Ariel Zuckermann, Ensemble Du Festival, Axel von Huene, Benjamin Rivinius - Sarah Louvion - Jolivet, Bauzin, Roussel, Ibert (2021) [Hi-Res]
![Ariel Zuckermann, Ensemble Du Festival, Axel von Huene, Benjamin Rivinius - Sarah Louvion - Jolivet, Bauzin, Roussel, Ibert (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-03/1615999644_ariel-zuckermann-ensemble-du-festival-sarah-louvion-jolivet-bauzin-roussel-ibert-2021.jpg)
BAND/ARTIST: Ariel Zuckermann, Ensemble Du Festival, Axel von Huene, Benjamin Rivinius
- Title: Sarah Louvion - Jolivet, Bauzin, Roussel, Ibert
- Year Of Release: 2021
- Label: Farao Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:10:30
- Total Size: 312 / 632 mb
- WebSite: Album Preview
Tracklist
01. Concerto pour flûte et orchestre à cordes: I. Andante cantabile, allegro scherzando
02. Concerto pour flûte et orchestre à cordes: II. Largo, allegro risoluto
03. Concerto pour flûte et orchestre à cordes, Op. 22: I. Allegro vivace
04. Concerto pour flûte et orchestre à cordes, Op. 22: II. Adagio
05. Concerto pour flûte et orchestre à cordes, Op. 22: III. Final, leggiero
06. Chant de linos pour flûte principale, violon, alto, violoncelle et harpe
07. Sérénade, Op. 30: I. Allegro, Allegro Molto
08. Sérénade, Op. 30: II. Andante
09. Sérénade, Op. 30: III. Presto
10. Pièce pour flûte seule
![Ariel Zuckermann, Ensemble Du Festival, Axel von Huene, Benjamin Rivinius - Sarah Louvion - Jolivet, Bauzin, Roussel, Ibert (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-03/1615999654_1.jpg)
The rediscovery of the virtuoso repertory of the twentieth century has been a happy consequence of the general crackup of modernism, with music for the flute a prime beneficiary. This collection of performances (they were recorded on two different occasions) by young French flutist Sarah Louvion is unusually tightly focused, bringing together pieces are descended from Debussy's Sonata for flute, viola, and harp. The music would all have been familiar to the young Jean-Pierre Rampal, after whom Louvion takes in her playing, but aside from André Jolivet's Concerto for flute and string orchestra, and perhaps the Piece for solo flute of Ibert, the music here isn't widely known outside of French or flute realms. Louvion brings this rather musty but often charming world to life once again. Jolivet's Chant de Linos, a sort of chamber concerto for a solo flute with violin, viola, cello, and harp, is especially reminiscent of Debussy's neo-primitivist streak, and Roussel's Serenade for the same combination suggests a bacchanalian tone without ever raising its voice. Each piece challenges the flutist, and Louvion meets every challenge. The sound environment of both of the German churches where the music was recorded doesn't do her justice; her rapid passagework is smudged, and the flute often seems to be swallowed up. The string sound tends to emphasize the quaintness of the music. Better treatments of the flute can be heard on the recordings of Israeli-Swedish performer Sharon Bezaly. But there's an X factor that makes Louvion's recording very appealing, and it has to do with the close focus of the program.
01. Concerto pour flûte et orchestre à cordes: I. Andante cantabile, allegro scherzando
02. Concerto pour flûte et orchestre à cordes: II. Largo, allegro risoluto
03. Concerto pour flûte et orchestre à cordes, Op. 22: I. Allegro vivace
04. Concerto pour flûte et orchestre à cordes, Op. 22: II. Adagio
05. Concerto pour flûte et orchestre à cordes, Op. 22: III. Final, leggiero
06. Chant de linos pour flûte principale, violon, alto, violoncelle et harpe
07. Sérénade, Op. 30: I. Allegro, Allegro Molto
08. Sérénade, Op. 30: II. Andante
09. Sérénade, Op. 30: III. Presto
10. Pièce pour flûte seule
The rediscovery of the virtuoso repertory of the twentieth century has been a happy consequence of the general crackup of modernism, with music for the flute a prime beneficiary. This collection of performances (they were recorded on two different occasions) by young French flutist Sarah Louvion is unusually tightly focused, bringing together pieces are descended from Debussy's Sonata for flute, viola, and harp. The music would all have been familiar to the young Jean-Pierre Rampal, after whom Louvion takes in her playing, but aside from André Jolivet's Concerto for flute and string orchestra, and perhaps the Piece for solo flute of Ibert, the music here isn't widely known outside of French or flute realms. Louvion brings this rather musty but often charming world to life once again. Jolivet's Chant de Linos, a sort of chamber concerto for a solo flute with violin, viola, cello, and harp, is especially reminiscent of Debussy's neo-primitivist streak, and Roussel's Serenade for the same combination suggests a bacchanalian tone without ever raising its voice. Each piece challenges the flutist, and Louvion meets every challenge. The sound environment of both of the German churches where the music was recorded doesn't do her justice; her rapid passagework is smudged, and the flute often seems to be swallowed up. The string sound tends to emphasize the quaintness of the music. Better treatments of the flute can be heard on the recordings of Israeli-Swedish performer Sharon Bezaly. But there's an X factor that makes Louvion's recording very appealing, and it has to do with the close focus of the program.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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