Frédéric Zigante - Brouwer: Hika And The Young Composer (2018)
BAND/ARTIST: Frédéric Zigante
- Title: Brouwer: Hika And The Young Composer
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical Guitar
- Quality: flac lossless +Booklet
- Total Time: 00:54:56
- Total Size: 211 mb
- WebSite: Album Preview
Tracklist
01. Hika - In Memoriam Toru Takemitsu (1996) - Tempo libero
02. Tres apuntes: I. del "homenaje a falla"
03. Tres apuntes: II. de un fragmento instrumental
04. Tres apuntes: III. Sobre un canto de Bulgaria
05. Fuga No. 1
06. 20 Estudios sencillos: I. Mosso
07. 20 Estudios sencillos: II. Coral. Lento
08. 20 Estudios sencillos: III. Rapido
09. 20 Estudios sencillos: IV. Comodo. Allegretto
10. 20 Estudios sencillos: V. Montuno. Allegretto
11. 20 Estudios sencillos: VI. —
12. 20 Estudios sencillos: VII. Il più rapido possible
13. 20 Estudios sencillos: VIII. Tranquillo
14. 20 Estudios sencillos: IX. Scherzo
15. 20 Estudios sencillos: X. —
16. 20 Estudios sencillos: XI. Allegretto
17. 20 Estudios sencillos: XII. Tranquillo. Moderato
18. 20 Estudios sencillos: XIII. Mosso
19. 20 Estudios sencillos: XIV. Allegro
20. 20 Estudios sencillos: XV. Sarabanda
21. 20 Estudios sencillos: XVI. Tempo di ouverture francese. Grave
22. 20 Estudios sencillos: XVII. Moderato
23. 20 Estudios sencillos: XVIII. Moderato quasi lento
24. 20 Estudios sencillos: XIX. Mosso. Allegretto
25. 20 Estudios sencillos: XX. Mosso
26. Elogio de la danza: I. Lento
27. Elogio de la danza: II. Obstinado
28. Danza característica: I. Allegro
This recording presents some of the most significant early pieces by the Cuban composer Leo Brouwer (b.1939); it also includes other works, such as Hika from 1994 and the third and fourth series of his Estudios sencillos (1981), which show clear similarities with the composer's early style. First to be composed of the works here is a Danza caracteristica from 1956. A popular song melody forms the basis for an Afro-Cuban flavoured fantasy. The Fugue no.1 dates from the following year, when Brouwer was still a teenager: having outlined a theme of Baroque proportions he takes a fairly free attitude to its contrapuntal elaboration, anticipating the concise play of fantasy in the Tres Apuntes of 1959.
Having soon after moved to the US, Brouwer composed the first two books of the Estudios sencillos out of financial necessity, but they have proved among his most enduring and successful works, drawing energy not only from his Cuban heritage but the didactic economy of the Mikrokosmos by Bartók. Almost all of the third and fourth books from the series date from 1981; although Brouwer had both moved back to Cuba by then as well as moved on in his own style towards a more neo-romantic language, he rediscovered the lively economy of thought which runs through the earlier studies, combining it with both neoclassical harmonies and even chance procedures to produce among the most significant collections of guitar studies from the second half of the last century.
‘These short pieces reflect all of Brouwer’s creative genius,’ says Frédéric Zigante, ‘and I have always been fond of them, first as a young student of guitar and later as a guitar teacher. To me, they are an ideal method for weaning young guitarists from the didactic repertory of the 19th century.’ The French-born guitarist bases his career in northern Italy, but he has performed and recorded worldwide, as well as editing more than 40 volumes of guitar music for publishers such as Ricordi and Max Eschig. This new album marks his Brilliant Classics debut.
01. Hika - In Memoriam Toru Takemitsu (1996) - Tempo libero
02. Tres apuntes: I. del "homenaje a falla"
03. Tres apuntes: II. de un fragmento instrumental
04. Tres apuntes: III. Sobre un canto de Bulgaria
05. Fuga No. 1
06. 20 Estudios sencillos: I. Mosso
07. 20 Estudios sencillos: II. Coral. Lento
08. 20 Estudios sencillos: III. Rapido
09. 20 Estudios sencillos: IV. Comodo. Allegretto
10. 20 Estudios sencillos: V. Montuno. Allegretto
11. 20 Estudios sencillos: VI. —
12. 20 Estudios sencillos: VII. Il più rapido possible
13. 20 Estudios sencillos: VIII. Tranquillo
14. 20 Estudios sencillos: IX. Scherzo
15. 20 Estudios sencillos: X. —
16. 20 Estudios sencillos: XI. Allegretto
17. 20 Estudios sencillos: XII. Tranquillo. Moderato
18. 20 Estudios sencillos: XIII. Mosso
19. 20 Estudios sencillos: XIV. Allegro
20. 20 Estudios sencillos: XV. Sarabanda
21. 20 Estudios sencillos: XVI. Tempo di ouverture francese. Grave
22. 20 Estudios sencillos: XVII. Moderato
23. 20 Estudios sencillos: XVIII. Moderato quasi lento
24. 20 Estudios sencillos: XIX. Mosso. Allegretto
25. 20 Estudios sencillos: XX. Mosso
26. Elogio de la danza: I. Lento
27. Elogio de la danza: II. Obstinado
28. Danza característica: I. Allegro
This recording presents some of the most significant early pieces by the Cuban composer Leo Brouwer (b.1939); it also includes other works, such as Hika from 1994 and the third and fourth series of his Estudios sencillos (1981), which show clear similarities with the composer's early style. First to be composed of the works here is a Danza caracteristica from 1956. A popular song melody forms the basis for an Afro-Cuban flavoured fantasy. The Fugue no.1 dates from the following year, when Brouwer was still a teenager: having outlined a theme of Baroque proportions he takes a fairly free attitude to its contrapuntal elaboration, anticipating the concise play of fantasy in the Tres Apuntes of 1959.
Having soon after moved to the US, Brouwer composed the first two books of the Estudios sencillos out of financial necessity, but they have proved among his most enduring and successful works, drawing energy not only from his Cuban heritage but the didactic economy of the Mikrokosmos by Bartók. Almost all of the third and fourth books from the series date from 1981; although Brouwer had both moved back to Cuba by then as well as moved on in his own style towards a more neo-romantic language, he rediscovered the lively economy of thought which runs through the earlier studies, combining it with both neoclassical harmonies and even chance procedures to produce among the most significant collections of guitar studies from the second half of the last century.
‘These short pieces reflect all of Brouwer’s creative genius,’ says Frédéric Zigante, ‘and I have always been fond of them, first as a young student of guitar and later as a guitar teacher. To me, they are an ideal method for weaning young guitarists from the didactic repertory of the 19th century.’ The French-born guitarist bases his career in northern Italy, but he has performed and recorded worldwide, as well as editing more than 40 volumes of guitar music for publishers such as Ricordi and Max Eschig. This new album marks his Brilliant Classics debut.
Year 2018 | Classical | Instrumental | FLAC / APE | HD & Vinyl
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