Irma Issakadze - Bach: Six partitas (2011)
BAND/ARTIST: Irma Issakadze
- Title: Bach: Six partitas
- Year Of Release: 2011
- Label: Oehms Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 148:56 min
- Total Size: 464 MB
- WebSite: Album Preview
Tracklist:
CD1:
01. Keyboard Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
02. Keyboard Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
03. Keyboard Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
04. Keyboard Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
05. Keyboard Partita No. 1 in B-Flat Major, BWV 825: V. Minuet I -
06. Keyboard Partita No. 1 in B-Flat Major, BWV 825: V. Minuet II
07. Keyboard Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue
08. Keyboard Partita No. 3 in A Minor, BWV 827: I. Fantasia
09. Keyboard Partita No. 3 in A Minor, BWV 827: II. Allemande
10. Keyboard Partita No. 3 in A Minor, BWV 827: III. Corrente
11. Keyboard Partita No. 3 in A Minor, BWV 827: IV. Sarabande
12. Keyboard Partita No. 3 in A Minor, BWV 827: V. Burlesca
13. Keyboard Partita No. 3 in A Minor, BWV 827: VI. Scherzo
14. Keyboard Partita No. 3 in A Minor, BWV 827: VII. Gigue
15. Keyboard Partita No. 4 in D Major, BWV 828: I. Ouverture
16. Keyboard Partita No. 4 in D Major, BWV 828: II. Allemande
17. Keyboard Partita No. 4 in D Major, BWV 828: III. Courante
18. Keyboard Partita No. 4 in D Major, BWV 828: IV. Aria
19. Keyboard Partita No. 4 in D Major, BWV 828: V. Sarabande
20. Keyboard Partita No. 4 in D Major, BWV 828: VI. Menuet
21. Keyboard Partita No. 4 in D Major, BWV 828: VII. Gigue
CD2:
01. Keyboard Partita No. 2 in C Minor, BWV 826: I. Sinfonia: Grave adagio - Andante
02. Keyboard Partita No. 2 in C Minor, BWV 826: II. Allemande
03. Keyboard Partita No. 2 in C Minor, BWV 826: III. Courante
04. Keyboard Partita No. 2 in C Minor, BWV 826: IV. Sarabande
05. Keyboard Partita No. 2 in C Minor, BWV 826: V. Rondeaux
06. Keyboard Partita No. 2 in C Minor, BWV 826: VI. Capriccio
07. Keyboard Partita No. 5 in G Major, BWV 829: I. Praeambulum
08. Keyboard Partita No. 5 in G Major, BWV 829: II. Allemande
09. Keyboard Partita No. 5 in G Major, BWV 829: III. Corrente
10. Keyboard Partita No. 5 in G Major, BWV 829: IV. Sarabande
11. Keyboard Partita No. 5 in G Major, BWV 829: V. Tempo di minuetto
12. Keyboard Partita No. 5 in G Major, BWV 829: VI. Passepied
13. Keyboard Partita No. 5 in G Major, BWV 829: VII. Gigue
14. Keyboard Partita No. 6 in E Minor, BWV 830: I. Toccata
15. Keyboard Partita No. 6 in E Minor, BWV 830: II. Allemande
16. Keyboard Partita No. 6 in E Minor, BWV 830: III. Corrente
17. Keyboard Partita No. 6 in E Minor, BWV 830: IV. Air
18. Keyboard Partita No. 6 in E Minor, BWV 830: V. Sarabande
19. Keyboard Partita No. 6 in E Minor, BWV 830: VI. Tempo di gavotta
20. Keyboard Partita No. 6 in E Minor, BWV 830: VII. Gigue
Irma Issakadze debuted on OehmsClassics with a highly praised recording of the Goldberg Variations. The pianist, who lives in Munich, began her remarkable career in her home country of Georgia, where she performed her first public concert at nine with nothing less than Beethoven’s First Piano Concerto. She continued her training with Ludwig Hoffmann in Munich and Vladimir Krainev in Hanover.
In the Six Partitas for Keyboard, which – just as the Goldberg Variations – are part of the “ClavierÜbungen”, Bach has expanded the traditional suitemodel by adding movements that are not dance forms, e.g. “Burlesca”, “Scherzo” or “Aria”. More and more, the sequence of dance movements in Bach’s works becomes a cycle of character pieces. The success of the Six Partitas was immense. Musicologist Johann Nikolaus Forkel, also Bach’s first biographer, wrote: “This work caused a great sensation in the musical world when it was published; no one had ever seen or heard such superb compositions for keyboard before.”
In the Six Partitas for Keyboard, which – just as the Goldberg Variations – are part of the “ClavierÜbungen”, Bach has expanded the traditional suitemodel by adding movements that are not dance forms, e.g. “Burlesca”, “Scherzo” or “Aria”. More and more, the sequence of dance movements in Bach’s works becomes a cycle of character pieces. The success of the Six Partitas was immense. Musicologist Johann Nikolaus Forkel, also Bach’s first biographer, wrote: “This work caused a great sensation in the musical world when it was published; no one had ever seen or heard such superb compositions for keyboard before.”
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