Philippe Sly, John Charles Britton - Schubert Sessions: Lieder with Guitar (2016) [Hi-Res]
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BAND/ARTIST: Philippe Sly, John Charles Britton
- Title: Schubert Sessions: Lieder with Guitar
- Year Of Release: 2016
- Label: Groupe Analekta, Inc
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz / flac 24bits - 192.0kHz +Booklet
- Total Time: 00:59:26
- Total Size: 242 / 987 mb / 1.99 gb
- WebSite: Album Preview
Tracklist
01. Auf dem Wasser zu singen, Op. 72, D. 774
02. Alinde, Op. 81, No. 1, D. 904
03. Du bist die Ruh, Op. 59, No. 3, D. 776
04. An Sylvia, Op. 106, No. 4, D. 891
05. Erlkönig, Op. 1, D. 328
06. An die Musik, Op. 88, No. 4, D. 547
07. Ständchen, D. 957, No. 4
08. Wohin?, Op. 25, No. 2, D. 795
09. Der Müller und der Bach, Op. 25, No. 19, D. 795
10. Der Leiermann, Op. 89, No. 24, D. 911
11. Der Doppelgänger, D. 957 No. 13
12. Der Lindenbaum, Op. 89, No. 5, D. 911
13. Der Jüngling an der Quelle, D. 300
14. Du liebst mich nicht, Op. 59, No. 1, D. 756b
15. Des Fischers Liebesglück, D. 933
16. Der Tod und das Mädchen, Op. 7, No. 3, D. 531
Collaborators for a number of years, Philippe Sly and John Charles Britton see these Schubert Sessions as a way to broaden and heighten Schubert’s place in popular culture, in particular in terms of his influence on modern popular song. The recording also fulfills a need to revisit these lyric masterpieces in a form that emphasizes not only their idiom (many of these pieces, including Wohin? and Auf Dem Wasser Zu Singen, exhibit writing that is more guitaristic than pianistic) but their polymorphic essence. A seemingly simple task, yet a daring one: to present, in its most natural form, a collection of pieces whose expressiveness allows them to fly free of basic principles, or to avoid a certain dogmatism – fictional or real – present in the world of classical music.
01. Auf dem Wasser zu singen, Op. 72, D. 774
02. Alinde, Op. 81, No. 1, D. 904
03. Du bist die Ruh, Op. 59, No. 3, D. 776
04. An Sylvia, Op. 106, No. 4, D. 891
05. Erlkönig, Op. 1, D. 328
06. An die Musik, Op. 88, No. 4, D. 547
07. Ständchen, D. 957, No. 4
08. Wohin?, Op. 25, No. 2, D. 795
09. Der Müller und der Bach, Op. 25, No. 19, D. 795
10. Der Leiermann, Op. 89, No. 24, D. 911
11. Der Doppelgänger, D. 957 No. 13
12. Der Lindenbaum, Op. 89, No. 5, D. 911
13. Der Jüngling an der Quelle, D. 300
14. Du liebst mich nicht, Op. 59, No. 1, D. 756b
15. Des Fischers Liebesglück, D. 933
16. Der Tod und das Mädchen, Op. 7, No. 3, D. 531
Collaborators for a number of years, Philippe Sly and John Charles Britton see these Schubert Sessions as a way to broaden and heighten Schubert’s place in popular culture, in particular in terms of his influence on modern popular song. The recording also fulfills a need to revisit these lyric masterpieces in a form that emphasizes not only their idiom (many of these pieces, including Wohin? and Auf Dem Wasser Zu Singen, exhibit writing that is more guitaristic than pianistic) but their polymorphic essence. A seemingly simple task, yet a daring one: to present, in its most natural form, a collection of pieces whose expressiveness allows them to fly free of basic principles, or to avoid a certain dogmatism – fictional or real – present in the world of classical music.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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