02. Prélude
03. Ballet
04. Gigue
05. Cellosuite Nr. 1 g-Dur, BWV 1007: Prélude
06. Cellosuite Nr. 6 d-Dur, BWV 1012: Gavotte I & II
07. Deuxième Grande Sonate Op. 25: Allegro non troppo
08. Lieder ohne Worte Op. 19, No. 6: Venezianisches Gondellied
09. Klaviersonate g-Dur Op. 78 D 894: Menuetto
10. Sonatina a-Dur: Allegretto
11. Sonatina a-Dur: Andante
12. Sonatina a-Dur: Allegro
13. Suite española Op. 47, Nr. 5: Asturias (leyenda)
Milestones of a Guitar Legend - Andrès Segovia, Vol. 3
01. Fantasia XVI
02. Suite d-Moll: Prélude-Allemande-Bourrée-Sarabande-Gavotte-Gigue
03. Variationen über ein Thema von by Mozart Op. 9
04. Suite g-Moll, HWV 453: Allegretto grazioso (Menuett)
05. Gavotte g-Dur, HWV 491
06. Partita h-Moll Nr. 1 für Violine, BWV 1002: Bourée
07. Cellosuite Nr. 3 c-Dur, BWV 1009: Courante
08. Sonata c-Dur Op. 15, 1: Allegro spirituoso
09. Homenaje „Le Tombeau de Claude Debussy“
10. Etude Nr. 7 e-Moll
Milestones of a Guitar Legend - Andrès Segovia, Vol. 4
01. Pavana
02. Suite Nr. 4 d-Moll, HWV 437: Sarabande
03. Menuett g-Dur HWV 531
04. Tanz der seligen Geister-Orfeo ed Euridice
05. Violinsonate Nr. 1 g-Moll, BWV 1001: Sicilienne
06. Lautensuite e-Moll , BWV 996: Bourrée
07. Deuxième Grande Sonate Op. 26: Minuetto
08. Prélude a-Dur Op. 28, 7
09. Album für die Jugend Op. 79, 5: Frühlingsgruß
10. Andantino variato über ein Thema von Paganini
11. Walzer b-Dur Op. 39, 8
12. Madroños
13. Prélude Nr. 1 e-Moll
14. Partita für Solovioline Nr. 2 d-Moll BWV 1004: Chaconne
Milestones of a Guitar Legend - Andrès Segovia, Vol. 5
01. Aria con variazioni detta la Frescobalda
02. Corrente
03. Capriccio diabolico (Omaggio a Paganini)
04. 24 Preludios (Ausz.): Nr. 7 a-Dur
05. 24 Preludios (Ausz.): Nr. 2 a-Moll
06. 24 Preludios (Ausz.): Nr. 9 e-Dur
07. 24 Preludios (Ausz.): Nr. 8 fis-Moll
08. 24 Preludios (Ausz.): Nr. 13 fis-Dur
09. 24 Preludios (Ausz.): Nr. 11 h-Dur
10. Nouvelles suites de pièces de clavecin: Menuet g-Dur
11. Cavatina (Suite): I. Preludio
12. Cavatina (Suite): II. Sarabande
13. Cavatina (Suite): III. Scherzino
14. Cavatina (Suite): IV. Barcarola
15. Cavatina (Suite): V. Danza pomposa
16. Nocturno
Milestones of a Guitar Legend - Andrès Segovia, Vol. 6
01. Passacaglia
02. Prélude
03. Allemande
04. Sinfonie Nr. 96: Menuett und Trio
05. Lyric pieces Op. 47, 3: Melodie
06. Mexikanisches Volkslied Nr. 1: La Valentina
07. Serenata burlesca
08. Siciliana fis-Moll
09. L'Organiste: Quasi lento (Preludio)
10. L'Organiste: Andantino poco allegretto
11. Thème varié et finale
12. Canción
13. Guitarreo
14. Serenata española
Milestones of a Guitar Legend - Andrès Segovia, Vol. 7
01. Präludium und Allegro
02. Studie Nr. 1 c-Dur
03. Studie Nr. 9 a-Moll
04. Sonata „Hommage à Boccherini“: Allegro con spirito-Andantino, quasi canzone-Tempo di minuetto-Vívo ed energico
05. Fandango
06. Passacaglia
07. Gigua e Gavotta
08. Studie Nr. 20 c-Dur
09. 2 Menuette
10. Spanischer Tanz Nr. 10 g-Dur
Milestones of a Guitar Legend - Andrès Segovia, Vol. 8
01. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): I. Allegro non tanto
02. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): II. Andante cantabile
03. Gitarrenkonzert e-Dur (ursprünglich Cellokonzert) (Gaspar Cassadó, Hg.): III. Allegretto. Più mosso
04. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): I. Prélude
05. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): II. Allemande
06. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): III. Courante
07. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): IV. Sarabande
08. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): V. Bourée I & II
09. Suite Nr. 3 a-Dur (ursprünglich Cellosuite c-Dur BWV 1009, trans. John W. Duarte): VI. Gigue
Milestones of a Guitar Legend - Andrès Segovia, Vol. 9
01. Präambulum und Gavotte
02. Sonata
03. 2 Stücke für Laute
04. Madronos
05. Sonata
06. Cancion de Emperador (nach. Mille regretz v. J. des Préz)
07. Variationen über „Guardame las vacas“
08. Homenaje pour le tombeau de Debussy
09. Dos impresisones levantinas
10. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: I. Villano y ricercar. Adagietto. Andante moderato
11. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: II. Españoleta y fanfare de la caballería de Nápoles. Adagio. Allegretto
12. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: III. Danza de la hachas. Allegro con brio
13. Fantasia para un Gentilhombre-für Gitarre und Orchester. for Guitar and Orchestra: IV. Canario. Allegro ma non troppo
Milestones of a Guitar Legend - Andrès Segovia, Vol. 10
01. Schlösser in Spanien: Turegano
02. Schlösser in Spanien: Torija
03. Schlösser in Spanien: Manzanares del Real
04. Schlösser in Spanien: Montemayor
05. Schlösser in Spanien: Alcaniz
06. Schlösser in Spanien: Siguenza
07. Schlösser in Spanien: Alba de Tormes
08. Schlösser in Spanien: Alcazar de Segovia
09. Lyrische Stücke Op. 65, 2: Lied des Bauern
10. Walzer Op. 12, 2
11. Präludium und Allegro
12. Studie Nr. 1 c-Dur
13. Studie Nr. 9 a-Moll
14. Sonata for Guitar Op. 77 "Hommage a Boccherini": Allegro con spirito
15. Sonata for Guitar Op. 77 "Hommage a Boccherini": Andantino, quasi canzone
16. Sonata for Guitar Op. 77 "Hommage a Boccherini": Tempo di Minuetto
17. Sonata for Guitar Op. 77 "Hommage a Boccherini": Vivo ed energico
18. Fandango
19. 12 Etudes Op. 6 (Auszüge): Nr. 8 c-Dur Andantino
20. 12 Etudes Op. 6 (Auszüge): Nr. 2 a-Dur Andante allegro
21. 12 Etudes Op. 6 (Auszüge): Nr. e-Moll Allegro moderato
22. 12 Etudes Op. 6 (Auszüge): Nr. 13 b-Dur Andante (Lento)
23. 12 Etudes Op. 6 (Auszüge): Nr. 17 c-Dur Allegro moderato
24. Suite für Gitarre solo Nr. 1 g-Dur: Gigue
25. Suite für Gitarre solo Nr. 2 e-moll: Gavotte
Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.
Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.
Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.
Classical | Instrumental | FLAC / APE
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