Eddie "Cleanhead" Vinson - Golden Selection (Remastered) (2021)
BAND/ARTIST: Eddie Vinson, Eddie "Cleanhead" Vinson
- Title: Golden Selection (Remastered)
- Year Of Release: 2021
- Label: Master Tape Records
- Genre: Blues, R&B, Jazz
- Quality: FLAC (tracks)
- Total Time: 1:16:37
- Total Size: 313 MB
- WebSite: Album Preview
Tracklist:
01. No Good Woman Blues (Remastered)
02. Is You Is or Is You Ain't (My Baby) (Remastered)
03. Too Many Women Blues (Remastered)
04. Gonna Send You Back Where I Got You From (Remastered)
05. Peas and Rice (Remastered)
06. Cherry Red Blues (Remastered)
07. Just a Dream (Remastered)
08. I'm Gonna Wind Your Clock (Remastered)
09. Somebody Done Stole My Cherry Red (Remastered)
10. Cleanhead Blues (Remastered)
11. My Big Brass Bed Is Gone (And My Baby's Missing Too) (Remastered)
12. If You Don't Think I'm Sinking (Look What a Hole I'm In) (Remastered)
13. When a Woman Loves Her Juice (Remastered)
14. Good Bread Alley (Remastered)
15. Person to Person (Remastered)
16. Bald Headed Blues (Remastered)
17. Kidney Stew Blues (Remastered)
18. I'm Weak but I'm Willing (Remastered)
19. Somebody's Gotta Go (Remastered)
20. Featherbed Mama (Remastered)
21. Old Maid Boogie (Remastered)
22. Juice Head Baby (Remastered)
23. When I Get Drunk (Remastered)
24. Have You Ever Missed Your Baby? (Remastered)
25. Queen Bee Blues (Remastered)
26. Ashes on My Pillow (Remastered)
27. Luxury Tax Blues (Remastered)
01. No Good Woman Blues (Remastered)
02. Is You Is or Is You Ain't (My Baby) (Remastered)
03. Too Many Women Blues (Remastered)
04. Gonna Send You Back Where I Got You From (Remastered)
05. Peas and Rice (Remastered)
06. Cherry Red Blues (Remastered)
07. Just a Dream (Remastered)
08. I'm Gonna Wind Your Clock (Remastered)
09. Somebody Done Stole My Cherry Red (Remastered)
10. Cleanhead Blues (Remastered)
11. My Big Brass Bed Is Gone (And My Baby's Missing Too) (Remastered)
12. If You Don't Think I'm Sinking (Look What a Hole I'm In) (Remastered)
13. When a Woman Loves Her Juice (Remastered)
14. Good Bread Alley (Remastered)
15. Person to Person (Remastered)
16. Bald Headed Blues (Remastered)
17. Kidney Stew Blues (Remastered)
18. I'm Weak but I'm Willing (Remastered)
19. Somebody's Gotta Go (Remastered)
20. Featherbed Mama (Remastered)
21. Old Maid Boogie (Remastered)
22. Juice Head Baby (Remastered)
23. When I Get Drunk (Remastered)
24. Have You Ever Missed Your Baby? (Remastered)
25. Queen Bee Blues (Remastered)
26. Ashes on My Pillow (Remastered)
27. Luxury Tax Blues (Remastered)
An advanced stylist on alto saxophone who vacillated throughout his career between jump blues and jazz, bald-pated Eddie "Cleanhead" Vinson (he lost his hair early on after a botched bout with a lye-based hair-straightener) also possessed a playfully distinctive vocal delivery that stood him in good stead with blues fans.
Vinson first picked up a horn while attending high school in Houston. During the late '30s, he was a member of an incredible horn section in Milton Larkins's orchestra, sitting next to Arnett Cobb and Illinois Jacquet. After exiting Larkins' employ in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. Vinson joined the Cootie Williams Orchestra from 1942 to 1945. His vocals on trumpeter Williams' renditions of "Cherry Red" and "Somebody's Got to Go" were in large part responsible for their wartime hit status.
Vinson struck out on his own in 1945, forming his own large band, signing with Mercury, and enjoying a double-sided smash in 1947 with his romping R&B chart-topper "Old Maid Boogie" and the song that would prove his signature number, "Kidney Stew Blues" (both songs featured Vinson's instantly identifiable vocals). A 1949-1952 stint at King Records produced only one hit, the amusing sequel "Somebody Done Stole My Cherry Red," along with the classic blues "Person to Person" (later revived by another King artist, Little Willie John).
Kidney Stew Is FineVinson's jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. Somewhere along about here, Vinson wrote two Miles Davis classics, "Tune Up" and "Four." Vinson steadfastly kept one foot in the blues camp and the other in jazz, waxing jumping R&B for Mercury (in 1954) and Bethlehem (1957), jazz for Riverside in 1961 (with Cannonball Adderley), and blues for Blues Time and ABC-BluesWay. A 1969 set for Black & Blue, cut in France with pianist Jay McShann and tenor saxophonist Hal Singer, beautifully recounted Vinson's blues shouting heyday (it's available on Delmark as Old Kidney Stew Is Fine). A much later set for Muse teamed him with the sympathetic little big-band approach of Rhode Island-based Roomful of Blues. Vinson toured the States and Europe frequently prior to his 1988 death of a heart attack. ~ Bill Dahl
Vinson first picked up a horn while attending high school in Houston. During the late '30s, he was a member of an incredible horn section in Milton Larkins's orchestra, sitting next to Arnett Cobb and Illinois Jacquet. After exiting Larkins' employ in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. Vinson joined the Cootie Williams Orchestra from 1942 to 1945. His vocals on trumpeter Williams' renditions of "Cherry Red" and "Somebody's Got to Go" were in large part responsible for their wartime hit status.
Vinson struck out on his own in 1945, forming his own large band, signing with Mercury, and enjoying a double-sided smash in 1947 with his romping R&B chart-topper "Old Maid Boogie" and the song that would prove his signature number, "Kidney Stew Blues" (both songs featured Vinson's instantly identifiable vocals). A 1949-1952 stint at King Records produced only one hit, the amusing sequel "Somebody Done Stole My Cherry Red," along with the classic blues "Person to Person" (later revived by another King artist, Little Willie John).
Kidney Stew Is FineVinson's jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. Somewhere along about here, Vinson wrote two Miles Davis classics, "Tune Up" and "Four." Vinson steadfastly kept one foot in the blues camp and the other in jazz, waxing jumping R&B for Mercury (in 1954) and Bethlehem (1957), jazz for Riverside in 1961 (with Cannonball Adderley), and blues for Blues Time and ABC-BluesWay. A 1969 set for Black & Blue, cut in France with pianist Jay McShann and tenor saxophonist Hal Singer, beautifully recounted Vinson's blues shouting heyday (it's available on Delmark as Old Kidney Stew Is Fine). A much later set for Muse teamed him with the sympathetic little big-band approach of Rhode Island-based Roomful of Blues. Vinson toured the States and Europe frequently prior to his 1988 death of a heart attack. ~ Bill Dahl
Year 2021 | Jazz | Blues | R&B | FLAC / APE
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