Yunus Kaya - Brahms: Klavierstücke, Opp. 116-119 (2021)
BAND/ARTIST: Yunus Kaya
- Title: Brahms: Klavierstücke, Opp. 116-119
- Year Of Release: 2021
- Label: Ars Produktion
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:19:39
- Total Size: 218 mb
- WebSite: Album Preview
Tracklist
01. 7 Fantasien, Op. 116: No. 1, Capriccio. Presto energico
02. 7 Fantasien, Op. 116: No. 2, Intermezzo. Andante
03. 7 Fantasien, Op. 116: No. 3, Capriccio. Allegro passionato
04. 7 Fantasien, Op. 116: No. 4, Intermezzo. Adagio
05. 7 Fantasien, Op. 116: No. 5, Intermezzo. Andante con grazia ed intimissimo sentimento
06. 7 Fantasien, Op. 116: No. 6, Intermezzo. Andantino teneramente
07. 7 Fantasien, Op. 116: No. 7, Capriccio. Allegro agitato
08. 3 Intermezzi, Op. 117: No. 1, Andante moderato
09. 3 Intermezzi, Op. 117: No. 2, Andante non troppo
10. 3 Intermezzi, Op. 117: No. 3, Andante con moto
11. 6 Klavierstücke, Op. 118: No. 1, Intermezzo. Allegro non assai
12. 6 Klavierstücke, Op. 118: No. 2, Intermezzo. Andante teneramente
13. 6 Klavierstücke, Op. 118: No. 3, Ballade. Allegro energico
14. 6 Klavierstücke, Op. 118: No. 4, Intermezzo. Allegretto un poco agitato
15. 6 Klavierstücke, Op. 118: No. 5, Romanze. Andante
16. 6 Klavierstücke, Op. 118: No. 6, Intermezzo. Andante, largo e mesto
17. 4 Klavierstücke, Op. 119: No. 1, Intermezzo. Adagio
18. 4 Klavierstücke, Op. 119: No. 2, Intermezzo. Andantino un poco agitato
19. 4 Klavierstücke, Op. 119: No. 3, Intermezzo. Grazioso e giocoso
20. 4 Klavierstücke, Op. 119: No. 4, Rhapsodie. Allegro risoluto
It is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschütz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Op. 118 and Op. 119 by the composer himself. In her memoirs, she describes his piano playing as "very free-spirited - as if he were improvising - with heart and soul..." During the recording, Kaya wanted to make these two aspects palpable: the loneliness and introversion on the one hand, and the openness to the spontaneous in sound and tempo shaping on the other. No feeling, no pain can be felt and described in the same way every day. From this basic attitude, Yunus Kaya has sought the balance between fidelity to the musical text and artistic freedom of the performer.
01. 7 Fantasien, Op. 116: No. 1, Capriccio. Presto energico
02. 7 Fantasien, Op. 116: No. 2, Intermezzo. Andante
03. 7 Fantasien, Op. 116: No. 3, Capriccio. Allegro passionato
04. 7 Fantasien, Op. 116: No. 4, Intermezzo. Adagio
05. 7 Fantasien, Op. 116: No. 5, Intermezzo. Andante con grazia ed intimissimo sentimento
06. 7 Fantasien, Op. 116: No. 6, Intermezzo. Andantino teneramente
07. 7 Fantasien, Op. 116: No. 7, Capriccio. Allegro agitato
08. 3 Intermezzi, Op. 117: No. 1, Andante moderato
09. 3 Intermezzi, Op. 117: No. 2, Andante non troppo
10. 3 Intermezzi, Op. 117: No. 3, Andante con moto
11. 6 Klavierstücke, Op. 118: No. 1, Intermezzo. Allegro non assai
12. 6 Klavierstücke, Op. 118: No. 2, Intermezzo. Andante teneramente
13. 6 Klavierstücke, Op. 118: No. 3, Ballade. Allegro energico
14. 6 Klavierstücke, Op. 118: No. 4, Intermezzo. Allegretto un poco agitato
15. 6 Klavierstücke, Op. 118: No. 5, Romanze. Andante
16. 6 Klavierstücke, Op. 118: No. 6, Intermezzo. Andante, largo e mesto
17. 4 Klavierstücke, Op. 119: No. 1, Intermezzo. Adagio
18. 4 Klavierstücke, Op. 119: No. 2, Intermezzo. Andantino un poco agitato
19. 4 Klavierstücke, Op. 119: No. 3, Intermezzo. Grazioso e giocoso
20. 4 Klavierstücke, Op. 119: No. 4, Rhapsodie. Allegro risoluto
It is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschütz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Op. 118 and Op. 119 by the composer himself. In her memoirs, she describes his piano playing as "very free-spirited - as if he were improvising - with heart and soul..." During the recording, Kaya wanted to make these two aspects palpable: the loneliness and introversion on the one hand, and the openness to the spontaneous in sound and tempo shaping on the other. No feeling, no pain can be felt and described in the same way every day. From this basic attitude, Yunus Kaya has sought the balance between fidelity to the musical text and artistic freedom of the performer.
Year 2021 | Classical | FLAC / APE
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