Musica Ad Rhenum & Jed Wentz - Baroque Concerti from The Netherlands (2021)
BAND/ARTIST: Musica Ad Rhenum, Jed Wentz
- Title: Baroque Concerti from The Netherlands
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 04:17:57
- Total Size: 1.19 gb
- WebSite: Album Preview
Tracklist
01. Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave
02. Concerto Grosso I in G Minor, Op. 3: II. Allegro
03. Concerto Grosso I in G Minor, Op. 3: III. Largo
04. Concerto Grosso I in G Minor, Op. 3: IV. Presto
05. Concerto Grosso I in G Minor, Op. 3: V. Menuet
06. Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo
07. Concerto Grosso II in D Minor, Op. 3: II. Allegro
08. Concerto Grosso II in D Minor, Op. 3: III. Affettuoso
09. Concerto Grosso II in D Minor, Op. 3: IV. Presto
10. Concerto Grosso II in D Minor, Op. 3: V. Borea
11. Concerto Grosso III in F Major, Op. 3: I. Largo
12. Concerto Grosso III in F Major, Op. 3: II. Allegro
13. Concerto Grosso III in F Major, Op. 3: III. Adagio
14. Concerto Grosso III in F Major, Op. 3: IV. Alla Breve
15. Concerto Grosso III in F Major, Op. 3: V. March
16. Concerto Grosso IV in E-Flat Major, Op. 3: I. Grave Sostenuto
17. Concerto Grosso IV in E-Flat Major, Op. 3: II. Alle Breve
18. Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso
19. Concerto Grosso IV in E-Flat Major, Op. 3: IV. Presto
20. Concerto Grosso IV in E-Flat Major, Op. 3: V. Pastorale
21. Concerto Grosso V in D Major, Op. 3: I. Largo
22. Concerto Grosso V in D Major, Op. 3: II. Allegro
23. Concerto Grosso V in D Major, Op. 3: III. Larghetto
24. Concerto Grosso V in D Major, Op. 3: IV. Allegro
25. Concerto Grosso V in D Major, Op. 3: V. March
26. Concerto Grosso Vi in F Major, Op. 3: I. Largo
27. Concerto Grosso Vi in F Major, Op. 3: II. Allegro
28. Concerto Grosso Vi in F Major, Op. 3: III. Adagio
29. Concerto Grosso Vi in F Major, Op. 3: IV. Allegro
30. Concerto Grosso Vi in F Major, Op. 3: V. Menuet
31. Concerto I in G Major: I. Grave-Allegro
32. Concerto I in G Major: II. Grave. Stacato
33. Concerto I in G Major: III. Allegro
34. Concerto II in B-Flat Major: I. Lagro Andante
35. Concerto II in B-Flat Major: II. Da Capella. Presto
36. Concerto II in B-Flat Major: III. Largo Affettuoso
37. Concerto II in B-Flat Major: IV. Allegro Moderato Staccato
38. Concerto III in A Major: I. Grave-Da Capella. Canone di Palestrina-Adagio
39. Concerto II in B-Flat Major: II. Largo Andante
40. Concerto II in B-Flat Major: III. Vivace
41. Concerto IV in G Major: I. Largo
42. Concerto IV in G Major: II. Da Capella. Non Presto
43. Concerto IV in G Major: III. Largo Affettuoso
44. Concerto IV in G Major: IV. Allegro
45. Concerto V in F Minor: I. Adagio-Largo
46. Concerto V in F Minor: II. Da Capella
47. Concerto V in F Minor: III. Con Sordini
48. Concerto V in F Minor: IV. A Tempo Giusto
49. Concerto Vi in E-Flat Major: I. Affettuoso
50. Concerto Vi in E-Flat Major: II. Presto
51. Concerto Vi in E-Flat Major: III. Vivace
52. Concerto 4 in D Major: I. Allegro
53. Concerto 4 in D Major: II. Largo E Cantabile
54. Concerto 4 in D Major: III. Vivace
55. Concerto 5 in C Minor: I. Allegro
56. Concerto 5 in C Minor: II. Largo
57. Concerto 5 in C Minor: III. Vivace
58. Concerto 3 in G Major: I. Adagio-Allegro
59. Concerto 3 in G Major: II. Largo
60. Concerto 3 in G Major: III. Vivace
61. Concerto 2 in G Minor: I. Adagio
62. Concerto 2 in G Minor: II. Allegro, Ma Non Troppo
63. Concerto 2 in G Minor: III. Grave
64. Concerto 2 in G Minor: IV. Arioso
65. Concerto 2 in G Minor: V. Tempo di Gavotte
66. Concerto 6 in E Major: I. Largetto, Presto, Largetto, Presto-Largo-Allegro
67. Concerto 6 in E Major: II. Adagio
68. Concerto 6 in E Major: III. Vivace
69. Concerto 1 in D Major: I. Largo
70. Concerto 1 in D Major: II. Vivace
71. Concerto 1 in D Major: III. Largo
72. Concerto 1 in D Major: IV. Giga
73. Concerto in G Minor: I. Allegro
74. Concerto in G Minor: II. Adagio
75. Concerto in G Minor: III. Un Poco Allegro
76. Concerto in G Minor: IV. Vivace
77. Concerto in G Minor: V. Allegro
78. Concerto in G Minor: Vi. Finale Allegro
79. Sinfonia No. 4 in A Major, Op. 3: I. Allegro Spirituoso
80. Sinfonia No. 4 in A Major, Op. 3: II. Adagio
81. Sinfonia No. 4 in A Major, Op. 3: III. Presto
82. Concerto in G Major: I. Allegro
83. Concerto in G Major: II. Andante
84. Concerto in G Major: III. Allegro
85. Concerto No. 2 in B-Flat Major, Op. 10: I. Allegro
86. Concerto No. 2 in B-Flat Major, Op. 10: II. Largo
87. Concerto No. 2 in B-Flat Major, Op. 10: III. Presto
88. Concerto in G Major: I. Andante
89. Concerto in G Major: II. Adagio
90. Concerto in G Major: III. Allegro (2)
91. Concerto in A Minor: I. Allegro-Adagio-Alla Breve
92. Concerto in A Minor: II. Adagio
93. Concerto in A Minor: III. Allegro
The 18th-century Dutch Republic served as a magnet attracting musicians across Europe. It was one of the wealthiest of European countries. Celebrities such as Handel and Mozart may have passed through only briefly, but others such as Locatelli made a permanent home in the republic and introduced many foreign musical languages to local composers.
Hence, in this unique collection, we find a remarkable diversity of style, from Wassenaer's post-Corellian concerti grossi to the more galant music of Albertus Groneman. Meanwhile Willem de Fesch and Pieter Hellendaal moved to England and never returned to their homeland. Hellendaal’s ‘grand concertos’ are likewise Italian in style, though cast in a ripieno idiom whereas de Fesch’s concertos draw on his expertise as a solo violinist, rooted as much in the heritage of Vivaldi as Corelli. Most of the concertos on CD4 were composed by foreign arrivals: itinerant musicians such as the German-born Johann Christian Schickhardt and Anton Wilhelm Solnitz of Bohemian origins.
The performances here, made in the 1990s and early 2000s and originally issued on the Dutch NM Classics label, enjoy a lively but not doctrinaire appreciation of historically informed style. Although the Combattimento Consort uses modern instruments, they play them implementing the techniques that van Wassenaer and Ricciotti would have known. The sound the players generate is therefore old and new, and should offend neither camp in the current round of period-instrument wars. Musica ad Rhenum, familiar from their considerable Brilliant Classics catalogue, play on instruments of the era or copies thereof. They are renowned among the most stylish of Dutch early-music groups.
‘The interpretations brim with verve and lucidity… de Vriend and his compatriots execute these works with excellent definition, a fine sense of shape and balance, and musical intelligence.’ Fanfare, January 2002 (Wassenaer)
The 18th century Republic of the Seven United Provinces of the Netherlands served as a magnet attracting musicians from throughout Europe. It was one of the wealthiest of European countries, the fortunes amassed in the previous century - the Golden Age - could now safely be spent, and culture was an obvious choice. Many composers from abroad either visited the Netherlands or settled there permanently, such as Antonio Locatelli. It comes as no surprise that composers, both Dutch and foreign, were influenced by the great instrumental tradition brought by the Italians, and the Concerto form flourished, both as Concerto Grosso and Solo Concerto.
This set presents a wealth of concertos by Dutch or Dutch-based composers: Pieter Hellendaal, Graaf Unico Wilhelm van Wassenaer (whose Concerti Armonici were formerly attributed to Pergolesi!), Johann Schickhardt, Anton Solnitz, Willem de Fesch, Albertus Groneman and Conrad Hurlebusch: music of high quality, written in the best Italian traditions of Corelli, Locatelli and Geminiani.
Excellent performances in Historically Informed Performance style by Dutch groups Combattimento Consort conducted by Jan Willem de Vriend and Musica Ad Rhenum, conducted by Jed Wentz, who is also a traverso soloist.
A collection compiled from the rich back catalogue of NM Classics, the label for Dutch music.
01. Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave
02. Concerto Grosso I in G Minor, Op. 3: II. Allegro
03. Concerto Grosso I in G Minor, Op. 3: III. Largo
04. Concerto Grosso I in G Minor, Op. 3: IV. Presto
05. Concerto Grosso I in G Minor, Op. 3: V. Menuet
06. Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo
07. Concerto Grosso II in D Minor, Op. 3: II. Allegro
08. Concerto Grosso II in D Minor, Op. 3: III. Affettuoso
09. Concerto Grosso II in D Minor, Op. 3: IV. Presto
10. Concerto Grosso II in D Minor, Op. 3: V. Borea
11. Concerto Grosso III in F Major, Op. 3: I. Largo
12. Concerto Grosso III in F Major, Op. 3: II. Allegro
13. Concerto Grosso III in F Major, Op. 3: III. Adagio
14. Concerto Grosso III in F Major, Op. 3: IV. Alla Breve
15. Concerto Grosso III in F Major, Op. 3: V. March
16. Concerto Grosso IV in E-Flat Major, Op. 3: I. Grave Sostenuto
17. Concerto Grosso IV in E-Flat Major, Op. 3: II. Alle Breve
18. Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso
19. Concerto Grosso IV in E-Flat Major, Op. 3: IV. Presto
20. Concerto Grosso IV in E-Flat Major, Op. 3: V. Pastorale
21. Concerto Grosso V in D Major, Op. 3: I. Largo
22. Concerto Grosso V in D Major, Op. 3: II. Allegro
23. Concerto Grosso V in D Major, Op. 3: III. Larghetto
24. Concerto Grosso V in D Major, Op. 3: IV. Allegro
25. Concerto Grosso V in D Major, Op. 3: V. March
26. Concerto Grosso Vi in F Major, Op. 3: I. Largo
27. Concerto Grosso Vi in F Major, Op. 3: II. Allegro
28. Concerto Grosso Vi in F Major, Op. 3: III. Adagio
29. Concerto Grosso Vi in F Major, Op. 3: IV. Allegro
30. Concerto Grosso Vi in F Major, Op. 3: V. Menuet
31. Concerto I in G Major: I. Grave-Allegro
32. Concerto I in G Major: II. Grave. Stacato
33. Concerto I in G Major: III. Allegro
34. Concerto II in B-Flat Major: I. Lagro Andante
35. Concerto II in B-Flat Major: II. Da Capella. Presto
36. Concerto II in B-Flat Major: III. Largo Affettuoso
37. Concerto II in B-Flat Major: IV. Allegro Moderato Staccato
38. Concerto III in A Major: I. Grave-Da Capella. Canone di Palestrina-Adagio
39. Concerto II in B-Flat Major: II. Largo Andante
40. Concerto II in B-Flat Major: III. Vivace
41. Concerto IV in G Major: I. Largo
42. Concerto IV in G Major: II. Da Capella. Non Presto
43. Concerto IV in G Major: III. Largo Affettuoso
44. Concerto IV in G Major: IV. Allegro
45. Concerto V in F Minor: I. Adagio-Largo
46. Concerto V in F Minor: II. Da Capella
47. Concerto V in F Minor: III. Con Sordini
48. Concerto V in F Minor: IV. A Tempo Giusto
49. Concerto Vi in E-Flat Major: I. Affettuoso
50. Concerto Vi in E-Flat Major: II. Presto
51. Concerto Vi in E-Flat Major: III. Vivace
52. Concerto 4 in D Major: I. Allegro
53. Concerto 4 in D Major: II. Largo E Cantabile
54. Concerto 4 in D Major: III. Vivace
55. Concerto 5 in C Minor: I. Allegro
56. Concerto 5 in C Minor: II. Largo
57. Concerto 5 in C Minor: III. Vivace
58. Concerto 3 in G Major: I. Adagio-Allegro
59. Concerto 3 in G Major: II. Largo
60. Concerto 3 in G Major: III. Vivace
61. Concerto 2 in G Minor: I. Adagio
62. Concerto 2 in G Minor: II. Allegro, Ma Non Troppo
63. Concerto 2 in G Minor: III. Grave
64. Concerto 2 in G Minor: IV. Arioso
65. Concerto 2 in G Minor: V. Tempo di Gavotte
66. Concerto 6 in E Major: I. Largetto, Presto, Largetto, Presto-Largo-Allegro
67. Concerto 6 in E Major: II. Adagio
68. Concerto 6 in E Major: III. Vivace
69. Concerto 1 in D Major: I. Largo
70. Concerto 1 in D Major: II. Vivace
71. Concerto 1 in D Major: III. Largo
72. Concerto 1 in D Major: IV. Giga
73. Concerto in G Minor: I. Allegro
74. Concerto in G Minor: II. Adagio
75. Concerto in G Minor: III. Un Poco Allegro
76. Concerto in G Minor: IV. Vivace
77. Concerto in G Minor: V. Allegro
78. Concerto in G Minor: Vi. Finale Allegro
79. Sinfonia No. 4 in A Major, Op. 3: I. Allegro Spirituoso
80. Sinfonia No. 4 in A Major, Op. 3: II. Adagio
81. Sinfonia No. 4 in A Major, Op. 3: III. Presto
82. Concerto in G Major: I. Allegro
83. Concerto in G Major: II. Andante
84. Concerto in G Major: III. Allegro
85. Concerto No. 2 in B-Flat Major, Op. 10: I. Allegro
86. Concerto No. 2 in B-Flat Major, Op. 10: II. Largo
87. Concerto No. 2 in B-Flat Major, Op. 10: III. Presto
88. Concerto in G Major: I. Andante
89. Concerto in G Major: II. Adagio
90. Concerto in G Major: III. Allegro (2)
91. Concerto in A Minor: I. Allegro-Adagio-Alla Breve
92. Concerto in A Minor: II. Adagio
93. Concerto in A Minor: III. Allegro
The 18th-century Dutch Republic served as a magnet attracting musicians across Europe. It was one of the wealthiest of European countries. Celebrities such as Handel and Mozart may have passed through only briefly, but others such as Locatelli made a permanent home in the republic and introduced many foreign musical languages to local composers.
Hence, in this unique collection, we find a remarkable diversity of style, from Wassenaer's post-Corellian concerti grossi to the more galant music of Albertus Groneman. Meanwhile Willem de Fesch and Pieter Hellendaal moved to England and never returned to their homeland. Hellendaal’s ‘grand concertos’ are likewise Italian in style, though cast in a ripieno idiom whereas de Fesch’s concertos draw on his expertise as a solo violinist, rooted as much in the heritage of Vivaldi as Corelli. Most of the concertos on CD4 were composed by foreign arrivals: itinerant musicians such as the German-born Johann Christian Schickhardt and Anton Wilhelm Solnitz of Bohemian origins.
The performances here, made in the 1990s and early 2000s and originally issued on the Dutch NM Classics label, enjoy a lively but not doctrinaire appreciation of historically informed style. Although the Combattimento Consort uses modern instruments, they play them implementing the techniques that van Wassenaer and Ricciotti would have known. The sound the players generate is therefore old and new, and should offend neither camp in the current round of period-instrument wars. Musica ad Rhenum, familiar from their considerable Brilliant Classics catalogue, play on instruments of the era or copies thereof. They are renowned among the most stylish of Dutch early-music groups.
‘The interpretations brim with verve and lucidity… de Vriend and his compatriots execute these works with excellent definition, a fine sense of shape and balance, and musical intelligence.’ Fanfare, January 2002 (Wassenaer)
The 18th century Republic of the Seven United Provinces of the Netherlands served as a magnet attracting musicians from throughout Europe. It was one of the wealthiest of European countries, the fortunes amassed in the previous century - the Golden Age - could now safely be spent, and culture was an obvious choice. Many composers from abroad either visited the Netherlands or settled there permanently, such as Antonio Locatelli. It comes as no surprise that composers, both Dutch and foreign, were influenced by the great instrumental tradition brought by the Italians, and the Concerto form flourished, both as Concerto Grosso and Solo Concerto.
This set presents a wealth of concertos by Dutch or Dutch-based composers: Pieter Hellendaal, Graaf Unico Wilhelm van Wassenaer (whose Concerti Armonici were formerly attributed to Pergolesi!), Johann Schickhardt, Anton Solnitz, Willem de Fesch, Albertus Groneman and Conrad Hurlebusch: music of high quality, written in the best Italian traditions of Corelli, Locatelli and Geminiani.
Excellent performances in Historically Informed Performance style by Dutch groups Combattimento Consort conducted by Jan Willem de Vriend and Musica Ad Rhenum, conducted by Jed Wentz, who is also a traverso soloist.
A collection compiled from the rich back catalogue of NM Classics, the label for Dutch music.
Year 2021 | Classical | FLAC / APE
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